{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":53,"n_cols":5,"rows_kept":53,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[4,2,4,3],[5,2,5,3],[19,2,19,3],[20,2,20,3],[23,2,23,3],[23,4,23,5],[24,2,24,3],[24,4,24,5],[25,2,25,3],[25,4,25,5],[26,2,26,3],[28,2,28,3],[30,2,30,3],[31,2,31,3],[32,2,32,3],[33,2,33,3],[34,2,34,3],[35,2,35,3],[40,2,40,3],[41,2,41,3],[43,2,43,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISA996336423103316"]
[null,null,"Titolo",null,"The Fiddlehead"]
[null,null,"Pubbl/distr/stampa",null,"[Fredericton, N.B., : Depts. of English of the University of New Brunswick and St. Thomas University]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"C810/.80054"]
[null,null,"Soggetti",null,"Books"]
[{"$nulls":4},"Canadian literature - History and criticism"]
[{"$nulls":4},"Literature, Modern - 20th century"]
[{"$nulls":4},"Canadian literature - 20th century"]
[{"$nulls":4},"Canadian literature - New Brunswick"]
[{"$nulls":4},"Littérature canadienne-anglaise - 20e siècle"]
[{"$nulls":4},"Littérature canadienne-anglaise - Nouveau-Brunswick"]
[{"$nulls":4},"Livres - Comptes rendus"]
[{"$nulls":4},"Littérature canadienne - Histoire et critique"]
[{"$nulls":4},"Canadian literature"]
[{"$nulls":4},"Literature, Modern"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"Periodicals."]
[{"$nulls":4},"Reviews."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,null,null,"Note generali","Editor: Kent Thompson, <1967-1970>"]
[null,"2.","Record Nr.",null,"UNINA9910735996403321"]
[null,null,"Autore",null,"Sabatini Nadzeya"]
[null,null,"Titolo",null,"Fashion Communication in the Digital Age : Proceedings of the FACTUM 23 Conference, Pisa, Italy, 2023 / / edited by Nadzeya Sabatini, Teresa Sádaba, Alessandro Tosi, Veronica Neri, Lorenzo Cantoni"]
[null,null,"Pubbl/distr/stampa",null,"2023"]
[{"$nulls":4},"Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2023"]
[null,null,"ISBN",null,"9783031385414"]
[{"$nulls":4},"3031385411"]
[null,null,"Edizione",null,"[1st ed. 2023.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XI, 317 p. 34 illus., 24 illus. in color.)"]
[null,null,"Collana",null,"Springer Proceedings in Business and Economics, , 2198-7254"]
[null,null,"Classificazione",null,"BUS043000BUS083000SOC052000"]
[null,null,"Disciplina",null,"658.8"]
[null,null,"Soggetti",null,"Marketing"]
[{"$nulls":4},"Communication"]
[{"$nulls":4},"Business information services"]
[{"$nulls":4},"Media and Communication"]
[{"$nulls":4},"IT in Business"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Intro -- Preface -- Organization -- Contents -- Social Media and Emerging Technologies in Fashion -- The Power of Consumers on Social Media: A Case Study of Balenciaga's Crisis Communication -- 1 Introduction -- 2 Literature Review -- 2.1 Fashion Crisis Communication -- 2.2 Consumer Empowerment on Social Media -- 3 Methodology -- 4 Results and Analysis -- 4.1 Balenciaga's Case Study -- 4.2 Balenciaga's Performance on Social Media -- 5 Conclusions -- References -- Instagram: Digital Behavior in Luxury Fashion Brands -- 1 Introduction -- 2 Social Media Digital Behavior Approach -- 3 Methodology -- 4 What Brands are Doing on Instagram to Connect -- 4.1 Louis Vuitton -- 4.2 Chanel -- 4.3 Hermés -- 4.4 Gucci -- 5 Discussion and Conclusions -- References -- Metartisanry: Fashion, Metaverse, and the Future of Artisanry in Brazil -- 1 Introduction -- 2 Metaverse, Artisanry, and Fashion -- 2.1 Metaverse -- 2.2 Artisanry in Brazil and Contemporary Fashion -- 3 Methods -- 4 The Case Contreras and Second Life -- 5 Conclusion -- References -- Metaverse and Its Communication. The Future is Here. True or False? -- 1 Introduction: Metaverse. Subject and Term Definition -- 2 Metaverse Effect. Digital Art and Fashion and Their Value -- 3 Metaverse Failures, "]
[{"$nulls":4},"Problems, and Criticism -- 4 Conclusion -- References -- Extended Reality (XR) in the Digital Fashion Landscape -- 1 Introduction -- 2 Extended Reality in Fashion -- 3 Recommendations on Marketing, User Experience and Storytelling for XR -- 4 Discussion -- 5 Concluding Thoughts -- References -- A Conceptual Model of Dress Embodiment and Technological Mediation in Digital Fashion -- 1 Introduction: Fashion Digitalization -- 2 Touch and Dress Embodiment -- 3 Postphenomenology and Technological Mediation -- 4 Technological Mediation of Dress Embodiment -- 4.1 Dress Dis-embodiment in Digital Relations."]
