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[null,"1.","Record Nr.",null,"UNISA996552355103316"]
[null,null,"Autore",null,"Knowles Kim"]
[null,null,"Titolo",null,"Cinematic intermediality : theory and practice / / edited by Kim Knowles and Marion Schmid"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh, Scotland : , : Edinburgh University Press, , [2021]"]
[null,null,"ISBN",null,"1-4744-9523-0"]
[{"$nulls":4},"1-4744-4636-1"]
[null,null,"Descrizione fisica",null,"1 online resource (208 pages) : illustrations"]
[null,null,"Collana",null,"Edinburgh studies in film and intermediality"]
[null,null,"Disciplina",null,"791.43657"]
[null,null,"Soggetti",null,"Motion pictures and the arts"]
[{"$nulls":4},"Intermediality"]
[{"$nulls":4},"Motion pictures - Criticism and interpretation"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Intro -- Cinematic Intermediality -- Copyright -- Contents -- Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras:  Antonioni's Lo Sguardo di Michelangelo (2004) -- 3 The Photo-filmic and the Post-human:  Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices:  Avant-garde Film, Medium Specificity and Intermediality, 1970-2015 -- 6 The 'Artist as Filmmaker':  Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits's N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography's Blind Spots:  Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts:  Pascale Breton, Suite armoricaine, and Eugène Green, Le Fis de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation:  The Making of Body of War and Faith -- 13 Muybridge's Disobedient Horses:  Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun:  Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index."]
[null,null,null,"Sommario/riassunto","This edited collection proposes new directions for understanding cinematic intermediality, mapping out innovative approaches to film's "]
[{"$nulls":4},"relationship with some of its most influential artistic predecessors in the fields of performance, sculpture, painting, photography and dance."]