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[null,"1.","Record Nr.",null,"UNISA996465829703316"]
[null,null,"Titolo",null,"Nonlinear Speech Modeling and Applications [[electronic resource] ] : Advanced Lectures and Revised Selected Papers / / edited by Gerard Chollet, Anna Esposito, Marcos Faundez-Zanuy, Maria Marinaro"]
[null,null,"Pubbl/distr/stampa",null,"Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2005"]
[null,null,"Edizione",null,"[1st ed. 2005.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XIV, 438 p.)"]
[null,null,"Collana",null,"Lecture Notes in Artificial Intelligence ; ; 3445"]
[null,null,"Disciplina",null,"006.4/54"]
[null,null,"Soggetti",null,"Artificial intelligence"]
[{"$nulls":4},"Natural language processing (Computer science)"]
[{"$nulls":4},"Application software"]
[{"$nulls":4},"Special purpose computers"]
[{"$nulls":4},"Artificial Intelligence"]
[{"$nulls":4},"Natural Language Processing (NLP)"]
[{"$nulls":4},"Computer Appl. in Arts and Humanities"]
[{"$nulls":4},"Special Purpose and Application-Based Systems"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"This volume contains invited and contributed papers presented at the 9th International Summer School \"Neural Nets E.R. Caianiello\" on Nonlinear Speech Processing: Algorithms and Analysis, held in Vietri sul Mare, Salerno, Italy, during September 13-18, 2005\"--Pref."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Dealing with Nonlinearities in Speech Signals -- Some Notes on Nonlinearities of Speech -- Nonlinear Speech Processing: Overview and Possibilities in Speech Coding -- Signal Processing in a Nonlinear, NonGaussian, and Nonstationary World -- Acoustic-to-Articulatory Modeling of Speech Phenomena -- The Analysis of Voice Quality in Speech Processing -- Identification of Nonlinear Oscillator Models for Speech Analysis and Synthesis -- Speech Modelling Based on Acoustic-to-Articulatory Mapping -- Data Driven and Speech Processing Algorithms -- Underdetermined Blind Separation of Speech Signals with Delays in Different Time-Frequency Domains -- Data Driven Approaches to Speech and Language Processing -- Cepstrum-Based Harmonics-to-Noise Ratio Measurement in Voiced Speech -- Predictive Connectionist Approach to Speech Recognition -- Modeling Speech Based on Harmonic Plus Noise Models -- Algorithms and Models Based "]
[{"$nulls":4},"on Speech Perception Mechanisms -- Text Independent Methods for Speech Segmentation -- Nonlinear Adaptive Speech Enhancement Inspired by Early Auditory Processing -- Perceptive, Non-linear Speech Processing and Spiking Neural Networks -- Task Oriented Speech Applications -- An Algorithm to Estimate Anticausal Glottal Flow Component from Speech Signals -- Non-linear Speech Feature Extraction for Phoneme Classification and Speaker Recognition -- Segmental Scores Fusion for ALISP-Based GMM Text-Independent Speaker Verification -- On the Usefulness of Almost-Redundant Information for Pattern Recognition -- An Audio-Visual Imposture Scenario by Talking Face Animation -- Cryptographic-Speech-Key Generation Using the SVM Technique over the lp-Cepstral Speech Space -- Nonlinear Speech Features for the Objective Detection of Discontinuities in Concatenative Speech Synthesis -- Signal Sparsity Enhancement Through Wavelet Transforms in Underdetermined BSS -- A Quantitative Evaluation of a Bio-inspired Sound Segregation Technique for Two- and Three-Source Mixtures -- Application of Symbolic Machine Learning to Audio Signal Segmentation -- Analysis of an Infant Cry Recognizer for the Early Identification of Pathologies -- Graphical Models for Text-Independent Speaker Verification -- An Application to Acquire Audio Signals with ChicoPlus Hardware -- Speech Identity Conversion -- Robust Speech Enhancement Based on NPHMM Under Unknown Noise."]
[null,"2.","Record Nr.",null,"UNISA996320712903316"]
[null,null,"Autore",null,"Rudy Kathryn M."]
[null,null,"Titolo",null,"Piety in pieces : how medieval readers customized their manuscripts / / Kathryn M. Rudy"]
[null,null,"Pubbl/distr/stampa",null,"Open Book Publishers, 2016"]
[{"$nulls":4},"Cambridge, UK : , : Open Book Publishers, , 2016"]
[null,null,"ISBN",null,"1-78374-236-4"]
[{"$nulls":4},"2-8218-8397-8"]
[{"$nulls":4},"1-78374-235-6"]
[null,null,"Descrizione fisica",null,"1 online resource (416 p.)"]
[null,null,"Disciplina",null,"940.1"]
[null,null,"Soggetti",null,"Civilization, Medieval"]
[{"$nulls":4},"Codicology - History - To 1500"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Notes to the reader -- Abbreviations used in this book -- Introduction: A new approach to codicology -- Types of augmentations -- Part I: The modular method -- A. Modular and non-modular, compared -- B. The hierarchy of decoration -- C. Modules and blank space -- D. Precursors of book modules -- E. Implications of the modular method -- F. Adopters of the modular method -- G. Complicated stratigraphy -- Part II: Changes that did not require rebinding -- A. Correcting the text -- B. Adding text to the blank folios and interstices ; 1. Noting who owned, commissioned, and paid for items ; 2. Adding family information ; 3. Adding legal documents ; 4. Adding a gloss ; 5. Adding calendrical data ; 6. Changing a text to reflect updated circumstances ; 7. Adding text to make a book appropriate as a didactic tool ; 8. Adding prayers -- C. Augmenting the existing decoration -- D. Drawing or painting images directly onto bound parchment -- E. Adding physical material superficially ; 1. Attaching parchment sheets to blank areas of the book ; 2. Adding other objects to blank parchment -- Part III: Changes that required rebinding -- Rebinding -- A. Adding leaves bearing texts -- B. Adding leaves bearing images ; 1. Images for the most common offices ; 2. Images for indulgences ; 3. Portraits and personalizing details ; 4. Images for adding value ; 5. Images for missals ; 6. Other single-leaf miniatures ; 7. Packages of images ; 8. Images removed from one manuscript and inserted into "]
[{"$nulls":4},"another -- C. Adding quires ; 1. Adding a bifolium ; 2. Adding one or more full quires -- Part IV: Complicated interventions and complete overhauls -- Building a book out of disparate quires -- A. An atelier in Bruges -- B. Unica -- C. The convent of St. Ursula ; 1. Oxford, Bodleian Library, Ms. Rawl. Liturg. E.9* ; 2. The Hague, Koninklijke Bibliotheek, Ms. 132 G ; 3. Uppsala, Universitetsbiblioteket, Ms. C 517 k -- D. The convent of St. Agnes in Delft -- E. The Masters of the Dark Eyes ; 1. Alongside the Master of Gijsbrecht van Brederode ; 2. Leeds, Brotherton Ms. 7 with an added booklet -- Part V: Patterns of desire -- A. Desire to personalize the book -- B. Desire to commemorate a changed family situation -- C. Desire to store small precious objects -- D. Desire for more embellishment -- E. Recycling and refurbishing -- F. Desire to make foreign-produced manuscripts locally relevant -- G. Desire to incorporate new prayers -- H. Fear of hell -- I. Desire to reflect wealth -- J. Changes, social and codicological -- List of illustrations."]
[null,null,null,"Sommario/riassunto","Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts.  These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts-that they were custom-made luxury items-even when the production had become impersonal.  Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted.  Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of…"]