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[null,"1.","Record Nr.",null,"UNISA996386653903316"]
[null,null,"Autore",null,"Howson Robert"]
[null,null,"Titolo",null,"The second part of the boy of Bilson, or, A true and particular relation of the imposter Susanna Fowles [[electronic resource] ] : wife of John Fowles, of Hammersmith, in the county of Middlesex, who pretended her self to be posses'd with the Devil : giving an exact account of the beginning, progress, conferences, discovery, commitment, confession, &c. of the said imposter / / the whole being writ and attested by Robert Howson, clerk, Captain John Ponsey, and Mr. Nicholas Wade, who were frequently with her during the time of her pretended possession, and before whom she made the confession herein contained, as also by a great number of clergy, both conformists and nonconformists mentioned in the following narrative"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed and are to be sold by E. Whitlock ..., MDCXCVIII [1698]"]
[null,null,"Descrizione fisica",null,"[4], 24 p"]
[null,null,"Soggetti",null,"Demoniac possession"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Reproduction of original in the Harvard University Library."]
[null,null,null,"Sommario/riassunto","eebo-0062"]
[null,"2.","Record Nr.",null,"UNINA9910283538703321"]
[null,null,"Autore",null,"Thénard-Duvivier Franck"]
[null,null,"Titolo",null,"Images sculptées au seuil des cathédrales : Les portails de Rouen, Lyon et Avignon (xiiie-xive siècles) / / Franck Thénard-Duvivier"]
[null,null,"Pubbl/distr/stampa",null,"Mont-Saint-Aignan, : Presses universitaires de Rouen et du Havre, 2018"]
[null,null,"ISBN",null,"979-1-02-401044-1"]
[null,null,"Descrizione fisica",null,"1 online resource (340 p.)"]
[null,null,"Soggetti",null,"Art"]
[{"$nulls":4},"Medieval &amp; Renaissance Studies"]
[{"$nulls":4},"art chrétien"]
[{"$nulls":4},"art médiéval"]
[{"$nulls":4},"architecture"]
[{"$nulls":4},"portail"]
[{"$nulls":4},"cathédrale Notre-Dame"]
[{"$nulls":4},"Lyon"]
[{"$nulls":4},"Avignon"]
[{"$nulls":4},"palais des Papes"]
[{"$nulls":4},"Rouen"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Tandis que la restauration récente des portails de la cathédrale de Rouen nous invite à redécouvrir un exceptionnel décor sculpté, cette étude propose une approche renouvelée et des clés de compréhension pour en faciliter le « décryptage ».  Pourquoi le portail des Libraires se couvre-t-il, à la fin du xiiie siècle, de près de 200 bas-reliefs figurant des animaux fabuleux et des créatures hybrides aux côtés de la Création du monde ou encore d’Adam et Ève ? Comment ce premier « modèle » rouennais a-t-il été repris au cours du xive siècle au portail méridional, celui de la Calende, mais aussi à la primatiale Saint-Jean de Lyon, à l’abbaye Saint-Ouen de Rouen et même au palais des papes en Avignon ? Quels enjeux artistiques, religieux, voire politiques expliquent ce succès à la fois imposant (plus de 860 bas-reliefs) et limité dans le temps (fin xiiie-milieu du xive siècle) ?  Ouvrant des "]
[{"$nulls":4},"perspectives nouvelles dans le domaine de l’analyse iconographique, l’auteur conduit une véritable étude historique : la politique de prestige des grands prélats, la « mise en récit » des images sculptées au seuil des cathédrales, la culture des métamorphoses et l’incroyable inventivité des sculpteurs du Moyen Âge, le culte des saints au cœur des rivalités entre les sanctuaires..."]