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[null,"1.","Record Nr.",null,"UNISA996247999503316"]
[null,null,"Autore",null,"Vendler Helen <1933->"]
[null,null,"Titolo",null,"On extended wings : Wallace Stevens' longer poems [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, Mass., : Harvard University Press, 1969"]
[null,null,"ISBN",null,"0-674-63436-5"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 334 p.)"]
[null,null,"Disciplina",null,"811/.5/2"]
[null,null,"Soggetti",null,"Criticism, interpretation, etc."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Introduction : the two poetries -- The pensive man : the pensive style -- Fugal requiems -- The sausage maker -- The volcano apostrophe, The sea behold -- A duet with the undertaker -- Abecedarium of Finesoldier -- The amassing harmony -- The metaphysical changes -- Douceurs, tristesses -- The total leaflessness -- Naked alpha : epilogue."]
[null,null,null,"Sommario/riassunto","Though Wallace Stevens' shorter poems are perhaps his best known, his longer poems, Helen Hennessy Vendler suggests in this book, deserve equal fame and equal consideration. Stevens' central theme--the worth of the imagination--remained with him all his life, and Vendler therefore proposes that his development as a poet can best be seen, not in description--which must be repetitive--of the abstract bases of his work, but rather in a view of his changing styles. The author presents here a chronological account of fourteen longer poems that span a thirty-year period, showing, through Stevens' experiments in genre, diction, syntax, voice, imagery, and meter, the inventive variety of Stevens' work in long forms, and providing at the same time a coherent reading of these difficult poems."]