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[null,"1.","Record Nr.",null,"UNINA9910453223703321"]
[null,null,"Autore",null,"Carlson Katy <1973->"]
[null,null,"Titolo",null,"Parallelism and prosody in the processing of ellipsis sentences / / Katy Carlson"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2013"]
[null,null,"ISBN",null,"1-138-99475-8"]
[{"$nulls":4},"1-315-02417-9"]
[{"$nulls":4},"1-136-72281-5"]
[null,null,"Descrizione fisica",null,"1 online resource (244 p.)"]
[null,null,"Collana",null,"Outstanding dissertations in linguistics"]
[null,null,"Disciplina",null,"415"]
[null,null,"Soggetti",null,"Grammar, Comparative and general - Ellipsis"]
[{"$nulls":4},"Parallelism (Linguistics)"]
[{"$nulls":4},"Prosodic analysis (Linguistics)"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"First published 2002 by Routledge\"--T.p. verso."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Original Title Page; Title Page; Copyright Page; Acknowledgments; Abstract; Table of Contents; List of Tables; List of Figures; Chapter 1: Introduction; Parallelism and the Parallelism Hypothesis; Sentence Processing; Ellipsis Sentences and Conjunction; Prosody and Prosodic Processing; Overview of Book; Chapter 2: The Processing of Ambiguous Written Gapping Sentences; Introduction to Gapping and its Structure; Processing Gapping Sentences; Experiment 1: Written Gapping Questionnaire; Method; Stimuli; Stimulus Pre-Testing; Procedure; Participants; Results; Discussion"]
[{"$nulls":4},"Other Possible BiasesExperiment 2: Fill-in Questionnaire; Method; Stimuli; Procedure; Participants; Results; Discussion; Caminati Experiment: Gapping in Context; General Discussion; Conclusions; Chapter 3: The Auditory Processing of Ambiguous Gapping Sentences; Auditory Processing; Experiment 3 : Prosodic Parallelism Auditory Questionnaire; Method; Stimuli; Procedure; Participants; Results and Discussion; Experiment 4: Context-rating and Naturalness Study; Method; Stimuli; Procedure; Participants; Results; Discussion; On-line Auditory Processing"]
[{"$nulls":4},"Experiment 5: Ellipsis Self-Paced Listening QuestionnaireMethod; Stimuli; Procedure; Participants; Results; Discussion; Experiment 6: Gapping Self-Paced Listening Questionnaire; Method; Stimuli; "]
[{"$nulls":4},"Procedure; Participants; Results; Discussion and Conclusions from Self-Paced Listening Experiments; General Conclusions; Chapter 4: Parallelism in Non-conjoined Ellipsis Sentences; Comparatives and Their Structure; Replacives and Stripping and Their Structures; Commonalities Between Comparatives, Replacives, and Stripping; Experiment 7: Replacives, Stripping Self-Paced Reading Questionnaire; Method"]
[{"$nulls":4},"StimuliProcedure; Participants; Results; Discussion; Experiment 8: Written Comparatives, Replacives, Stripping Questionnaire; Method; Stimuli; Procedure; Participants; Results; Discussion; Experiment 9: Auditory Comparatives Questionnaire; Method; Stimuli; Procedure; Participants; Results; Discussion; Conclusions; Chapter 5: Prosodic Parallelism, Focus, and Pitch Range; The Grammar of Focus; Processing Issues; Experiment 10: Auditory, Gapping Questionnaire with Neutral Accent; Method; Stimuli; Procedure; Participants; Results and Discussion; Experiment 11: Production Study; Method; Stimuli"]
[{"$nulls":4},"Procedure and ParticipantsResults; Discussion; Features of Prosodic Parallelism; Experiment 12: Pitch Range Auditory Questionnaire; Pitch Matching; Sentence Types and Prosodic Descriptions; Replacives; VP Ellipsis Sentences; Cantrall-Inspired Pronoun Sentences; Adverbial Sentences; Procedure; Participants; Results; Discussion; General Conclusions; Chapter 6: Conclusions about Parallelism and Ellipsis; Appendices; A. Materials for Experiments 1 and 3; B. Materials for Experiment 2; C. Figures for Experiment 3; D. Materials for Experiment 4; E. Materials for Experiment 5"]
[{"$nulls":4},"F. Materials for Experiment 6"]
[null,null,null,"Sommario/riassunto","First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company."]