[{"$nulls":4},"4.2 Dress Re-embodiment in Extended Digital Relations -- 5 A Conceptual Model -- 6 Conclusion -- References -- Communicating Digitalised Supply Chain Transparency: Towards a Guide for Fashion SMEs -- 1 Introduction -- 2 Literature and Context -- 2.1 Compliance, Legislation, and Due Diligence -- 2.2 Data, Public Relations, and Communications -- 2.3 External Pressures and Technology -- 2.4 Digital Transformation and Communication -- 2.5 Research Question -- 3 Research Design -- 3.1 Theoretical Constructs -- 3.2 Methodology -- 4 Findings -- 4.1 Case Study Group 1 -- 4.2 Case Study Group 2 -- 4.3 Case Study Group 3 -- 4.4 Case Study Group 4 -- 4.5 Case Study Group 5 -- 5 Discussion -- 5.1 Building Alternative Values and New Business Models -- 5.2 Limitations and Further Research -- 6 Conclusion -- References -- How Do Luxury Brands Utilize NFTs to Enhance Their Brand Image? -- 1 Introduction -- 1.1 Research Gap -- 1.2 Project Objective and Research Questions -- 2 Background and Relevance -- 2.1 Non-fungible Tokens (NFTs) -- 2.2 Luxury Brands -- 2.3 Brand Image -- 3 Research Design -- 3.1 Empirical Sample -- 3.2 Interview Outline -- 3.3 Data Analysis -- 3.4 Limitations -- References -- The Perks of Being Digital. Nikeland: A Case Study -- 1 Introduction -- 2 Methodology -- 3 Nikeland: Where Sport has No Rules -- 3.1 Case Study Discussion -- 4 Conclusions -- References -- Fashion Between Local and Global -- How Swiss Watchmaking Brands are Communicating Made in Switzerland -- 1 Introduction -- 2 Literature Review -- 2.1 Country of Origin and Made in -- 2.2 Made in Switzerland -- 2.3 Communication of Made in Switzerland in the Swiss Watchmaking Industry -- 3 Methodology -- 3.1 Step 1 - Literature Review and Research Questions -- 3.2 Step 2 - Data Collection -- 3.3 Step 3 - Content Analysis -- 3.4 Step 4 - Coding Process -- 4 Results -- 5 Discussion."]
[{"$nulls":4},"6 Conclusion -- References -- Made in Italy? Images and Narratives of Afro-Italian Fashion -- 1 Introduction: Afro-Italian Fashion as an Object of Communication -- 2 African Heritage in Made in Italy: Practices and Narratives -- 3 Afro-Italian Fashion: A Methodological Approach -- 4 The WAMI Experience: The Game Changers -- 5 Conclusions: Whose Heritage? -- References -- European Fashion Companies and Chinese Social Media Influencers -- 1 Introduction -- 2 Literature Review -- 3 Research Gap, Aim and Questions -- 4 Methodology -- 5 The Case of Viya -- 6 Insights from the Interviews -- 6.1 Advantages and Disadvantages of Working with Chinese Influencers -- 6.2 Criteria Used to Select Chinese Influencers -- 7 Conclusions -- References -- Developments of Cultural Appropriation in Fashion: An In-Progress Research -- 1 Introduction -- 2 Introducing Cultural Appropriation in Fashion -- 3 Notes from an On-Going Research -- 4 Conclusions -- References -- What Would Kachru Wear? A Discourse Analysis of Global Englishes in Fashion Weblogs from Expanding Circle Countries -- 1 Introduction -- 2 Literature Review -- 2.1 Hegemony -- 2.2 Global Englishes -- 2.3 Cultural Capital -- References -- Fashion Between Individual and Social Identities -- Homo Consumens, Amidst "]
[{"$nulls":4},"Advertising and 'Sports' Fast Fashion. The Role of Ethics in Marking Out the Vulnerability of Consumers -- 1 Introduction -- 2 Fashion Advertising Strategies and Induced Consumption -- 3 Consumerism, Fast Fashion and Athleisure -- 4 Fashion and Vulnerable Consumers -- 5 Conclusions -- References -- Ryunosuke Okazaki: Fashion through the Prism of Posthuman and Affect Theories -- 1 Introduction -- 1.1 Methodology -- 2 Towards a Definition of the Feminine Sublime -- 3 Ryunosuke Okazaki: A Contemplative Approach to Fashion -- 4 A Posthuman Reassessment of the Natural/Technological Worlds."]
