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[null,"1.","Record Nr.",null,"UNISA996248228703316"]
[null,null,"Autore",null,"Butsch Richard <1943->"]
[null,null,"Titolo",null,"The making of American audiences : from stage to television, 1750-1990 / / Richard Butsch [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2000"]
[null,null,"ISBN",null,"0-511-20097-8"]
[{"$nulls":4},"1-283-43725-2"]
[{"$nulls":4},"9786613437259"]
[{"$nulls":4},"0-511-39518-3"]
[{"$nulls":4},"0-511-61971-5"]
[{"$nulls":4},"0-511-39515-9"]
[{"$nulls":4},"0-511-39516-7"]
[{"$nulls":4},"0-511-39519-1"]
[{"$nulls":4},"0-511-39517-5"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 438 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Cambridge Studies in the history of mass communication"]
[null,null,"Disciplina",null,"791/.0973"]
[null,null,"Soggetti",null,"Performing arts - Audiences - United States"]
[{"$nulls":4},"Radio audiences - United States"]
[{"$nulls":4},"Television viewers - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Colonial theater, privileged audiences -- Drama in early republic audiences -- The B'Hoys in Jacksonian theaters -- Knowledge and the decline of audience sovereignty -- Matinee ladies : re-gendering theater audiences -- Blackface, whiteface -- Variety, liquor, and lust -- Vaudeville, incorporated -- \"Legitimate\" and \"illegitimate\" theater around the turn of the century -- The celluloid stage : nickelodeon audiences -- Storefronts to theaters : seeking the middle class -- Voices from the ether : early radio listening -- Radio cabinets and network chains -- Rural radio : \"we are seldom lonely anymore\" -- Fears and dreams : public discourses about radio -- The electronic cyclops : fifties television -- A TV in every home : television \"effects\" -- Home video : viewer autonomy? -- From effects to resistance and beyond."]
[null,null,null,"Sommario/riassunto","In The Making of American Audiences, Richard Butsch provides a comprehensive survey of American entertainment audiences from the "]
[{"$nulls":4},"colonial period to the modern day. Providing coverage of theatre, opera, vaudeville, minstrelsy, movies, radio and television, he examines the evolution of audience practices as each genre supplanted another as the primary popular entertainment. Based on original historical research, this volume exposes how audiences made themselves through their practices - how they asserted control over their own entertainments and their own behaviour. Importantly, Butsch articulates two long-term processes: pacification and privatization. Whereas during the nineteenth century, overactive audiences represented a threat to civic order through their unruly behaviour, in the twentieth century, audiences have become more passive, dependent upon and controlled by media messages. This timely study serves as an important contribution to communication research, as well as American cultural history and cultural studies."]
[null,"2.","Record Nr.",null,"UNINA9910774826603321"]
[null,null,"Autore",null,"Zucchini Elisa"]
[null,null,"Titolo",null,"Giuseppe Maria Crespi e il Gran Principe Ferdinando de' Medici / / Elisa Zucchini"]
[null,null,"Pubbl/distr/stampa",null,"Florence : , : Firenze University Press, , 2021"]
[null,null,"Descrizione fisica",null,"1 online resource (404 pages)"]
[null,null,"Collana",null,"Premio Ricerca \"Città di Firenze\""]
[null,null,"Disciplina",null,"759.5"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduzione-- Caratteri peculiari del rapporto fra pittore e principe 19-- 1; Zanotti, Luigi Crespi e la memoria del Serenissimo Principe\t19-- 2. Crespi nella cornspondenza medicea\t29-- 3.11 ruolo di Vincenzo Ferdinando Ranuzzi Cospi\t31-- 3.1. La commissione delV Estasi di santa Margherita da Cortona 34-- 4.11 primo viaggio a Venezia del Gran Principe nel resoconto di\t-- Ranuzzi Cospi 35-- 5. Le vicende della Strage degli Innocenti 38-- 6.11 soggiorno di Crespi a Pratolino 44-- 6.1. LMncontro con Rembrandt 47-- 7. Affinita elettive fra Giuseppe Maria Crespi e Ferdinando de'Medici 50-- Analisi iconologica dei dipinti di Giuseppe Maria Crespi per Ferdinando\t-- de'Medici\t69-- 1. Peculiarity iconografiche 69-- 1.1. Nota sullo stato di conservazione 74-- 2. UEstasi di santa Margherita da Cortona 75-- 3. La Strage degli Innocent!\t80-- 4. Tappe di un'amicizia: le Nature morte e gli Autoritratti 89-- 5. La Fiera di Poggio a Caiano\t93-- 6. Le Lavandaie con ortolano e i Fanciulli che giocano a cappelletto 98-- 7. Le due versioni de La pulce\t102-- 7.1. La versione degli Uffizi 103-- 7.2. La versione del Museo Nazionale di Pisa 106-- 8. Amore e Psiche\t110-- Una chiave di lettura: lo stoicismo 115-- 1.11 Gran Principe Ferdinando e Seneca 115-- 1.1. Letture stoiche di un ingenium excelsum 120-- 1.2. Vi'Oraiio infimere Serenissimi Ferdinandi di Anton Francesco Gori\t122-- 2. La corte di Ferdinando de' Medici come Domus Sapientiae\t126-- 3. Violante Beatrice di Baviera e lo stoicismo 135-- 4. Tracce stoiche nelle iconografie di Crespi 145-- 4.1. U Allegoric* dell 'Ingegno\t153-- 5. Lo stoicismo tra Firenze e Bologna 155-- 6. Stoicismo cristiano e rinnovamento religioso 160-- La visione artistica del Gran Principe 165-- 1. 11 percorso di un mecenate innovativo 165-- 2. Estro, \"gran "]
[{"$nulls":4},"gusto\" e saggezza neU'allestimento delle collezioni\t-- del Gran Principe\t175-- 3. Junius e Boschini: spunti teorici del gusto del Gran Principe\t182-- 4. L'esempio di Leopoldo de'Medici\t196-- Dialogo fra le arti nel gusto del Gran Principe\t201-- 1. Pittura e musica nel mecenatismo del Gran Principe\t201-- 1.1. Paragoni fra pittura e musica nelFambito di Ferdinando de'Medici\t209-- 1.2. Pittura e musica fra passato e presente\t213-- 1.3.11 tema pastorale nelle scenografie del Greco in Troia\t214-- 2.1 cantanti nella corrispondenza artistica del Gran Principe\t218-- Conclusioni-- Appendice: La collezione di Handel, eco\tdel gusto\tdi Ferdinando de'Medici? 227-- Excerpta documentari\t245-- Bibliografia 257-- Illustrazioni 273-- Indice dei nomi 385-- Indice dei luoghi 395-- Ringraziamenti 399."]
[null,null,null,"Sommario/riassunto","The iconological analysis of Crespi's paintings for Grand Prince Ferdinando de'Medici reveals shared ideas rooted in Seneca's philosophy, basis of their taste for genre and pastoral scenes. Crespi was a leading figure of the prince's artistic view, according to which arts and sciences guide to wisdom and virtue. Their appreciation for bizarre iconographies and Venetian style painting is clarified by ideas inspired by Seneca on ingenuity and picturesque frenzy. The characteristics of conciseness, brilliance, coexistence of archaism and innovation associate Ferdinando's artistic and musical patronage, influencing his favourite artists and composers and perhaps Handel's art collection."]