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[null,"1.","Record Nr.",null,"UNISA996390586003316"]
[null,null,"Autore",null,"Perkins William <1558-1602.>"]
[null,null,"Titolo",null,"Christian oeconomie: or, A short survey of the right manner of erecting and ordering a familie [[electronic resource] ] : according to the scriptures. First written in Latine by the author M. W. Perkins, and now set forth in the vulgar tongue, for more common vse and benefit, by Tho. Pickering Bachelar of Diuinitie"]
[null,null,"Pubbl/distr/stampa",null,"At London, : Imprinted by Felix Kyngston, and are to be sold by Edmund Weauer, 1609"]
[null,null,"Descrizione fisica",null,"[16], 175, [1] p"]
[null,null,"Soggetti",null,"Family - Religious life"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Running title reads: Of Christian oeconomie, or household gouernment."]
[{"$nulls":4},"Some print faded and show-through; M8 torn, affecting page number."]
[{"$nulls":4},"Reproduction of the original in the British Library."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"2.","Record Nr.",null,"UNINA9910682544703321"]
[null,null,"Autore",null,"Lande Joel B."]
[null,null,"Titolo",null,"Persistence of Folly : On the Origins of German Dramatic Literature / / Joel B. Lande"]
[null,null,"Pubbl/distr/stampa",null,"Ithaca, NY : , : Cornell University Press, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"ISBN",null,"1-5017-2711-7"]
[{"$nulls":4},"1-5017-2712-5"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Signale: Modern German Letters, Cultures, and Thought"]
[null,null,"Disciplina",null,"832/.009"]
[null,null,"Soggetti",null,"German drama (Comedy) - History and criticism"]
[{"$nulls":4},"Fools and jesters in literature"]
[{"$nulls":4},"German drama - 18th century - History and criticism"]
[{"$nulls":4},"German drama - Early modern, 1500-1700 - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Introduction -- Part I. The Fool at Play -- 1. Birth of a Comic Form -- 2. Strolling Players and the Advent of the Fool -- 3. Practice of Stage Interaction -- 4. The Fool's Space and Time -- Part II. Fabricating Comedy and the Fate of the Fool in the Age of Reform -- 5. Making Comedy Whole -- 6. Biases in Precedent -- 7. Sanitation and Unity -- 8. Comedic Plot, Comic Time, Dramatic Time -- Part III. Life, Theater, and the Restoration of the Fool -- 9. Policey and the Legitimacy of Delight -- 10. The Place of Laughter in Life -- 11. National Literature I: Improvement -- 12. National Literature II: Custom -- Part IV. The Vitality of Folly in Goethe's Faust and Kleist's Jug -- 13. Faust I: Setting the Stage -- 14. Faust II: Mirroring and Framing in the Form of Faust -- 15. Faust III: The Diabolical Comic -- 16. Antinomies of the Classical: On Kleist's Broken Jug -- Postlude -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Joel B. Lande's Persistence of Folly challenges the accepted account of the origins of German theater by focusing on the misunderstood figure of the fool, whose spontaneous and impish jest captivated audiences, critics, and playwrights from the late sixteenth through the early nineteenth century. Lande radically expands the scope of literary historical inquiry, showing that the fool was not a distraction from "]
[{"$nulls":4},"attempts to establish a serious dramatic tradition in the German language. Instead, the fool was both a fixture on the stage and a nearly ubiquitous theme in an array of literary critical, governmental, moral-philosophical, and medical discourses, figuring centrally in broad-based efforts to assign laughter a proper time, place, and proportion in society.Persistence of Folly reveals the fool as a cornerstone of the dynamic process that culminated in the works of Lessing, Goethe, and Kleist. By reorienting the history of German theater, Lande's work conclusively shows that the highpoint of German literature around 1800 did not eliminate irreverent jest in the name of serious drama, but instead developed highly refined techniques for integrating the comic tradition of the stage fool."]