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[null,"1.","Record Nr.",null,"UNISA996384236303316"]
[null,null,"Autore",null,"Gouge William <1578-1653.>"]
[null,null,"Titolo",null,"A short catechisme [[electronic resource] ] : wherein are briefely laid downe the fundamentall principles of Christian religion. Needfull to be knowne of all such as come the Lords table. Whereunto is added morning and euening prayer for a family"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed by Io. Beale, 1621"]
[null,null,"Edizione",null,"[The third edition, corrected and inlarged.]"]
[null,null,"Descrizione fisica",null,"[56] p"]
[null,null,"Soggetti",null,"Catechisms, English - 17th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Preface signed: W. G. [i.e. William Gouge]."]
[{"$nulls":4},"Copies vary: with or without \"William Gouge\" on the title page; the copy without name on title page has errata on D4v."]
[{"$nulls":4},"Signatures: A-C Dâ\u0081´."]
[{"$nulls":4},"Reproduction of the original in the British Library."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"2.","Record Nr.",null,"UNISA996571848303316"]
[null,null,"Autore",null,"Müller-Brozovic Irena"]
[null,null,"Titolo",null,"Das Konzert als Resonanzraum : Resonanzaffine Musikvermittlung durch intensives Erleben und Involviertsein"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : transcript, , 2023"]
[{"$nulls":4},"©2023"]
[null,null,"ISBN",null,"3-8394-6760-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (375 pages)"]
[null,null,"Collana",null,"Forum Musikvermittlung - Perspektiven aus Forschung und Praxis"]
[null,null,"Soggetti",null,"MUSIC / History & Criticism"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Konzertsituationen mit starken Musikerlebnissen faszinieren, ereignen sich jedoch nur selten. Wie können Musikvermittelnde dieses musikalische Involviertsein, das sich in einer besonderen Zugewandtheit oder Versunkenheit zeigt, begünstigen? Entlang dieser Frage entwickelt Irena Müller-Brozovic eine theoretische Fundierung von Musikvermittlung, die sich auf Hartmut Rosas Resonanztheorie bezieht und Aspekte von intensiven Momenten in Konzertsituationen beschreibt. Sowohl vielfältige Praxisbeispiele als auch ein dynamisches Modell sowie zugehörige Leitfragen dienen dabei als Werkzeug für das Konzipieren und Analysieren von Vermittlungssituationen."]