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[null,"1.","Record Nr.",null,"UNISA996392030803316"]
[null,null,"Autore",null,"Albertus, Magnus, Saint, <1193?-1280.>"]
[null,null,"Titolo",null,"Modi significa[n]di Alberti sine quibus grammatice notitia haberi nullo pacto potest [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"[Impress[us] Londoniis, : Per wynandu[m] de worde, Anno domini.M.CCCCC.xv.die.xvi.Marcij] [1515]"]
[null,null,"Descrizione fisica",null,"[40] p"]
[null,null,"Soggetti",null,"Speculative grammar"]
[{"$nulls":4},"Latin language - Grammar"]
[null,null,"Lingua di pubblicazione",null,"Latino"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Attributed to Albertus Magnus. Sometimes also attributed to Albertus de Saxonia, to John Duns Scotus, and to Thomas von Erfurt (the latter probably by confusion with his \"Liber modorum significandi\", also called \"Grammatica speculativa\", STC 268-268.7)."]
[{"$nulls":4},"Imprint from colophon."]
[{"$nulls":4},"Woodcut on title page."]
[{"$nulls":4},"Printer's device (McKerrow 19) on C8v."]
[{"$nulls":4},"Signatures: A Bâ\u0081´ C (C8r blank)."]
[{"$nulls":4},"Formerly STC 272."]
[{"$nulls":4},"Identified as STC 272 on UMI microfilm."]
[{"$nulls":4},"Reproduction of the original in the Bodleian Library."]
[null,null,null,"Sommario/riassunto","eebo-0014"]
[null,"2.","Record Nr.",null,"UNINA9910131352503321"]
[null,null,"Autore",null,"Gottesdiener Hana"]
[null,null,"Titolo",null,"Image de soi-image du visiteur et pratiques des musées d’art / / Hana Gottesdiener, Jean-Christophe Vilatte, Pierre Vrignaud"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Département des études, de la prospective et des statistiques, 2014"]
[null,null,"ISBN",null,"2-11-139883-7"]
[null,null,"Descrizione fisica",null,"1 online resource (12 p.)"]
[null,null,"Soggetti",null,"Arts &amp; Humanities"]
[{"$nulls":4},"Sociology"]
[{"$nulls":4},"pratiques culturelles"]
[{"$nulls":4},"publics de la culture"]
[{"$nulls":4},"musées"]
[{"$nulls":4},"sociabilité culturelle"]
[{"$nulls":4},"image de soi"]
[{"$nulls":4},"représentations"]
[{"$nulls":4},"cultural participation"]
[{"$nulls":4},"public of the culture"]
[{"$nulls":4},"museums"]
[{"$nulls":4},"cultural sociability"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Cette recherche se propose de tester l’hypothèse selon laquelle la fréquentation des musées d’art peut être prédite à partir de la distance entre l’image de soi et l’image que la personne a des visiteurs. L’outil de mesure construit a été utilisé auprès de 381 personnes. L’échantillon composé surtout d’étudiants présente cependant une certaine hétérogénéité du point de vue de l’âge et de la formation. Les résultats montrent en particulier que si la distance entre les images est positive dans le cas de ceux qui visitent les musées, elle est négative dans le cas contraire. Ceux qui n’ont pas de pratique de visite ont tendance à se sous-estimer par rapport à l’image qu’ils ont du visiteur de musée. Il est alors nécessaire de s’interroger sur un accompagnement qui permettrait de réduire cette distance négative.  "]
[{"$nulls":4},"This research is intended to test the assumption that art gallery attendance can be predicted from the disparity between self-image and a person’s idea of gallery-goers. The measuring tool devised by us was applied to a sample of 381 persons. Although the sample is made up primarily of students, it displays a certain variety in terms of age and education. The findings show in particular that, while the disparity is positive in the case of gallery-goers, it is negative in the opposite case. The persons who do not go to galleries tend to downgrade themselves in comparison with the image they have of those who do. This illustrates a need to investigate what sort of guidance might succeed in narrowing the negative disparity."]