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[null,"1.","Record Nr.",null,"UNISA996309244103316"]
[null,null,"Autore",null,"Iliopoulou Evgenia <1986->"]
[null,null,"Titolo",null,"Because of you : understanding second-person storytelling / / Evgenia Iliopoulou"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, Germany, : transcript Verlag, 2019"]
[{"$nulls":4},"Bielefeld, Germany : , : Transcript Verlag, , [2019]"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"3-8376-4537-1"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (256)"]
[null,null,"Collana",null,"Lettre"]
[null,null,"Disciplina",null,"809.3923"]
[null,null,"Soggetti",null,"Second person narrative"]
[{"$nulls":4},"Academic theses."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter    1  Preface    5  Table of Contents    11  Prologue    14  The Second-Person Enigma    15  Theory    21  Person    33  Pronoun    38  The Rhetoric of the Second Person    55  2.1 Christa Wolf's Kindheitsmuster    83  2.2 Michel Butor's La Modification    121  2.3 George Perec's Un homme qui dort    153  2.4 Ilse Aichinger's Spiegelgeschichte    187  Overview    224  Methodology    226  Observations Regarding the First Part    229  Observations Regarding the Second Part    234  Impact and Continuity    244  Limitations of This Study    245  List of Works Cited    249"]
[null,null,null,"Sommario/riassunto","Second-person storytelling is a continually present and diverse technique in the history of literature that appears only once in the oeuvre of an author. Based on key narratives of the post-war period, Evgenia Iliopoulou approaches the phenomenon in an inductive way, starting out from the essentials of grammar and rhetoric, and aims to improve the general understanding of second-person narrative within literature. In its various forms and typologies, the second person amplifies and expands the limits of representation, thus remaining a narrative enigma: a small narrative gesture - with major narrative impact."]
[null,"2.","Record Nr.",null,"UNINA9910788418203321"]
[null,null,"Autore",null,"Baumann Stefan"]
[null,null,"Titolo",null,"The intonation of givenness : evidence from German / / Stefan Baumann"]
[null,null,"Pubbl/distr/stampa",null,"Tübingen : , : Niemeyer, , 2006"]
[null,null,"ISBN",null,"3-11-092120-0"]
[null,null,"Edizione",null,"[Reprint 2012]"]
[null,null,"Descrizione fisica",null,"1 online resource (197 p.)"]
[null,null,"Collana",null,"Linguistische Arbeiten, , 0344-6727 ; ; 508"]
[null,null,"Classificazione",null,"GC 6400"]
[null,null,"Disciplina",null,"197"]
[null,null,"Soggetti",null,"Intonation (Phonetics)"]
[{"$nulls":4},"German language - Intonation"]
[{"$nulls":4},"Discourse analysis"]
[{"$nulls":4},"Semantics"]
[{"$nulls":4},"Pragmatics"]
[{"$nulls":4},"Cognition"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Originally presented as the author's thesis (doctoral)--Universität, Saarbrücken, 2005."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 167-181)."]
[null,null,"Nota di contenuto",null,"Front matter -- Acknowledgements -- Contents -- 1 Introduction -- 2 Theoretical Background -- 3 Corpus Analysis -- 4 Experiments -- 5 A Model of Intonation and Givenness -- 6 Summary and Outlook -- Bibliography -- Lebenslauf"]
[null,null,null,"Sommario/riassunto","This book addresses students and researchers of both phonetics and phonology, and the semantics and pragmatics of discourse. It employs an autosegmental-metrical model of intonation to investigate the marking of aspects of information structure, concentrating on the Given-New dimension. It begins with an overview of the state of the art in the areas of intonation and information structure, and, since the term 'Givenness' has been used in the literature in diverging ways, provides a model of 'Givenness proper', focusing on the cognitive states of discourse referents, and how these states are expressed through the choice of words and their prosody. The empirical evidence provided here is based on German. It comprises the analysis of a read corpus and two perception experiments which show that the dichotomy of 'accented' versus 'unaccented' corresponding to 'New' versus 'Given' information is inadequate. In fact, there is evidence that a range of pitch accent types (including deaccentuation) can be mapped onto the gradient scale of Givenness degrees, with the pitch height on the "]
[{"$nulls":4},"accented syllable being the determining factor."]