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[null,null,"Autore",null,"Karpova Yulia"]
[null,null,"Titolo",null,"Comradely objects : Design and material culture in Soviet Russia, 1960s-80s / / Yulia Karpova"]
[null,null,"Pubbl/distr/stampa",null,"Manchester : , : Manchester University Press, , [2020]"]
[{"$nulls":4},"©2020"]
[null,null,"Descrizione fisica",null,"1 electronic resource (232 p.)"]
[null,null,"Collana",null,"Studies in Design and Material Culture"]
[null,null,"Disciplina",null,"745.4094709046"]
[null,null,"Soggetti",null,"Art & design styles: from c 1960"]
[{"$nulls":4},"Material culture"]
[{"$nulls":4},"Former Soviet Union, USSR (Europe)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The Russian avant-garde of the 1920s is broadly recognised to have been Russia's first truly original contribution to world culture. In contrast, Soviet design of the post-war period is often dismissed as hack-work and plagiarism that resulted in a shabby world of commodities. This book offers a new perspective on the history of Soviet design by focusing on the notion of the comradely object as an agent of progressive social relations that state-sponsored Soviet design inherited from the avant-garde. It introduces a shared history of domestic objects, hand-made as well as machine made, mass-produced as well as unique, utilitarian as well as challenging the conventional notion of utility. This is a study of post-avant-garde Russian productivism at the intersection of intellectual history, social history and material culture studies, an account attentive to the complexities and contradictions of Soviet design."]