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[null,"1.","Record Nr.",null,"UNISA996383768603316"]
[null,null,"Autore",null,"Alabaster William <1567-1640.>"]
[null,null,"Titolo",null,"Roxana [[electronic resource] ] : tragædia, olim Cantabrigiæ, acta in Col. Trin. Nunc primum in lucem edita, summáque cum diligentia ad castigatissimum exemplar comparata. Cui accesserunt etiam argumenta"]
[null,null,"Pubbl/distr/stampa",null,"Londini, : Execudebat R. Badgerus, impensis Andreæ Crook, ad signum nigri Vrsi in Cœmiterio Paulino, 1632"]
[null,null,"Descrizione fisica",null,"[108] p"]
[null,null,"Lingua di pubblicazione",null,"Latino"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","By William Alabaster."]
[{"$nulls":4},"Based on: Groto, Luigi.  La Dalida."]
[{"$nulls":4},"In verse."]
[{"$nulls":4},"Signatures: A-DÂ¹Â²  Eâ\u0081¶."]
[{"$nulls":4},"The first leaf is blank."]
[{"$nulls":4},"Colophon reads in part \"& venum dantur ad signum nigri Vrsi.\" Variant: with a comma after \"dantur\"."]
[{"$nulls":4},"Reproduction of the original in the British Library."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"2.","Record Nr.",null,"UNINA9910324035403321"]
[null,null,"Autore",null,"Bernard Nicolas"]
[null,null,"Titolo",null,"L’accélération du temps juridique / / Philippe Gérard, François Ost, Michel Van de Kerchove"]
[null,null,"Pubbl/distr/stampa",null,"Bruxelles, : Presses de l’Université Saint-Louis, 2019"]
[null,null,"ISBN",null,"2-8028-0494-4"]
[null,null,"Descrizione fisica",null,"1 online resource (931 p.)"]
[null,null,"Disciplina",null,"340/.1"]
[null,null,"Soggetti",null,"Sociological jurisprudence"]
[{"$nulls":4},"Law - Philosophy"]
[{"$nulls":4},"Civil rights - Europe"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","De tous côtés s'observent des phénomènes d'accélération du temps juridique : en attestent, notamment, le rythme accéléré d'adoption, de transformation et d'abrogation des lois, le succès de la justice des référés, le déclassement rapide des solutions et des doctrines. Philosophes et sociologues le confirment : l'urgence, jadis temporalité d'exception, s'impose aujourd'hui comme temps normal. Le Séminaire interdisciplinaire d'études juridiques a entendu prendre la mesure de cette évolution et la soumettre à interrogation critique.  Les interrogations abondent en effet. Car, si l'accélération suppose une vitesse accrue, que faut-il penser d'un droit précipité et improvisé ? Si elle s'entend comme immédiateté, que penser d'un droit dépourvu ou incapable de médiation ? Et si elle doit être comprise comme aléa, que penser d'un droit incapable d'assurer la sécurité juridique ?  Il est vrai cependant que retards excessifs (« délais déraisonnables »), blocages et atermoiements caractérisent aussi la vie juridique contemporaine ; ne faut-il pas penser dès lors que c'est à un phénomène plus vaste qu'on assiste : la perte de maîtrise du temps par le droit, comme s'il parvenait malaisément à trouver le juste équilibre entre stabilité et changement ?  Par ailleurs, s'il est vrai que l'accélération pourrait signifier la réalisation résolue, à un rythme de plus en plus soutenu, d'un objectif clair et mobilisateur, il est cependant plus réaliste de penser que, dans le droit contemporain, elle traduit plutôt une valorisation du changement pour lui-même, signe de la montée des incertitudes dans des sociétés "]
[{"$nulls":4},"entièrement indexées à l'instant présent. Se fait alors entendre cette question de philosophie du droit : si le propre du droit est d'instituer la société - nouer le lien social en l'inscrivant dans une perspective temporelle - ne doit-on pas considérer qu'un minimum de durée (stabilité, médiation, certitude) lui est nécessaire ? Et quand cette durée fait défaut, à quel type de…"]
[null,"3.","Record Nr.",null,"UNINA9910484691703321"]
[null,null,"Autore",null,"Falconer Pete"]
[null,null,"Titolo",null,"The Afterlife of the Hollywood Western / / by Pete Falconer"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Palgrave Macmillan UK : , : Imprint : Palgrave Macmillan, , 2020"]
[null,null,"ISBN",null,"9781137546715"]
[{"$nulls":4},"1137546719"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource (227 pages)"]
[null,null,"Disciplina",null,"791.436278"]
[null,null,"Soggetti",null,"Motion pictures - History"]
[{"$nulls":4},"Film genres"]
[{"$nulls":4},"Ethnology - America"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Film and TV History"]
[{"$nulls":4},"Genre Studies"]
[{"$nulls":4},"American Culture"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Chapter 1: Introduction -- Chapter 2: The rhetoric of genre -- Chapter 3: “Fixing” the Western -- Chapter 4: The Wild West and the Dirty South, or, by their teeth ye shall know them -- Chapter 5: Once upon a time -- Chapter 6: Old men and old movies -- Chapter 7: The Western’s greatest hits -- Chapter 8: Hybrids and transpositions."]
[null,null,null,"Sommario/riassunto","This book examines the Western genre in the period since Westerns ceased to be a regular feature of Hollywood filmmaking. For most of the 20th Century, the Western was a major American genre. The production of Westerns decreased in the 1960s and 1970s; by the 1980s, it was apparent that the genre occupied a less prominent position in popular culture. After an extended period as one of the most prolific Hollywood genres, the Western entered its “afterlife”. What does it now mean for a Hollywood movie to be a Western, and how does this compare to the ways in which the genre has been understood at other points in its history? This book considers the conditions in which the Western has found itself since the 1980s, the latter-day associations that the genre has acquired and the strategies that more recent Westerns have developed in response to their changed context. "]
[{"$nulls":4},"Pete Falconer is a lecturer in Film at the University of Bristol, UK. He has published work on the forms and genres of popular cinema (particularly Westerns, but also horror movies and on other aspects of popular culture, including country music)."]