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[null,"1.","Record Nr.",null,"UNISA996383105103316"]
[null,null,"Autore",null,"Womock Laurence <1612-1685.>"]
[null,null,"Titolo",null,"The associators cashier'd [[electronic resource] ] : proving by undeniable arguments, as well as by the testimony of their own mouthes, that the late endeavours of some restless spirits were, 1. to enervate monarchy, 2. to subvert the institution of English-parliaments, and usher in the power of the sword"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed for Walter Davis, 1683"]
[null,null,"Descrizione fisica",null,"[2], 30 p"]
[null,null,"Soggetti",null,"Monarchy - Great Britain"]
[{"$nulls":4},"Great Britain History Charles II, 1660-1685"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Reproduction of original in Huntington Library."]
[{"$nulls":4},"Attributed to Laurence Womock. cf. NUC pre-1956."]
[null,null,null,"Sommario/riassunto","eebo-0113"]
[null,"2.","Record Nr.",null,"UNINA9910495696703321"]
[null,null,"Autore",null,"Asso Annick"]
[null,null,"Titolo",null,"De l’hypertrophie du discours didascalique au XXe siècle / / Marie-Claude Hubert, Florence Bernard"]
[null,null,"Pubbl/distr/stampa",null,"Aix-en-Provence, : Presses universitaires de Provence, 2020"]
[{"$nulls":4},"Aix-en-Provence : , : Presses universitaires de Provence, , 2012"]
[null,null,"ISBN",null,"979-1-03-656121-4"]
[null,null,"Descrizione fisica",null,"184 pages ; ; 24 cm"]
[null,null,"Collana",null,"Textuelles. Univers littéraires"]
[null,null,"Soggetti",null,"Stage directions - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","La notion de didascalies est au cœur même de l’esthétique théâtrale. Elle pose la question qui touche à l’essence du théâtre, celle du rapport auteur/metteur en scène, acteur/spectateurs, lecteurs. Qui parle dans les didascalies et à qui ? Quasi inexistantes dans le théâtre renaissant et dans le théâtre classique, elles abondent dans le théâtre aujourd’hui au point de constituer aux côtés du dialogue un texte à part entière comme le montre l’ensemble des articles rassemblés dans ce recueil. C’est là une des grandes caractéristiques du théâtre depuis le début du XXe siècle. Est-ce que l’hypertrophie de ce discours didascalique est venue transformer la nature même du texte de théâtre ? Telle est la question à laquelle ce volume collectif tente de répondre afin de cerner la spécificité de l’écriture dramatique aux XXe et XXIe siècles."]