[{"$nulls":4},"5 Refashioning Otherness -- 6 Conclusion -- References -- Exploring Symbolic Effect of New Media: The Impact of Bilibili on Gen Z's Cohort Identity and Aesthetic Choices in Fashion -- 1 Introduction -- 2 Materials -- 2.1 Key Materials/Literature Review -- 2.2 A Literature Analysis: Bilibili's Cultural Intervention in Chinese Gen Z -- 3 Methods and Results -- 3.1 Qualitative Data of a Case Study with the Cultural Analysis -- 3.2 Results: An Analysis of Bilibili as Generation Z's Cultural Community -- 4 Crucial Findings: Media Effect in Framing Bilibili as a \"Gen-Z Cultural Community\" -- 4.1 Bilibili: A Cultural Field for Autonomous Identity Expression Among Gen Z in China -- 4.2 Bilibili: Unique Fashion Aesthetics Through ACG Influences -- 5 Conclusion -- References -- Clothing as an Element of Identity and a Trend of Self-completion in Generation Z in Colombia -- 1 Communicated Trends and Identity -- 2 Fashion Trend as a Symbolic Self-completion of Identity -- 3 Young Gen Z and Tik Tok, from Global to Local -- 4 Methodology -- 5 Trends Metrics -- 6 Findings -- 6.1 Colombian Coquette Trend -- 7 Grunge Trend -- 7.1 Y2K -- 8 Conclusions -- References -- Communication of Fashion Sustainability in the USSR and Modern Russia: What Does the Young Generation Know About Ecological and Social Agendas in Fashion? -- 1 Introduction -- 2 Environmentalism and the Economic Spirit of the USSR: An Overview -- 3 Overview of Current Russian Brands, Projects and Other Initiatives Promoting Fashion Sustainability -- 3.1 Brands' Sustainability -- 3.2 Projects (Clothes) -- 3.3 Art and Cultural Projects -- 3.4 Marketplaces -- 3.5 University Initiatives -- 4 Methodology -- 5 Results -- 6 Discussion -- 7 Limitations -- 8 Conclusion and Recommendations -- References -- The Political Potential of Glamour: The Example of Underwear -- References -- Images of Fashion."]
[{"$nulls":4},"Fashion Shows: The Greatest Show on Earth -- 1 Introduction -- 2 Fashions Shows and Communication -- 3 Methodology -- 4 Communication Perspective of the Fashion Show -- 4.1 Model -- 4.2 Location -- 4.3 Theme -- 4.4 Finale -- 4.5 Spectacle -- 5 Balmain Fashion Show Analysis -- 5.1 Model -- 5.2 Location -- 5.3 Theme -- 5.4 Finale -- 5.5 Spectacle -- 6 Conclusion -- References -- Virgil Abolh's Cinematic Fashion Shows for Louis Vuitton's Men's Collections on YouTube -- 1 The Mediatization of Fashion Shows -- 2 Virgil Abloh: The Presentation of the Louis Vuitton Men's Collections on YouTube -- 3 Analysis of Louis Vuitton Men's Fall-Winter 2021 and Spring-Summer 2022 Cinematic Shows on YouTube -- 4 Conclusions -- References -- Teleworking and Video-Meetings. Does Fashion Fit? -- 1 Introduction -- 2 Literature Review -- 3 Methodology -- 4 Results -- 4.1 Demographics: Workers -- 4.2 Videoconferencing from Home Practices -- 4.3 Camera Behaviour During Videoconferences -- 4.4 Personal Appearance During Videoconferences from Home -- 4.5 Interest in Digital Elements and Prediction of Use -- 4.6 Self-efficacy -- 5 Discussion -- 6 Conclusion, Limitations and Future Research -- References -- Fashion Film and OBC (Online Brand Community): The Co-authoring Dynamics -- 1 Introduction -- 2 Research Purpose: The Study of Interaction Between Fashion Films and OBCs (Online Brand "]
[{"$nulls":4},"Communities) -- 3 Methodology -- References -- Towards a More Elaborate Understanding of the Fashion Photoshoot - An Aesthetic Production with the Element of Age -- 1 Introduction -- 2 The Fashion Shoot in Its Context -- 3 Methodology -- 4 The Fashion Shoot, Its Practices and Market Culture -- 5 The Framework of Observation Points -- 6 Discussion and Conclusion -- References -- Fashion Heritage -- Rethinking Fashion Storytelling Through Digital Archives and Immersive Museum Experiences."]
[{"$nulls":4},"1 Introduction."]
[null,null,null,"Sommario/riassunto","This is an open access book. FACTUM Conference proceedings are the output of one of the few academic events of its nature happening globally, researching fashion communication from different angles and perspectives. It includes contributions from scholars studying communication and marketing, management, digital transformation, and cultural heritage, among other disciplines. This book presents papers from the third bi-annual Conference, which aims to become the major reference point in the field. These proceedings seek to promote theoretical and empirical interdisciplinary work on how various communication practices impact both the fashion industry and societal fashion-related practices and values. With these proceedings, several objectives are aimed to be achieved, namely: - to establish and consolidate an international and interdisciplinary network of scholars in the field of fashion communication; - to share methodological approaches; - to expand the dialogue between communications studies and fashion-related disciplines; - to encourage junior researchers to pursue their scientific interests in this field. Finally, the book can be used by professionals in the field of fashion communication and marketing, who are eager to access sound research in a field that is developing very fast due to its digital transformation."]