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[null,"1.","Record Nr.",null,"UNINA9910458248703321"]
[null,null,"Titolo",null,"Intermodernism [[electronic resource] ] : literary culture in mid-twentieth-century Britain / / edited by Kristin Bluemel"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh, : Edinburgh University Press, c2009"]
[null,null,"ISBN",null,"0-7486-5192-6"]
[{"$nulls":4},"1-282-62025-8"]
[{"$nulls":4},"9786612620256"]
[{"$nulls":4},"0-7486-3510-6"]
[null,null,"Descrizione fisica",null,"1 online resource (265 p.)"]
[null,null,"Disciplina",null,"820.900914"]
[null,null,"Soggetti",null,"English literature - 20th century - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"pt. 1. Work -- pt. 2. Community -- pt. 3. War -- pt. 4. Documents."]
[null,null,null,"Sommario/riassunto","This book explores the fiction, memoirs, criticism, and journalism of writers such as Elizabeth Bowen, Storm Jameson, William Empson, George Orwell, J. B. Priestley, Harold Heslop, T. H. White, Rebecca West, John Grierson, Margery Allingham, and Stella Gibbons. Distinguishing their work from that of modernists or postmodernists, the volume outlines the historical, institutional, and personal relationships that define intermodernism. Three kinds of intermodern features are described: cultural (intermodernists typically represent working-class and middle-class cultures); political (intermodernis"]
[null,"2.","Record Nr.",null,"UNISA996509964803316"]
[null,null,"Titolo",null,"Images on the move : materiality - networks - formats. / / edited by Olga Moskatova"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : Transcript Verlag, , [2021]"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"3-8394-5246-5"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (289 pages)"]
[null,null,"Collana",null,"Edition Medienwissenschaft ; 76"]
[null,null,"Disciplina",null,"302.231"]
[null,null,"Soggetti",null,"Digital media"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter    1  Contents    5  1. Introduction: Trajectories of Images    7  2. Greetings from Chicago: Image Networks and Infrastructures of Postcard Production and Circulation    31  3. Techniques of Transmission: Wire Service Photography and the Digital Image    53  4. Calm Images: The Invisible Visual Culture of Digital Image Distribution    73  5. Unmoving Bodies: In-Flight Entertainment, Infrastructural Images and Cultural Techniques of Sitting    87  6. Cartes-de-Visite, Miniaturization and the Materiality of Circulation    109  7. Grainy Days and Mondays: Superstar and Bootleg Aesthetics    135  8. What Makes a Download a Stream?    155  9. What Moves? The Itineraries of Pre-Digital Photography    189  10. Moved by Rubens: The Double Logic of Image Perception in the Age of Mechanical Reproduction (1877-1977)    209  11. Follow the Films. Reuses of a Research Film: Biography, Recycling, Whitewashing, Appropriation and Palimpsesting    231  12. Extraterrestrial Images    259  List of Illustrations    279  Contributors    283"]
[null,null,null,"Sommario/riassunto","In contemporary society, digital images have become increasingly mobile. They are networked, shared on social media, and circulated across small and portable screens. Accordingly, the discourses of spreadability and circulation have come to supersede the focus on production, indexicality, and manipulability, which had dominated early conceptions of digital photography and film. However, the mobility of images is neither technologically nor conceptually limited to the realm of the digital. The edited volume re-examines the historical, aesthetical, and theoretical relevance of image mobility. The contributors provide a materialist account of images on the move - "]
[{"$nulls":4},"ranging from wired photography to postcards to streaming media."]