[null,"2.","Record Nr.",null,"UNISA996423846903316"]
[null,null,"Titolo",null,"Prosa : Geschichte, Poetik, Theorie / / hrsg. von Michael Gamper, Svetlana Efimova"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; Boston : , : De Gruyter, , [2021]"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"3-11-072908-3"]
[null,null,"Descrizione fisica",null,"1 online resource (VIII, 327 p.)"]
[null,null,"Collana",null,"WeltLiteraturen / World Literatures ; ; 20"]
[null,null,"Soggetti",null,"LITERARY CRITICISM / Comparative Literature"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Open-Access-Transformation in der Literaturwissenschaft -- Inhalt -- Einleitung -- Kontrafaktur der Wirklichkeit um 1500 -- Rhythmus als eine Organisationsform der Prosa -- ,Maßloses Maß' in der ,formlosen Form' -- Texte die laufen -- Prosa im Plural? Versuch einer Mereologie des Prosabegriffes -- Prosa als Wirklichkeitsverhältnis -- Zur Theorie der Prosa: Zwischen semiotischem Nullniveau und hypertropher Selbstreferenz -- \"The musicalization of fiction\" revisited: Zu einer intermedialen Annäherung an die Autoreflexivität der Prosa -- Ein leichtes Gewebe aus Vers und Prosa -- Kant und das prosaische \"Geschäft der Kritik\" -- \"Poëtische Prosa\" -- Hegel und Prosa -- Prosareflexion und das Schreiben von Prosa nach dem ,Ende der Kunstperiode' (Theodor Mundt, Heinrich Heine) -- ,Prosaisierung': Bürgerliche Verlusterfahrung in Adalbert Stifters Kazensilber -- Frühsowjetische Avantgardeprosa: Ornament statt Verbrechen -- Die Gabe der Prosa: Hofmannsthal, Deutsches Lesebuch, 1922/1926 -- \"Prose engagée\" oder die Last der prosaischen Wirklichkeit: Bataille vs. Sartre -- ¿Poesía contra Prosa? -- Autorinnen und Autoren -- Register"]
[null,null,null,"Sommario/riassunto","\"Prose\" refers to a largely free mode of speaking and writing that is not tethered to any normative form, and which permits a wide range of composition styles due to the openness of its content and form. In 18 chapters, this volume makes \"prose\" - an important but thus far insufficiently examined category of literary studies - the subject of historical, methodological, and theoretical investigations."]
[{"$nulls":4},"›Prosa‹ bezeichnet die ungebundene, von normativer Form weitestgehend freie Weise des Sprechens und Schreibens, die auf Grund "]
[{"$nulls":4},"ihrer formalen und inhaltlichen Offenheit ein breites Spektrum an Gestaltungsweisen zulässt. ›Prosa‹ ist so nicht allgemeinverbindlich zu definieren oder in einer geschlossenen ›Theorie der Prosa‹ zu erfassen, sie bedarf vielmehr einer offenen Theoriebildung, die von den kulturell und historisch konkretisierten Beispielen stets auch die Ergänzung und Präzisierung ihrer eigenen Ausgangsbestimmungen erwartet. ›Prosa‹ formiert so ein Arbeitsfeld, in dem das Verfahren der Textkonstitution als eine grammatische, rhetorische und poetologische Aufgabe verstanden wird, die gleichermaßen Pragmatiken der ›Sachprosa‹, realistische Romane und Prosaexperimente der Avantgarden betrifft. Etablierte Kategorien der Prosaanalyse wie ›Fiktionalität‹ und ›Narration‹ werden kritisch perspektiviert, und Fragen der Schreibweise, der Sequenzialität und der Konstruktion/Produktion treten in den Vordergrund. - Der vorliegende Band macht in 18 Beiträgen ›Prosa‹ als wichtige, bislang aber unzureichend reflektierte literaturwissenschaftliche Kategorie zum Gegenstand von historisch und methodisch-theoretisch ausgerichteten Untersuchungen."]