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[null,"1.","Record Nr.",null,"UNISA996463251203316"]
[null,null,"Titolo",null,"Tuning up! : the innovative potential of Musikvermittlung / / Sarah Chaker, Axel Petri-Preis, editors"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : Transcript, , [2022]"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"3-8394-5681-9"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"214 Seiten"]
[null,null,"Collana",null,"Forum Musikvermittlung-Perspektiven aus Forschung und Praxis ; ; Volume 1, , 2750-5235"]
[null,null,"Disciplina",null,"780.23"]
[null,null,"Soggetti",null,"Music - Social aspects"]
[{"$nulls":4},"Music - Philosophy and aesthetics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Cover -- Contents -- Preface -- Welcome Notes -- Musikvermittlung and Its Innovative Potential -- Listening Twice to Bernhard Gander's \"Peter Parker\" -- The Big Bang of Musikvermittlung -- On the Translation of Music -- Slam Poetry Meets Classical Music -- Under a Preservation Order? -- The Promotion of Pleasure in Individual Perception -- Musikvermittlung as Everyday Practice -- Practical Intelligence and the Limitations of Practitioners -- Engaging with New Audiences -- Hear - Taste - See: UISGE BEATHA - Waters of Life -- Artful Innovation -- Just join in? Audience Participation in Classical Contemporary Music."]
[null,null,null,"Sommario/riassunto","Professional musicians who perform in hospitals, retirement homes, and prisons, creatively stimulated by the residents; babies crawling over exercise mats, enjoying classical music together with their parents; concert-goers who take their seats between the musicians in order to experience music with all their senses up close - the opportunities to make and experience music are almost unlimited. Various actors in the field of classical music have taken this as a chance to develop a wide range of new artistic and educational practices over the last two decades, aiming to facilitate in-depth aesthetic experiences, to bond with new audiences, and to encourage active cultural participation. The contributors focus on the innovative potentials of Musikvermittlung as a social bridge-builder for concert life, (higher) music education, research, and social life."]