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[null,"1.","Record Nr.",null,"UNISA996453547503316"]
[null,null,"Autore",null,"Klemstein Franziska"]
[null,null,"Titolo",null,"Denkmalpflege zwischen System und Gesellschaft : Vielfalt denkmalpflegerischer Prozesse in der DDR (1952-1975)"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : transcript, , 2021"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"3-8394-5779-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (427 pages)"]
[null,null,"Collana",null,"Public History - Angewandte Geschichte"]
[null,null,"Soggetti",null,"HISTORY / Europe / Germany"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Inhalt -- Untitled -- 1. Einleitung -- 2. Prolog: Die Debatte um das Berliner Schloss -- 3. Denkmalpflege im (Wieder-)Aufbau 1952-1960 -- 4. Zwischenfazit zum ersten Untersuchungszeitraum 1952-1960 -- 5. Denkmalpflege und sozialistische Umgestaltung 1961-1975 -- 6. Zwischenfazit zum zweiten Untersuchungszeitraum 1961-1975 -- 7. Resümee -- Verzeichnisse -- Anhang I: Zeitzeugengespräch mit Ludwig Deiters -- Anhang II: Personenübersicht."]
[null,null,null,"Sommario/riassunto","Denkmalpflege und -schutz befanden sich in der DDR in einem Gefüge divergierender Interessen, die es wiederholt auszuhandeln galt.Franziska Klemstein präsentiert ein differenziertes Bild denkmalpflegerischer Denk- und Arbeitsweisen sowie regionale Unterschiede im Zeitraum von 1952 bis 1975. Sie veranschaulicht das Handlungsgefüge der institutionellen Denkmalpflege im Spannungsfeld zwischen Kultur und Bauwesen und rückt exemplarisch Handlungsmöglichkeiten und die Auswirkungen konkreter Entscheidungen ausgewählter Akteur*innen wie Ludwig Deiters, Fritz Rothstein und Käthe Rieck ins Zentrum der Untersuchung."]
[null,"2.","Record Nr.",null,"UNINA9910136495903321"]
[null,null,"Autore",null,"Belo André"]
[null,null,"Titolo",null,"L'imprimé et ses pouvoirs dans les langues romanes / / Ricardo Saez"]
[null,null,"Pubbl/distr/stampa",null,"Rennes, : Presses universitaires de Rennes, 2016"]
[null,null,"ISBN",null,"2-7535-4696-7"]
[null,null,"Descrizione fisica",null,"1 online resource (368 p.)"]
[null,null,"Soggetti",null,"Literature (General)"]
[{"$nulls":4},"édition"]
[{"$nulls":4},"langue romane"]
[{"$nulls":4},"histoire"]
[{"$nulls":4},"livre"]
[{"$nulls":4},"écritures"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Fruit d’un travail collectif, le colloque international qui s’est tenu à Rennes les 5, 6 et 7 octobre 2006, portant sur l’imprimé et ses pouvoirs dans les langues romanes, s’est efforcé de penser, d’une part, les relations entre l’imprimerie et d’autres formes de diffusion, en particulier la copie et de situer, d’autre part, les pouvoirs du livre, cet objet nomade reproduit en série, par rapport à d’autres objets écrits tels les pamphlets, pétitions, affiches, formulaires, billets, certificats et bien d’autres ephemera ou travaux de ville qui ont constitué le plus clair des revenus des éditeurs. Posées sur temps et espace, les communications ici retenues tracent la courbe chronologique et thématique du colloque. Celle-ci se déploie dans son épaisseur temporelle et dans sa diversité géographique allant de l’Italie du Moyen Âge à l’Espagne du début du XXIe siècle en passant par le Portugal avant d’accoster en Amérique. Ont participé à ce colloque des chercheurs venus de plusieurs horizons : historiens du livre, historiens de l’art, spécialistes de la culture écrite et de l’histoire culturelle, des littéraires rompus à l’exégèse des textes et au conflit des interprétations, des hispanistes, des italianistes, des lusistes mais également des américanistes travaillant sur la période médiévale, les Temps modernes et l’époque contemporaine. Pour mener à bien un tel "]
[{"$nulls":4},"projet, il était de bonne méthode de croiser langues et cultures, histoires et pays, méthodes et pratiques convoquant ainsi la variété des supports et la pluralité des voix des domaines ici interrogés."]
[null,"3.","Record Nr.",null,"UNINA9910821545803321"]
[null,null,"Autore",null,"Frisken Amanda"]
[null,null,"Titolo",null,"Graphic news : how sensational images transformed nineteenth-century journalism / / Amanda Frisken"]
[null,null,"Pubbl/distr/stampa",null,"Urbana ; ; Chicago ; ; Springfield : , : University of Illinois Press, , [2020]"]
[{"$nulls":4},"©2020"]
[null,null,"ISBN",null,"0-252-05183-1"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"The history of communication"]
[null,null,"Disciplina",null,"070.4909034"]
[null,null,"Soggetti",null,"Journalism, Pictorial - United States - History - 19th century"]
[{"$nulls":4},"Sensationalism in journalism - United States - History - 19th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: Sensationalism and the Rise of Visual Journalism -- \"We Simply Illustrate\": Sensationalizing Crime in the 1870s \"Sporting\" News -- \"Language More Effective than Words\": Opium Den Illustrations and Anti-Chinese Violence in the 1880s -- \"A First-Class Attraction on Any Stage\": Dramatizing the Ghost Dance and the Massacre at Wounded Knee -- \"A Song without Words\": Anti-Lynching Imagery as Visual Protest in the 1890s Black Press -- \"Wanted to Save Her Honor\": Sensationalizing the Provocation Defense in the Mid-1890s -- Epilogue: Legacies of Visual Journalism and the Sensational Style."]
[null,null,null,"Sommario/riassunto","\"\"You furnish the pictures and I'll furnish the war.\" This famous but apocryphal quote, long attributed to newspaper magnate William Randolph Hearst, encapsulates fears of the lengths to which news companies would go to exploit visual journalism in the late nineteenth century. From 1870 to 1900, newspapers disrupted conventional reporting methods with sensationalized line drawings. A fierce hunger for profits motivated the shift to emotion-driven, visual content. But the new approach, while popular, often targeted, and further marginalized, vulnerable groups. The author examines the ways sensational images of pivotal cultural events-obscenity litigation, anti-Chinese bloodshed, the Ghost Dance, lynching, and domestic violence-changed the public's consumption of the news. Using intersectional analysis, Frisken explores how these newfound visualizations of events during episodes of social and political controversy allowed newspapers and social activists alike to communicate-or challenge-prevailing "]
[{"$nulls":4},"understandings of racial, class, and gender identities and cultural power\"--"]