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[null,"1.","Record Nr.",null,"UNINA9910495927103321"]
[null,null,"Autore",null,"Passeron Jean-Claude"]
[null,null,"Titolo",null,"Le temps donné aux tableaux : Une enquête au musée Granet, augmentée d'études sur la réception de la peinture et de la musique / / Jean-Claude Passeron, Emmanuel Pedler"]
[null,null,"Pubbl/distr/stampa",null,"Lyon, : ENS Éditions, 2021"]
[null,null,"ISBN",null,"979-1-03-620119-6"]
[null,null,"Descrizione fisica",null,"1 online resource (318 p.)"]
[null,null,"Collana",null,"Bibliothèque idéale des sciences sociales"]
[null,null,"Soggetti",null,"Art"]
[{"$nulls":4},"Sociology &amp; Anthropology"]
[{"$nulls":4},"Sociology"]
[{"$nulls":4},"sociologie"]
[{"$nulls":4},"culture"]
[{"$nulls":4},"art"]
[{"$nulls":4},"peinture"]
[{"$nulls":4},"réception"]
[{"$nulls":4},"musée"]
[{"$nulls":4},"sociology"]
[{"$nulls":4},"painting"]
[{"$nulls":4},"reception"]
[{"$nulls":4},"museum"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","En 1987, une équipe d’enquêteurs emmenée par Jean-Claude Passeron et Emmanuel Pedler a suivi les visiteurs du musée Granet d’Aix-en-Provence, chronomètre en main. L’objectif : mettre en évidence les ressorts sociaux du « temps donné aux tableaux ». C’est de cette étude originale que rend compte cet ouvrage initialement paru en 1991, et qui a été beaucoup plus souvent cité que véritablement lu. La réédition qu’en propose aujourd’hui la Bibliothèque idéale des sciences sociales est augmentée de plusieurs textes importants dans lesquels les deux sociologues ont poursuivi ces analyses sur la réception des œuvres artistiques, à la fois dans le domaine pictural et dans le domaine "]
[{"$nulls":4},"musical. S’attachant à décrire et mesurer précisément les « pactes » de réception artistique qui se nouent ainsi entre les œuvres et leurs publics, l’ensemble propose une approche centrée sur le sort réservé à des œuvres singulières, qui se distingue des enquêtes sur la consommation culturelle encore aujourd’hui largement dominantes en sociologie de la culture.  The sociology of the reception of artistic works attempts to exploit the fact – often mentioned in theoretical terms but rarely explored empirically – that works only exist and last because of the interpretative activity of their viewers: readers and spectators are always present as third parties placed between the meaning which the artist gave to their work and that which is attributed by those whose receive it. In order to apprehend such acts of reception a team of researchers lead by Jean-Claude Passeron and Emmanuel Pedler in 1987 followed visitors to the Musée Granet in Aix-en Provence chronometer in hand. Their aim was to uncover the social factors which underlie the ‘time given to the paintings’. Since its publication in 1991 the present work, which gave an account of the original study, has been cited rather more often that it has been read. Now reedited in the Bibliothèque idéale des sciences sociales it has been augmented by…"]
[null,"2.","Record Nr.",null,"UNISA996384111403316"]
[null,null,"Autore",null,"Fox John <fl. 1676.>"]
[null,null,"Titolo",null,"Time and the end of time, or, Two discourses, the first about redemption of time, the second about consideration of our latter end [[electronic resource] /] / by John Fox"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed for George Calvert and Sam. Sprint ..., 1670"]
[null,null,"Descrizione fisica",null,"[2], 250 p"]
[null,null,"Soggetti",null,"Redemption"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Reproduction of original in the University of Illinois (Urbana-Champaign Campus). Library."]
[null,null,null,"Sommario/riassunto","eebo-0167"]