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[null,"1.","Record Nr.",null,"UNINA990004022210403321"]
[null,null,"Autore",null,"Ruff, Julius R."]
[null,null,"Titolo",null,"Crime, justice and public order in Old Regime France : the Senechaussees of Libourne and Bazas, 1696-1789 / Julius R. Ruff"]
[null,null,"Pubbl/distr/stampa",null,"London ; Sydney : Croom Helm, c1984"]
[null,null,"Descrizione fisica",null,"211 p. ; 22 cm"]
[null,null,"Disciplina",null,"364.944"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"364.944 RUF 1 (QUAT.)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA996218170503316"]
[null,null,"Titolo",null,"A companion to art theory [[electronic resource] /] / edited by Paul Smith and Carolyn Wilde"]
[null,null,"Pubbl/distr/stampa",null,"Oxford ; ; Malden, MA, : Blackwell, 2002"]
[null,null,"ISBN",null,"0-470-99842-3"]
[{"$nulls":4},"1-78268-424-7"]
[{"$nulls":4},"1-280-28429-3"]
[{"$nulls":4},"9786610284290"]
[{"$nulls":4},"0-470-99843-1"]
[{"$nulls":4},"0-585-47091-X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (552 p.)"]
[null,null,"Collana",null,"Blackwell companions in cultural studies ; ; 5"]
[null,null,"Disciplina",null,"700.1"]
[{"$nulls":4},"701"]
[{"$nulls":4},"701.18"]
[null,null,"Soggetti",null,"Art - Philosophy - History"]
[{"$nulls":4},"Art criticism - History"]
[{"$nulls":4},"Aesthetics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"11 E. H. Gombrich and the Tradition of Hegel12 German Romanticism and French Aesthetic Theory; 13 Expression: Natural, Personal, Pictorial; 14 Reading Artists' Words; 15 Nietzsche and the Artist; 16 Wittgenstein, Description, and Adrian Stokes (on Cézanne); 17 Modernism and the Idea of the Avant-Garde; 18 On the Intention of Modern(ist) Art; 19 Anti-Art and the Concept of Art; 20 Marcel Duchamp's Readymades and Anti-Aesthetic Reflex; Part III: Critical Theory and Postmodernism; 21 Marxism and Critical Art History; 22 Walter Benjamin and Art Theory; 23 Bakhtin and the Visual Arts"]
[{"$nulls":4},"24 Peirce's Visuality and the Semiotics of Art25 Conceptual Art; 26 Barthes on Art; 27 Foucault and Art; 28 Derrida and the Parergon; 29 What Consciousness Forgets: Lyotard's Concept of the Sublime; 30 Deleuze on Francis Bacon; 31 Feminisms and Art Theory; 32 Psycho-Phallus (Qu'est-ce que c'est?); Part IV: Interpretation and the Institution of Art; 33 The Rules of Representation; 34 Gombrich and Psychology; 35 Hermeneutics and Art Theory; 36 Reciprocity and Reception Theory; "]
[{"$nulls":4},"37 The Paradox of Creative Interpretation in Art; 38 Interdisciplinarity and Visual Culture"]
[{"$nulls":4},"39 Against Curatorial Imperialism: Merleau-Ponty and the Historicity of Art40 The Institutional Theory of Art: Theory and Antitheory; Index"]
[null,null,null,"Sommario/riassunto","The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings."]