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[null,"1.","Record Nr.",null,"UNISA996210002103316"]
[null,null,"Autore",null,"Noe Alfred"]
[null,null,"Titolo",null,"Die italienische Literatur in Österreich / / Alfred Noe"]
[null,null,"Pubbl/distr/stampa",null,"Böhlau, 2011"]
[{"$nulls":4},"Wien : , : Böhlau, , 2011"]
[null,null,"Descrizione fisica",null,"1 online resource (774 pages) : illustrations; digital, PDF file(s)"]
[null,null,"Soggetti",null,"Italian literature - History and criticism - Austria"]
[{"$nulls":4},"Italian literature - History - Publishing - Austria"]
[{"$nulls":4},"Italian imprints - Austria"]
[{"$nulls":4},"Romance Literatures"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"Italian Literature"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"; T. I. Von den Anfängen bis 1797"]
[null,null,null,"Sommario/riassunto","Towards the end of the 20th century the Italian literature created outside Italy finally started to receive proper attention, because research began to focus on the socio-cultural analysis of the different forms of internal and external postcolonialism. As a result, both imperialism and nationalism are seen as responsible for phenomena of cultural alienation in many territories outside as well as inside the national borders of the country and are exposed as ideological constructs. Nevertheless research still neglects the one undoubtedly outstanding region in the production of Italian literature outside Italy, ie Austria, more precisely the territories of the Habsburg Monarchy, where for nearly 500 years - from early Humanism to the First World War - the tradition was the richest in quantity as well as in quality. This first part of a comprehensive history of the Italian literature created in Austria for an Austrian public has been written with the intention of filling this gap. The unique position the Italian language held at Vienna's imperial court at least from the middle of the 17th to the middle of the 18th century is well known: Italian was not only an official language for the purpose of representation, it also served as a vehicle of cultural communication in the inner circle of the imperial family. The "]
[{"$nulls":4},"numerous political connections between the House of Habsburg and the ruling Italian dynasties are a major reason for the manifold cultural transfers between the Austrian territories and the Italian States. The great number of strategic marriages led to intense cultural as well as economical relations, which obviously did result in occasional implications in territorial conflicts and in military alliances not always favorable to the mutual understanding. As a consequence of the above mentioned economical and dynastical connections the Habsburgs often intervened politically in Italy, first in the Early Modern Period, especially during the reigns of Charles V and Ferdinand I. Two centuries later, the Habsburg administration of the Kingdom of Naples ( 1707-1734) as well as of Lombardy during most of the 18th century (1714-1797) was decisive for the continuation of those interchanges, which ended however, when the Italian movement of unification began to create a totally new situation. Humanism, baroque and enlightenment, three currents which are amply discussed in the present volume, could more easily expand from Italy to Austria because of the before described dynastical connections and they established themselves still deeper because of the immigration or the long stays of Italian authors in the cultural centers of the Austrian monarchy, first of all of course in Vienna. Not surprisingly however, we possess so far only an inadequate and unsystematic documentation of the activities and literary productions of the great majority of those authors: As is well known, the 19th century created a nationalistic base for literary studies, a view which still for a long time influenced the 20th century for a long time. The Italian authors working and publishing in Austria did so in their own language, but in a foreign country and for a foreign sovereign."]
[null,"2.","Record Nr.",null,"UNIORUON00039055"]
[null,null,"Titolo",null,"Daniel / traduit par P.J. de Menasce"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Editions du CERF, 1958"]
[null,null,"Titolo uniforme",null,"Bibbia. Antico Testamento. Daniele"]
[null,null,"Edizione",null,"[2e éd. rev]"]
[null,null,"Descrizione fisica",null,"106 p. ; 19 cm"]
[null,null,"Classificazione",null,"SEB VI AA"]
[null,null,"Soggetti",null,"ANTICO TESTAMENTO - DANIELE"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNISA996248210703316"]
[null,null,"Autore",null,"Polan Dana B. <1953->"]
[null,null,"Titolo",null,"Scenes of instruction : the beginnings of the U.S. study of film / / Dana Polan"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, c2007"]
[null,null,"ISBN",null,"9786612358692"]
[{"$nulls":4},"0-520-94020-2"]
[{"$nulls":4},"1-282-35869-3"]
[{"$nulls":4},"1-4294-6792-4"]
[{"$nulls":4},"0-520-90399-4"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (420 p.)"]
[null,null,"Disciplina",null,"791.43071/073"]
[null,null,"Soggetti",null,"Motion pictures - Study and teaching - United States"]
[{"$nulls":4},"Motion picture industry"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"An Ahmanson foundation book in the humanities\"--P. [4] of cover."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Acknowledgments -- Introduction: Toward A Disciplinary History Of Film Studies -- 1. First Forays In Film Education: The Pedagogy Of Photoplay Composition At Columbia University -- 2. A Brief Interlude As The Movies March On: Terry Ramsaye And The New School For Social Research -- 3. \"Younger Art, Old College, Happy Union\": Harvard Goes Into The Business And Art Of The Movies -- 4. Between Academia And The Academy Of Motion Picture Arts And Sciences: The University Of Southern California Ventures Into The Cinema -- 5. Politics As Pedagogy, Pedagogy As Politics: The Rather Brief Moment In Time Of Harry Alan Potamkin -- 6. Appreciations Of Cinema: Syracuse Discovers Film Art -- 7. Cinematic Diversions In Sociology: Frederic Thrasher In The World Of Film Appreciation -- 8. Middlebrow Translations Of Highbrow Philosophy: The Film Fandom Of The 1930's Great Books Intellectuals -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","This engaging book chronicles the first classes on the art and industry of cinema and the colorful pioneers who taught, wrote, and advocated on behalf of the new art form. Using extensive archival research, Dana Polan looks at, for example, Columbia University's early classes on Photoplay Composition; lectures at the New School for Social Research by famed movie historian Terry Ramsaye; the film industry's "]
[{"$nulls":4},"sponsorship of a business course on film at Harvard; and attempts by the Academy of Motion Picture Arts and Sciences to create programs of professionalized education at the University of Southern California, Stanford, and elsewhere. Polan examines a wide range of thinkers who engaged with the new art of film, from Marxist Harry Alan Potamkin to sociologist Frederic Thrasher to Great Books advocates Mortimer Adler and Mark Van Doren."]