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[null,"1.","Record Nr.",null,"UNISA996247943803316"]
[null,null,"Autore",null,"Caton Steven Charles <1950->"]
[null,null,"Titolo",null,"\"Peaks of Yemen I summon\" : poetry as cultural practice in a North Yemeni tribe / / Steven C. Caton"]
[null,null,"Pubbl/distr/stampa",null,"[Place of publication not identified], : University of California Press, 1990"]
[null,null,"ISBN",null,"0-520-91372-8"]
[{"$nulls":4},"0-585-13539-8"]
[null,null,"Descrizione fisica",null,"1 online resource (xv, 351 p., [6] p. of plates ) : ill."]
[null,null,"Disciplina",null,"398.2/095332"]
[null,null,"Soggetti",null,"Folk poetry, Arabic - History and criticism - Yemen (Republic)"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"Middle Eastern Languages & Literatures"]
[{"$nulls":4},"Yemen (Republic) Social life and customs"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"PART I. Background -- 1. Doing an Ethnography of Poetry -- 2. Gabyilah: Ideologies of Tribalism, Language, and Poetry -- 3. The Social Production of Poetry -- PART II. The System of Poetic Genres -- 4. The Bālah: Poem as Play -- 5. The Poetic Construction of Shelf -- 6. The Zāmil: Between Performance and Text-Utterance -- 7. Power, Poetry, and Persuasion -- 8. The Qaṣīdah: Individual Talent and the Cultural Tradition -- 9. Tribal Ideology, the State, and Communicative Practices -- CONCLUSION: Poetry as Cultural Practice -- APPENDIXES -- A. Yemeni Tribal Arabic Phonology -- B. A Linguistic Theory of Meter -- C. Transcription of the Sample Bālah Poem-- D. Transcription of the Sample Bālah Development Section-- E. Transcription of al-Gharsi's Poem-- F. Transcription of aṣ-Ṣūfī's Poem-- G. Transcription of al-Maʿlah's Poem"]
[null,null,null,"Sommario/riassunto","In this first full-scale ethnographic study of Yemeni tribal poetry, Steven Caton reveals an astonishingly rich folkloric system where poetry is both a creation of art and a political and social act. Almost always spoken or chanted, Yemeni tribal poetry is cast in an idiom considered colloquial and \"ungrammatical,\" yet admired for its wit and spontaneity. In Yemeni society, the poet has power over people. By eloquence the poet can stir or, if his poetic talents are truly outstanding, motivate an audience to do his bidding. Yemeni tribesmen "]
[{"$nulls":4},"think, in fact, that poetry's transformative effect is too essential not to use for pressing public issues.Drawing on his three years of field research in North Yemen, Caton illustrates the significance of poetry in Yemeni society by analyzing three verse genres and their use in weddings, war mediations, and political discourse on the state. Moreover, Caton provides the first anthropology of poetics. Challenging Western cultural assumptions that political poetry can rarely rise above doggerel, Caton develops a model of poetry as cultural practice. To compose a poem is to construct oneself as a peacemaker, as a warrior, as a Muslim. Thus the poet engages in constitutive social practice.Because of its highly interdisciplinary approach, this book will interest a wide range of readers including anthropologists, linguists, folklorists, literary critics, and scholars of Middle Eastern society, language, and culture."]
[null,"2.","Record Nr.",null,"UNINA9910131700203321"]
[null,null,"Autore",null,"Bernardi Alessandro"]
[null,null,"Titolo",null,"Da città del silenzio a città delle macchine : Prato nel cinema degli anni ‘50 / / Alessandro Bernardi"]
[null,null,"Pubbl/distr/stampa",null,"Firenze, : Firenze University Press, 2010"]
[null,null,"Descrizione fisica",null,"P. 9-36"]
[null,null,"Collana",null,"Pluriverso - Quaderni della Biblioteca del Polo Universitario di Prato"]
[null,null,"Disciplina",null,"791"]
[null,null,"Soggetti",null,"Motion pictures - History"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","One of the most beautiful films of Italian cinematic Neorealism, Giovanna, a real pearl by Gillo Pontecorvo dated 1955, is almost completely unknown to the public. Entirely filmed in Prato, inside an old factory, now dismantled, and fully interpreted by workers and employees of the various textile companies of the city, the film tells the struggle of the workers to defend their jobs against the thirst for profits of the bosses and also against their own husbands who want them to stay at home to look after the children. It is not only a magnificent document of industrial archaeology, but also and above all the portrait of a new woman, modern and ancient at the same time."]