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[null,"1.","Record Nr.",null,"UNISA996308789903316"]
[null,null,"Autore",null,"Schwärzler Monika"]
[null,null,"Titolo",null,"At Face Value and Beyond : Photographic Constructions of Reality / / Monika Schwärzler"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, Germany, : transcript Verlag, 2016"]
[{"$nulls":4},"Bielefeld : , : transcript-Verlag, , [2016]"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"3-8394-2954-4"]
[null,null,"Edizione",null,"[1. Aufl.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Image ; ; 75"]
[null,null,"Disciplina",null,"300"]
[null,null,"Soggetti",null,"Fine Arts"]
[{"$nulls":4},"Image"]
[{"$nulls":4},"Imagery"]
[{"$nulls":4},"Media"]
[{"$nulls":4},"Visual Culture"]
[{"$nulls":4},"Visual Literacy"]
[{"$nulls":4},"Visual Studies"]
[{"$nulls":4},"ART / Criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Acknowledgment -- Inhalt -- Introductory Remarks -- Conscious and Semi-Conscious States of the Camera -- Dressed to Suffer and Redeem -- Blocked View and Impeded Vision -- Unedited Glamor -- Lost in Pleasure -- Death Can Wait -- \"The Beast\" -- Denigrative Views -- The White Handbag -- References"]
[null,null,null,"Sommario/riassunto","How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value."]