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[null,"1.","Record Nr.",null,"UNINA990009746720403321"]
[null,null,"Autore",null,"Portale, Elisa Chiara"]
[null,null,"Titolo",null,"Le grandi isole del mediterraneo occidentale : Sicilia, Sardinia, Corsica / Elisa Chiara Portale, Simonetta Angiolillo, Cinzia Vismara"]
[null,null,"Pubbl/distr/stampa",null,"Roma : L'Erma di Bretschneider, 2005"]
[null,null,"ISBN",null,"88-8265-341-2"]
[null,null,"Descrizione fisica",null,"343 p. : ill. ; 21 cm"]
[null,null,"Collana",null,"Archeologia delle province romane ; 1"]
[null,null,"Disciplina",null,"937.702"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"937.702 POR 1"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA996465415503316"]
[null,null,"Titolo",null,"Multidisciplinary Information Retrieval [[electronic resource] ] : Second Information Retrieval Facility Conference, IRFC 2011, Vienna, Austria, June 6, 2011, Proceedings / / edited by Allan Hanbury, Andreas Rauber, Arjen De Vries"]
[null,null,"Pubbl/distr/stampa",null,"Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : Springer, , 2011"]
[null,null,"ISBN",null,"3-642-21353-7"]
[null,null,"Edizione",null,"[1st ed. 2011.]"]
[null,null,"Descrizione fisica",null,"1 online resource (X, 149 p. 26 illus., 9 illus. in color.)"]
[null,null,"Collana",null,"Information Systems and Applications, incl. Internet/Web, and HCI ; ; 6653"]
[null,null,"Disciplina",null,"006.312"]
[null,null,"Soggetti",null,"Data mining"]
[{"$nulls":4},"Application software"]
[{"$nulls":4},"Artificial intelligence"]
[{"$nulls":4},"Information storage and retrieval"]
[{"$nulls":4},"Computer communication systems"]
[{"$nulls":4},"Database management"]
[{"$nulls":4},"Data Mining and Knowledge Discovery"]
[{"$nulls":4},"Information Systems Applications (incl. Internet)"]
[{"$nulls":4},"Artificial Intelligence"]
[{"$nulls":4},"Information Storage and Retrieval"]
[{"$nulls":4},"Computer Communication Networks"]
[{"$nulls":4},"Database Management"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","This book constitutes the proceedings of the Second Information Retrieval Facility Conference, IRFC 2011, held in Vienna, Austria, in June 2011. The 10 papers presented together with a keynote talk were carefully reviewed and selected from 19 high-quality submissions. IRF conferences wish to bring young researchers into contact with industry at an early stage. The second conference aimed to tackle four complementary research areas: information retrieval, semantic web technologies for IR, natural language processing for IR, and large-scale or distributed computing for the above areas. The papers are organized "]
[{"$nulls":4},"into topical sections on patents and multilinguality, interactive retrieval support, and IR and the Net."]
[null,"3.","Record Nr.",null,"UNINA9910781115703321"]
[null,null,"Autore",null,"Johnson William Bruce"]
[null,null,"Titolo",null,"Miracles & sacrilege : Roberto Rossellini, the Church and film censorship in Hollywood / / William Bruce Johnson"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2008"]
[{"$nulls":4},"©2008"]
[null,null,"ISBN",null,"1-4426-9182-4"]
[{"$nulls":4},"1-4426-8863-7"]
[null,null,"Descrizione fisica",null,"1 online resource (537 p.)"]
[null,null,"Disciplina",null,"791.430973"]
[null,null,"Soggetti",null,"Motion pictures - Censorship - United States - History"]
[{"$nulls":4},"Freedom of speech - United States - History - 20th century"]
[{"$nulls":4},"Motion pictures - Religious aspects - Catholic Church"]
[{"$nulls":4},"History"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"USA"]
[{"$nulls":4},"United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"'A business pure and simple' -- The church, 'modernism, ' and 'Americanism' -- A church of immigrants -- A new Catholic-American culture -- Protestantism Balkanized -- Reining in Hollywood -- The Production Code -- The Legion of Decency -- The Breen Office -- The Paramount Case -- Cocktails and communism -- New realities -- Visions of Mary -- Mary or communism -- The priest as public figure -- 'Woman further defamed' -- 'A sense of decency and good morals' -- 'The law knows no heresy' -- In the Supreme Court -- Candour and shame."]
[null,null,null,"Sommario/riassunto","\"Miracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court's decision striking down a government ban on Roberto Rossellini's film The Miracle (1950). In this extraordinary case, the court ultimately chose to abandon its own long-standing determination that film was merely a 'business' unworthy of free-speech rights, declaring that the First Amendment barred "]
[{"$nulls":4},"government from banning any film as 'sacrilegious.'\" \"Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyses the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship.\" \"Tracing the development of the Church in the United States, Johnson discusses why it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The court's decision was not only a milestone in the law of church-state relations, but paved the way for a succession of later decisions that gradually established a firm legal basis for freedom of expression in the arts.\"--Jacket."]