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[null,"1.","Record Nr.",null,"UNISA996391794703316"]
[null,null,"Autore",null,"Coke, Mr."]
[null,null,"Titolo",null,"A true narrative of the great solemnity of the circumcision of Mustapha Prince of Turkie, eldest son of Sultan Mahomet present emperour of the Turks [[electronic resource] ] : Together with and account of the marriage of his daughter to his great favourite Mussaip at Adrianople, as it was sent in a letter to person of honour / / by Mr. Coke secretary of the Turkie Company; ; being in company with his excellency the Lord Embassador Sir John Finch"]
[null,null,"Pubbl/distr/stampa",null,"London : , : printed by J[ames]. C[ottrell]. for William Crook, at the Green Dragon without Temple-bar, 1676"]
[null,null,"Descrizione fisica",null,"[2], 6 p"]
[null,null,"Soggetti",null,"Circumcision - Religious aspects"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"Licensed, January 10. 1675/6. Roger L'Estrange\"--t.p. verso."]
[{"$nulls":4},"Printer's name from Wing CD-ROM, 1996."]
[{"$nulls":4},"Imperfect: faded print and print show-through on p. 4 and 5."]
[{"$nulls":4},"Reproduction of original in the British Library."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"2.","Record Nr.",null,"UNINA9910483331103321"]
[null,null,"Autore",null,"Jensen Meg"]
[null,null,"Titolo",null,"The Art and Science of Trauma and the Autobiographical : Negotiated Truths / / by Meg Jensen"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019"]
[null,null,"ISBN",null,"9783030061067"]
[{"$nulls":4},"303006106X"]
[null,null,"Edizione",null,"[1st ed. 2019.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XIII, 299 p. 1 illus.)"]
[null,null,"Collana",null,"Palgrave Studies in Life Writing, , 2730-9193"]
[null,null,"Disciplina",null,"809.04"]
[{"$nulls":4},"809.933561"]
[null,null,"Soggetti",null,"Literature, Modern - 20th century"]
[{"$nulls":4},"European literature"]
[{"$nulls":4},"America - Literatures"]
[{"$nulls":4},"Philosophy of mind"]
[{"$nulls":4},"Self"]
[{"$nulls":4},"Collective memory"]
[{"$nulls":4},"Twentieth-Century Literature"]
[{"$nulls":4},"European Literature"]
[{"$nulls":4},"North American Literature"]
[{"$nulls":4},"Philosophy of the Self"]
[{"$nulls":4},"Memory Studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"1. The Negotiated Truth -- 2. Valuing the Witness: Typologies of Testimony -- 3. Time, Body, Memory: The Staged Moment in Posttraumatic Letters, Journals, Essays and Memoirs -- 4. What it is like: Fiction, Fear and Narratives of Feeling in Posttraumatic Autobiographical Novels -- 5. Speaking In and Speaking Out: Postttraumatic Poetry and Autography -- 6. Annihilation and Integration in Collective Posttraumatic Monuments, Testimonies and Literary Texts -- 7. The Art and Science of Therapeutic Innovation: Hope for PTSD Sufferers Today and Tomorrow."]
[null,null,null,"Sommario/riassunto","This book examines posttraumatic autobiographical projects, elucidating the complex relationship between the 'science of trauma' (and how that idea is understood across various scientific disciplines), "]
[{"$nulls":4},"and the rhetorical strategies of fragmentation, dissociation, reticence and repetitive troping widely used the representation of traumatic experience. From autobiographical fictions to prison poems, from witness testimony to autography, and from testimonio to war memorials, otherwise dissimilar projects speak of past suffering through a limited and even predictable discourse in search of healing. Drawing on approaches from literary, human rights and cultural studies that highlight relations between trauma, language, meaning and self-hood, and the latest research on the science of trauma from the fields of clinical, behavioral and evolutionary psychology and neuroscience, I read such autobiographical projects not as 'symptoms'but as complex interrogative negotiations of trauma and its aftermath: commemorative and performative narratives navigating aesthetic, biological, cultural, linguistic and emotional pressure and inspiration."]