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[null,"1.","Record Nr.",null,"UNISA996388482103316"]
[null,null,"Titolo",null,"The confession of faith, and the larger and shorter catechisme [[electronic resource] ] : first agreed upon by the Assembly of Divines at Westminster, aAnd now appointed by the General Assembly of the Kirk of Scotland, to be a part of uniformity in religion between the kirks of Christ in the three kingdomes. Together with The solemn league and covenant of the three kingdoms"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh, : Printed by Evan Tyler ..., 1649"]
[null,null,"Descrizione fisica",null,"[8], 182, [2] p"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Imperfect: tightly bound with slight loss of text."]
[{"$nulls":4},"Initial letters."]
[{"$nulls":4},"Reproduction of original in: University of Chicago Library."]
[null,null,"Nota di contenuto",null,"The confession of faith -- The larger catechisme -- The shorter catechisme -- The solemn league and covenant."]
[null,null,null,"Sommario/riassunto","eebo-0165"]
[null,"2.","Record Nr.",null,"UNINA9910788589503321"]
[null,null,"Titolo",null,"Intermediality and storytelling [[electronic resource] /] / edited by Marina Grishakova, Marie-Laure Ryan"]
[null,null,"Pubbl/distr/stampa",null,"New York, : De Gruyter, 2010"]
[null,null,"ISBN",null,"1-282-93434-1"]
[{"$nulls":4},"9786612934346"]
[{"$nulls":4},"3-11-023774-1"]
[null,null,"Descrizione fisica",null,"1 online resource (359 p.)"]
[null,null,"Collana",null,"Narratologia. contributions to narrative theory ; ; 24"]
[null,null,"Classificazione",null,"ET 760"]
[null,null,"Disciplina",null,"302.23"]
[null,null,"Soggetti",null,"Digital media - Influence"]
[{"$nulls":4},"Discourse analysis, Narrative"]
[{"$nulls":4},"Intermediality"]
[{"$nulls":4},"Mass media and the arts"]
[{"$nulls":4},"Mass media"]
[{"$nulls":4},"Narration (Rhetoric)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Editors' preface -- Fiction, Cognition, and Non-Verbal Media / Ryan, Marie-Laure -- Narrativity and Segmentivity, or, Poetry in the Gutter / Mchale, Brian -- Vulgar Metaphysicians: William S. Burroughs, Alan Moore, Art Spiegelman, and the Medium of the Book / Kuskin, William -- Previously On: Prime Time Serials and the Mechanics of Memory / Mittell, Jason -- The Paranoid Style in Narrative: The Anxiety of Storytelling After 9/11 / Cobley, Paul -- Inter-Action Movies: Multi-Protagonist Films and Relationism / Israel, Samuel Ben -- All Talking! All Singing! All Dancing! Prolegomena: On Film Musicals and Narrative / Hansen, Per Krogh -- Photo Narrative, Sequential Photography, Photonovels / Baetens, Jan / Bleyen, Mieke -- The Failure of Art: Problems of Verbal and Visual Representation in Let Us Now Praise Famous Men / Lehtimäki, Markku -- Interactivity and Interaction: Text and Talk in Online Communities / Page, Ruth -- Games of Interpretation and a Graphophiliac God of War / Ciccoricco, David -- Advertising the Medium: On the Narrative Worlds of a Multimedia Promotional Campaign for a Public Service Television Channel / Freitas, Elsa Simões Lucas -- The Narrative Worlds and Multimodal Figures of House of Leaves: \"- find your own words; I have no more\" / Gibbons, "]
[{"$nulls":4},"Alison -- Intermedial Metarepresentations / Grishakova, Marina -- Back matter"]
[null,null,null,"Sommario/riassunto","The 'narrative turn' in the humanities, which expanded the study of narrative to various disciplines, has found a correlate in the 'medial turn' in narratology. Long restricted to language-based literary fiction, narratology has found new life in the recognition that storytelling can take place in a variety of media, and often combines signs belonging to different semiotic categories: visual, auditory, linguistic and perhaps even tactile. The essays gathered in this volume apply the newly gained awareness of the expressive power of media to particular texts, demonstrating the productivity of a medium-aware analysis. Through the examination of a wide variety of different media, ranging from widely studied, such as literature and film, to new, neglected, or non-standard ones, such as graphic novels, photography, television, musicals, computer games and advertising, they address some of the most fundamental questions raised by the medial turn in narratology: how can narrative meaning be created in media other than language; how do different types of signs collaborate with each other in so-called 'multi-modal works', and what new forms of narrativity are made possible by the emergence of digital media."]