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[null,"1.","Record Nr.",null,"UNISA996496562103316"]
[null,null,"Autore",null,"Stellmann Jan"]
[null,null,"Titolo",null,"Artifizialität und Agon : Poetologien des Wi(e)derdichtens im höfischen Roman des 12. und 13. Jahrhunderts / / Jan Stellmann"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; Boston : , : De Gruyter, , [2022]"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"3-11-071995-9"]
[null,null,"Descrizione fisica",null,"1 online resource (563 p.)"]
[null,null,"Collana",null,"Andere Ästhetik – Studien , , 2749-652X ; ; 3"]
[null,null,"Disciplina",null,"111.85094"]
[null,null,"Soggetti",null,"Aesthetics - History - To 1500"]
[{"$nulls":4},"LITERARY CRITICISM / European / German"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Vorwort -- Inhaltsverzeichnis -- 1 Einleitung -- 2 Poetik des Wi(e)derdichtens – von Horaz zu Galfrid von Vinsauf -- 3 Poetologien des Wi(e)derdichtens im höfischen Roman -- 4 Metaphoriken des Wi(e)derdichtens im höfischen Roman -- 5 Fazit -- Literaturverzeichnis -- Autoren- und Werkeregister"]
[null,null,null,"Sommario/riassunto","Die Studie entfaltet die These, dass das Wiederdichten, wie es in den Poetologien deutschsprachiger höfischer Romane des 12. und 13. Jahrhunderts reflektiert wird, nicht nur als artifizielle Poiesis, sondern auch als Praxis der Nachahmung und des Wettstreits verstanden werden muss. Diese doppelte Dimensionierung des Wieder- als Widerdichtens wird historisch aus der Ars poetica des Horaz sowie der Poetria nova Galfrids von Vinsauf hergeleitet und konzeptionell mit den Begriffen Artifizialität und Agon erfasst."]
[{"$nulls":4},"This study develops the theory that the practice of retelling reflected in the poetologies of German-language chivalric romance (twelfth and thirteenth centuries) must be understood not just as artificial poiesis but also as a practice of imitation and dispute. The study derives these two dimensions of the retelling historically from Horace’s Ars poetica and describes them conceptually using the concepts of artificiality and agon."]