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[null,"1.","Record Nr.",null,"UNISA996379039203316"]
[null,null,"Titolo",null,"Museums in a digital culture : how art and heritage become meaningful / / edited by Chiel van den Akker and Susan Legene"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam, [Netherlands] : , : Amsterdam University Press, , [2016]"]
[{"$nulls":4},"[2016]"]
[null,null,"ISBN",null,"90-485-2480-6"]
[null,null,"Descrizione fisica",null,"1 online resource (142 pages) : illustrations, photographs"]
[null,null,"Classificazione",null,"20.12"]
[null,null,"Disciplina",null,"069.0285"]
[null,null,"Soggetti",null,"Museums - Information technology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Cover -- Contents -- Introduction: Museums in a Digital Culture: How Art and Heritage Become Meaningful / Chiel van den Akker and Susan Legêne -- 1. Touched from a Distance: The Practice of Affective Browsing / Martijn Stevens -- 2. Visual Touch: Ekphrasis and Interactive Art Installations / Cecilia Lindhé -- 3. Breathing Art: Art as an Encompassing and Participatory Experience / Christina Grammatikopoulou -- 4. Curiosity and the Fate of Chronicles and Narratives / Chiel van den Akker -- 5. Networked Knowledge and Epistemic Authority in the Development of Virtual Museums / Anne Beaulieu and Sarah de Rijcke -- 6. Between History and Commemoration: The Digital Monument to the Jewish Community in the Netherlands / Serge ter Braake -- 7. From the Smithsonian's MacFarlane Collection to Inuvialuit Living History / Kate Hennessy -- Conclusion / Chiel van den Akker -- Notes on Contributors -- Index -- List of Figures -- Figure 1 -- Philip James De Loutherbourg. The Vision of the White Horse 1798 -- Figure 2 -- Char Davies. Breathing and balance interface used in the performance of immersive virtual reality environments Osmose (1995) and Ephémère (1998) -- Figure 3 -- Char Davies. Forest Grid, Osmose (1995). Digital still captured in real-time through HMD (head-mounted display) during live performance of the immersive virtual environment Osmose -- Figure 4 -- George Khut. Cardiomorphologies v.2 (2005). Interactive installation -- Figure 5 -- Christa Sommerer and Laurent Mignonneau. Mobile Feelings II (2003). Interface devices -- Figure 6 -- Anton Raphael Mengs (1772/73). The Triumph of History over Time: Allegory of the Museum Clementinum. Ceiling fresco in the Camera dei Papiri, Vatican Library -- Figure 7 -- "]
[{"$nulls":4},"Screenshot from the Digital Monument to the Jewish Community."]
[null,null,null,"Sommario/riassunto","The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?"]
[null,"2.","Record Nr.",null,"UNINA9910782969903321"]
[null,null,"Autore",null,"Bergmann Claudia D"]
[null,null,"Titolo",null,"Childbirth as a metaphor for crisis [[electronic resource] ] : evidence from the ancient Near East, the Hebrew Bible, and 1QH XI, 1-18 / / Claudia D. Bergmann"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; New York, : W. de Gruyter, 2008"]
[null,null,"ISBN",null,"1-283-42876-8"]
[{"$nulls":4},"9786613428769"]
[{"$nulls":4},"3-11-020981-0"]
[null,null,"Descrizione fisica",null,"1 online resource (277 p.)"]
[null,null,"Collana",null,"Beihefte zur Zeitschrift für die alttestamentliche Wissenschaft, , 0934-2575 ; ; Bd. 382"]
[null,null,"Disciplina",null,"220.6/4"]
[null,null,"Soggetti",null,"Metaphor in the Bible"]
[{"$nulls":4},"Disasters - Religious aspects"]
[{"$nulls":4},"Childbirth - Biblical teaching"]
[{"$nulls":4},"Childbirth - Religious aspects"]
[{"$nulls":4},"Literature, Ancient - History and criticism"]
[{"$nulls":4},"Metaphor in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Introduction -- The scope of this book -- Definitions of metaphor -- The approach to metaphor in this book -- Birth as event and metaphor in the ancient Near East -- The sources -- The experience of birth -- The experience of birth becomes a metaphor -- Birth as event and metaphor in the Hebrew Bible -- Birth as an event in the Hebrew Bible -- Birth as a metaphor in the Bebrew Bible -- The biblical birth metaphor for cases of local crisis -- War imagery and bad news -- War imagery -- Divine punishment imagery -- The biblical birth metaphor for cases of universal crisis -- Texts -- The biblical birth metaphor for cases of personal crisis -- Engulfment imagery -- War imagery -- Prophetic vision imagery -- 1QH XI, 1-18: the birth metaphor at Qumran -- 1QH XI, 1-18 within the corpus of the Hodayot -- The identity of the mothers and the children in 1QH XI, 1-18 -- Interpreting 1QG XI, 1-18 in light of the birth metaphor -- 1QH XI, 1-18 : personal and universal crisis."]
[null,null,null,"Sommario/riassunto","Diese Studie geht der Frage nach, wie und warum literarische Texte des Alten Orients, des Alten Testaments und des Qumrankorpus Krisen und "]
[{"$nulls":4},"Katastrophen metaphorisch darstellen. Ausgehend von einer kurzen Einführung zur Metaphertheorie und zu altorientalischen Vorstellungen von Geburt im Allgemeinen werden Texte untersucht, die das Konzept ,Geburt' metaphorisch mit dem Konzept ,Krise' verbinden und hiermit sowohl das eine wie auch das andere in einem neuen Licht erscheinen lassen. Das Hauptaugenmerk des Buches liegt auf alttestamentlichen Texten und den persönlichen, historischen und universalen Krisen, die sie mit Hilfe der Geburtsmetapher beschreiben. Hierbei ist es besonders interessant, dass nicht der glückliche Ausgang einer Geburt im Zentrum der Metapher steht, sondern der Schmerz, die Unsicherheit und die Unabwendbarkeit der Geschehnisse, die ,Krise' und ,Geburt' verbinden. An einem Text aus den Hodayot von Qumran wird gezeigt, wie spätere eschatologische Vorstellungen die altorientalische und alttestamentliche Geburtsmetapher weiterentwickeln."]