{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":20,"n_cols":5,"rows_kept":20,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[11,2,11,3],[12,2,12,3],[14,2,14,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISA996580167203316"]
[null,null,"Autore",null,"Blok Gemma"]
[null,null,"Titolo",null,"The Cultural Construction of Safety and Security : Imaginaries, Discourses and Philosophies That Shaped Modern Europe"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam : , : Amsterdam University Press, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"90-485-5520-5"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (279 pages)"]
[null,null,"Disciplina",null,"362.88"]
[null,null,"Soggetti",null,"Human security - Europe - History"]
[{"$nulls":4},"HISTORY / Europe / General"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Table of Contents -- Introduction -- Gemma Blok and Jan Oosterholt -- Section 1 Philosophical Conceptualisations of Safety -- 1 Security, Certainty, Trust -- Historical and Contemporary Aspects of the Concept of Safety -- Eddo Evink -- 2 Tolerance: A Safety Policy in Pierre Bayle's Thought -- Ana Alicia Carmona Aliaga -- 3 The Shackles of Freedom -- The Modern Philosophical Notion of Public Safety -- Tom Giesbers -- Section 2 Security Cultures in History -- 4 The Invention of Collective Security after 1815 -- Beatrice de Graaf -- 5 Criminal, Cosmopolitan, Commodified -- How Rotterdam's Interwar Amusement Street, the Schiedamsedijk, Became a Safe Mirror Image of Itself -- Vincent Baptist -- 6 Tourists, Dealers or Addicts -- Security Practices in Response to Open Drug Scenes in Amsterdam, Rotterdam and Zurich, 1960-2000 -- Gemma Blok, Peter-Paul Bänzinger and Lisanne Walma -- Section 3 Narratives and Imaginaries of Safety -- 7 The 'Golden Age' Revisited -- Images and Notions of Safety in Insecure Times -- Nils Büttner -- 8 Safety as Nostalgia -- Infrastructural Breakdown in Stefan Zweig's Beware of Pity (1938) -- Frederik Van Dam -- 9 Brace for Impact -- Spatial Responses to Terror in Belfast and Oslo -- Roos van Strien -- Section 4 Narratives and Imaginaries of Unsafety -- 10 Safe at Home? -- The Domestic Space in Early Modern Visual Culture -- Sigrid Ruby -- 11 The Transfer of Nineteenth-Century Representations of Unsafety -- A Dutch Adaptation of Eugène Sue's Les Mystères de Paris -- Jan Oosterholt -- 12 Feeling Lost in a Modernising World -- A Critique on Martha Nussbaum's Emotion Theory through an Analysis of Feelings of Unsafety in Magda Szabó's Iza's Ballad -- Femke "]
[{"$nulls":4},"Kok -- List of Illustrations."]
[{"$nulls":4},"Figure 5.1 Professional profile of the Schiedamsedijk (1927). Source of map excerpt and address book data, respectively: Rotterdam City Archives, signature number: 40110-Z10, https://hdl.handle.net/21.12133/96CD44BCC38C4D1293732457E05751CE -- and Rotterdam -- Figure 5.2 Photograph of the Zevenhuissteeg with the Schiedamse­dijk in the background, presumably in 1937, by J.F.H. Roovers. Source: Romer, Passagieren op 'De Dijk', 40 / H.A. Voet. -- Figure 5.3 Photograph of The Black Diamond Bar on the Schiedamsedijk, presumably during the 1930s (exact date and creator unknown). Source: Romer, Passagieren op 'De Dijk', 57 -- Troost, De meisies van de Schiedamsedijk, 65. -- Figure 5.4 Photograph taken from inside the Prinsendam ship replica, overlooking the Schiedamsedijk during the 1935 VVV festivity week. Source: Romer, Het Leuvekwartier van weleer, 100 / Rotterdam City Archives, signature number: 2002-1588, https://hdl.ha -- Figure 7.1 Peter Paul Rubens, Adoration of the Magi, 1609 (retouched 1628-29), canvas, 355.5 × 493 cm, Madrid, Museo del Prado. -- Figure 7.2 Peter Paul Rubens, Samson and Delilah, ca. 1609, panel, 185 × 205 cm, London, National Gallery. -- Figure 7.3 Christian von Couwenbergh, Samson und Delila, 1632, canvas, 156 × 196 cm, Dordrecht, Dordrechts Museum. -- Figure 7.4 Peter Paul Rubens, Mars Disarmed by Venus, ca. 1615-17, canvas, 170 × 193 cm, formerly Schloss Königsberg. -- Figure 7.5 Adriaen van de Venne, Allegory of the Twelve Years' Truce, 1616, panel, 62 × 113 cm, Paris, Museé du Louvre. -- Figure 7.6 Peter Paul Rubens, Minerva Protects Pax from Mars (Allegory on the Blessings of Peace), 1629-30, canvas, 203.5 × 298 cm, London, National Gallery."]
