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[null,"1.","Record Nr.",null,"UNISA996394210303316"]
[null,null,"Autore",null,"Annand William <1633-1689.>"]
[null,null,"Titolo",null,"Mysterium pietatis or The mysterie of godlinesse [[electronic resource] ] : wherein the mysteries contained in the incarnation circumcision wise-men passion resurrection ascension. Of the Son of God, and comeing of the Holy-Ghost, are unfolded and applied. At Edinburgh, By Will. Annand, M.A. one of the ministers of that city, late of University Coll. Oxon"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh, : printed by Andrew Anderson, 1671"]
[null,null,"Descrizione fisica",null,"[32], 341, [3] p"]
[null,null,"Soggetti",null,"Sermons, English - 17th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","The words \"incarnation .. wise-men\" and \"passion .. ascension.\" are bracketed together on the title page."]
[{"$nulls":4},"Each section has separate caption title."]
[{"$nulls":4},"Includes errata."]
[{"$nulls":4},"Final leaf bears vertical title: Mr. VVill. Annand his Mysterium pietatis."]
[{"$nulls":4},"Copy filmed at UMI microfilm Early English Books 1641-1700 reel 2469 has pages torn with some loss of print."]
[{"$nulls":4},"Reproduction of original in the Columbia University."]
[null,null,null,"Sommario/riassunto","eebo-0027"]
[null,"2.","Record Nr.",null,"UNISA996383740703316"]
[null,null,"Autore",null,"Foxe John <1516-1587.>"]
[null,null,"Titolo",null,"The first volume of the ecclesiasticall history [[electronic resource] ] : contaynyng the actes and monumentes of thynges passed in euery kynges tyme in this realme, especially in the Church of England principally to be noted : with a full discourse of such persecutions, horrible troubles, the sufferyng of martyrs, and other thinges incident, touchyng aswel the sayd Church of England as also Scotland, and all other foreine nations, from the primitiue tyme till the reigne of K. Henry VIII"]
[null,null,"Pubbl/distr/stampa",null,"At London, : Printed by Iohn Daye, dwellyng ouer Aldersgate, these bookes are to be sold at hys shop vnder the gate, 1570"]
[null,null,"Edizione",null,"[Newly recognised and inlarged /]"]
[null,null,"Descrizione fisica",null,"[26], 922 [i.e. 916], [20], 923-2302 [i.e. 917-2306], [26] p. : ill"]
[null,null,"Soggetti",null,"Christian martyrs - England - History"]
[{"$nulls":4},"Persecution - England - History"]
[{"$nulls":4},"Great Britain Church history 1066-1485"]
[{"$nulls":4},"Great Britain Church history 16th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Second volume has special t.p.: The second volume of the ecclesiasticall history."]
[{"$nulls":4},"\"Cum gratia & Priuilegio RegiÃ¦ Maiestatis.\""]
[{"$nulls":4},"[fist]4 *4 [par.]4 [fleuron]1 a-b6 c4 d2 e-r6 s6(s2+x1) t-y6, A-C6 D-E4 F-I6 [x]I6 K-Y6 2A-2Y6, 2A-2K6 2L4 2M2 2N4 2O4 [pi]1 3A-3Y6, 3A-3Z6, 3&6 3*6 4A-4Y6, 4A-4U6 4X5 4Y6 5A-5Z6, 5A-5B6 5G6 5H4 5I5."]
[{"$nulls":4},"Numerous errors in paging."]
[{"$nulls":4},"Title in illustrated border."]
[{"$nulls":4},"Includes index."]
[{"$nulls":4},"Includes marginal notes."]
[{"$nulls":4},"This item can be found at reel 1816:8, and vol. 1 only can be found at reel 231:2."]
[{"$nulls":4},"Copy at reel 1816:8 imperfect: tightly bound and stained with slight loss of print."]
[{"$nulls":4},"Reproduction of original in the Harvard University Library."]
[null,null,null,"Sommario/riassunto","eebo-0062"]
[null,"3.","Record Nr.",null,"UNINA9910878059803321"]
[null,null,"Autore",null,"Dorssemont F (Filip)"]
[null,null,"Titolo",null,"On the Artistic Representation of Industrial Disputes in the Shadow of Repression in European Art : From 1870 to 1914 and Beyond / / edited by Filip Dorssemont"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Springer, , 2024"]
[null,null,"ISBN",null,"9783031636349"]
[{"$nulls":4},"9783031636332"]
[null,null,"Edizione",null,"[1st ed. 2024.]"]
[null,null,"Descrizione fisica",null,"1 online resource (216 pages)"]
[null,null,"Collana",null,"Law and Visual Jurisprudence, , 2662-4540 ; ; 15"]
[null,null,"Disciplina",null,"340.1"]
[null,null,"Soggetti",null,"Law - Philosophy"]
[{"$nulls":4},"Law - History"]
[{"$nulls":4},"Semiotics"]
[{"$nulls":4},"Social legislation"]
[{"$nulls":4},"Europe, Central - History"]
[{"$nulls":4},"Labor"]
[{"$nulls":4},"History"]
[{"$nulls":4},"Theories of Law, Philosophy of Law, Legal History"]
[{"$nulls":4},"Labour Law/Social Law"]
[{"$nulls":4},"History of Germany and Central Europe"]
[{"$nulls":4},"Labor History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduction -- Some perspectives on the representation of industrial disputes under the shadow of repression in European Art (1870-1914) -- Early Stages of Collective Action and their Visual Representations: an Emotions Driven Approach to the Struggle for Better Working Conditions -- The Midinette guiding the People. An iconographic break of the Assiette au Beurre -- Labour and Art: The dualism of backwardness and timeliness in Hungary and in its Eastern neighbourhood -- From 1844 to 1944 - Workers and revolutions in Poland -- Conclusions."]
[null,null,null,"Sommario/riassunto","This book is the first volume on the artistic representation of industrial disputes in European art (from 1870 to 1914) since the catalogue of the landmark exhibition Streik, Realität und Mythos, organized by the "]
[{"$nulls":4},"Deutsches Historisches Museum (1992). It has been written by a group of scholars who share a keen interest in social history and the history of art, as well as in-depth knowledge of industrial relations and collective labour law. Seeking to transcend a purely western European perspective, the book offers unprecedented insights into artistic production in Poland and Hungary from the 19th century to the communist era. It even goes beyond the European continent, examining the United States and Mexico. The media explored include painting, sculpture, the graphic arts and photography. Further, the book deals with artists great (Carlo Carrà, Walter Crane, James Ensor, Juan Gris, Käthe Kollwitz, Constantin Meunier,Mihály Munkácsy, Théophile-Alexandre Steinlen and Jan Toorop) and small, sometimes even anonymous. The artistic styles range from (social) realism, naturalism and neo-impressionism to futurism and socialist realism. All stages of industrial disputes (from the causes of strikes to their violent suppression) are subjected to iconographical and iconological analysis, combined with perspectives from visual studies, critical art and gender studies. Agricultural workers, miners, construction workers and textile workers fill the scenes. Most of them are subordinate workers; others are (bogus) independent workers and migrant workers. Given its scope, the book will be of interest to (art) historians, labour law scholars, and specialists in industrial relations."]