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[null,"1.","Record Nr.",null,"UNINA990006358560403321"]
[null,null,"Autore",null,"Avenarius, Hermann"]
[null,null,"Titolo",null,"Elternwille und staatliches Bestimmungsrecht bei der Wahl der Schullaufbahn : die gesetzlichen Grundlagenund Grenzen der Ausgestaltung von Aufnahme- bzw Ubergangsverfahren fur denBesuch weiterfuhrender Schulen / Hermann Avenarius und Bernd Jeand'Heur"]
[null,null,"Pubbl/distr/stampa",null,"Berlin : Duncker und Humblot, 1992"]
[null,null,"Descrizione fisica",null,"82 p. ; 23 cm"]
[null,null,"Collana",null,"Schriften zum öffentlichen Recht ; 616"]
[null,null,"Disciplina",null,"344.07"]
[null,null,"Locazione",null,"FGBC"]
[null,null,"Collocazione",null,"COLLEZ. 147 (616)"]
[null,null,"Lingua di pubblicazione",null,"Non definito"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA996391994103316"]
[null,null,"Autore",null,"Prynne William <1600-1669.>"]
[null,null,"Titolo",null,"Independency examined, unmasked, refuted, by twelve new particular interrogatories [[electronic resource] ] : detecting both the manifold absurdities, inconveniences that must necessarily attend it, to the great disturbance of church, state, the diminution, subversion of the lawfull undoubted power of all Christian magistrates, parliaments, synods: and shaking the chiefe pillars, wherewith it's patrons would support it. / / By William Prynne of Lincolnes Inne, Esquire"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed for Michael Sparke, and are to be sold at the Blew-Bible in Green-Arbour, 1651"]
[null,null,"Descrizione fisica",null,"20 p"]
[null,null,"Soggetti",null,"Church polity"]
[{"$nulls":4},"Government, Resistance to - Religious aspects"]
[{"$nulls":4},"Congregationalism"]
[{"$nulls":4},"Great Britain Church history 17th century Early works to 1800"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Annotations on Thomason copy: \"Feb: 27 1650\"; the last two numbers of the imprint date have been marked through."]
[{"$nulls":4},"Reproduction of the original in the British Library."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"3.","Record Nr.",null,"UNINA9910975238603321"]
[null,null,"Autore",null,"Neibaur James L. <1958->"]
[null,null,"Titolo",null,"The fall of Buster Keaton : his films for MGM, educational pictures, and Columbia / / James L. Neibaur"]
[null,null,"Pubbl/distr/stampa",null,"Lanham : , : Scarecrow Press, Inc., , 2010"]
[{"$nulls":4},"New York : , : Bloomsbury Publishing (US), , 2025"]
[null,null,"ISBN",null,"979-88-8183-933-8"]
[{"$nulls":4},"1-282-71365-5"]
[{"$nulls":4},"9786612713651"]
[{"$nulls":4},"0-8108-7683-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (243 p.)"]
[null,null,"Classificazione",null,"24.32"]
[null,null,"Disciplina",null,"791.4302/8092"]
[{"$nulls":4},"791.43028092"]
[null,null,"Soggetti",null,"Comedians - United States"]
[{"$nulls":4},"Comedians"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Introduction; Ch 01. The Rise of Buster Keaton; Ch 02. M-G-M; Ch 03. The Florida Project; Ch 04. Educational Pictures; Ch 05. Back at M-G-M; Ch 06. Columbia Pictures; Ch 07. Supporting Appearances in the 1940's and '50's; Ch 08. Buster Keaton on Television; Ch 09. The Industrial Films; Ch 10. Keaton in the 1960's; Afterword; Appendix; Select Annotated Bibliography; Index; About the Author"]
[null,null,null,"Sommario/riassunto","The Fall of Buster Keaton assesses Keaton's work during the talking picture era, especially those made at MGM, Educational, and Columbia studios. While giving some attention to the early part of Keaton's career, Neibaur focuses primarily on Keaton's contract work with the three studios, as well as his subsequent work as a gagman, supporting player, and television pitchman. The book also recounts the resurgence of interest in Keaton's silent work, which resulted in a lifetime achievement Oscar and wor"]