[{"$nulls":4},"Figure 7.7 Peter Paul Rubens, A Sermon in a Village Church, ca. 1633-35, black chalk, brush and brownish red ink, watercolour, body colour and oil, 422 × 573 mm, New York, The Metropolitan Museum of Art. -- Figure 7.8 Peter Paul Rubens, Lansquenets Carousing ('The Marauders'), ca. 1637-40, canvas, 121.9 × 163.2 cm, Switzerland, Private Collection. -- Figure 7.9 Peter Paul Rubens, Die Schrecken des Krieges, 1637/38, canvas, 206 × 345 cm, Florence, Palazzo Pitti, Galleria Palatina. -- Figure 7.10 Hendrick Hondius, Cows in a Landscape, 1644, etching and engraving, 20.6 × 15.7 cm. -- Figure 10.1 Abraham Bosse, Le mari battant sa femme (The husband hitting his wife), ca. 1633, engraving, 21 × 30 cm / 25.8 × 33.3 cm, New York, Metropolitan Museum of Art, Inv. Nr. 24.36.5 (Public Domain). -- Figure 10.2 Pieter de Hooch, Woman with Child in a Pantry, ca. 1656-60, canvas, 65 × 60.5 cm, Amsterdam, Rijksmuseum, Inv. Nr. SK-A-182 (Public Domain). -- Figure 10.3 Pieter de Hooch, The Bedroom, 1658/60, canvas, 51 × 60 cm, Washington, DC, National Gallery of Art, Widener Collection (Public Domain). -- Figure 10.4 Pieter de Hooch, The Messenger of Love, ca. 1670, canvas, 57 × 53 cm, Hamburg, Kunsthalle, Inv. Nr. HK-184. © Hamburger Kunsthalle / bpk, Photo: Elke Walford. -- Figure 10.5 Pieter de Hooch, The Intruder: A Lady at Her Toilet Surprised by Her Lover, ca. 1665, canvas, 54.5 × 63 cm, London, Apsley House, The Wellington Collection, Inv. Nr. WM.1571-1948. -- Figure 10.6 Crispijn van de Passe I, Lucretia, 1589/1611, engraving, 23.3 × 16.2 cm, Amsterdam, Rijksmuseum, Inv. Nr. RP-P-1986-284 (Public Domain)."]
[null,null,null,"Sommario/riassunto","This volume analyses cultural perceptions of safety and security that have shaped modern European societies. The articles present a wide range of topics, from feelings of unsafety generated by early modern fake news to safety issues related to twentieth-century drug use in public space. The volume demonstrates how 'safety' is not just a social or biological condition to pursue but also a historical and cultural "]
[{"$nulls":4},"construct. In philosophical terms, safety can be interpreted in different ways, referring to security, certainty or trust. What does feeling safe and thinking about a safe society mean to various groups of people over time? The articles in this volume are bound by their joint effort to take a constructionist approach to emotional expressions, artistic representations, literary narratives and political discourses of (un)safety and their impact on modern European society."]