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[null,"1.","Record Nr.",null,"UNISA996217590303316"]
[null,null,"Titolo",null,"Irian"]
[null,null,"Pubbl/distr/stampa",null,"Jayapura, Indonesia, : Institute for Anthropology, Cenderawasih University, -[1993]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"306/.09598/2"]
[null,null,"Soggetti",null,"Ethnology - Indonesia - Papua"]
[{"$nulls":4},"Ethnology"]
[{"$nulls":4},"Language and languages"]
[{"$nulls":4},"Manners and customs"]
[{"$nulls":4},"15.75 history of Asia"]
[{"$nulls":4},"Periodicals."]
[{"$nulls":4},"Papua (Indonesia) Languages Periodicals"]
[{"$nulls":4},"Papua (Indonesia) Social life and customs Periodicals"]
[{"$nulls":4},"Indonesia Papua"]
[{"$nulls":4},"Papua (Indonesia)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,"2.","Record Nr.",null,"UNINA9910960505903321"]
[null,null,"Autore",null,"Freeman Mark <1968->"]
[null,null,"Titolo",null,"Necessary evils : amnesties and the search for justice / / Mark Freeman"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2009"]
[null,null,"ISBN",null,"0-511-84980-X"]
[{"$nulls":4},"1-107-21197-2"]
[{"$nulls":4},"1-107-40323-5"]
[{"$nulls":4},"1-282-63717-7"]
[{"$nulls":4},"9786612637179"]
[{"$nulls":4},"0-511-68992-6"]
[{"$nulls":4},"0-511-69252-8"]
[{"$nulls":4},"0-511-69140-8"]
[{"$nulls":4},"0-511-69066-5"]
[{"$nulls":4},"0-511-68918-7"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xxi, 352 pages) : digital, PDF file(s)"]
[null,null,"Disciplina",null,"345/.077"]
[null,null,"Soggetti",null,"Amnesty"]
[{"$nulls":4},"International crimes"]
[{"$nulls":4},"Transitional justice"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Half-title; Title; Copyright; Contents; Preface; Acknowledgments; Abbreviations and Legal Terms; Opening Considerations: On the Perennial Relevance of Amnesties; PART I The Debate on Amnesties; 1. INTRODUCTION; 2. DEFINING AMNESTY; 3. AMNESTIES AND THE FIGHT AGAINST IMPUNITY; 3.1 Transitional justice and amnesty; 3.2. The lesser-evil argument and the limits of trial impact; 3.3 Evaluating the legitimacy and impact of amnesties; 3.4 Conclusion; 4. AMNESTIES AND INTERNATIONAL LAW; 4.1 Treaty sources explicitly related to amnesty; 4.2 Treaty sources implicitly related to amnesty"]
[{"$nulls":4},"4.3 Nontreaty sources explicitly related to amnesty4.4 International jurisprudence explicitly related to amnesties; 4.5 Other legal rights and obligations; 4.6 Legal defenses; 4.7 The question of limitations and derogations; 4.8 Reconciling international legal norms; 5. AMNESTIES AND THE INTERNATIONAL CRIMINAL COURT; 5.1 Background on the ICC; 5.2 General considerations about amnesties and the ICC; 5.3 "]
[{"$nulls":4},"Specific Rome Statute provisions related to amnesty; 5.4 The ICC in Uganda; 5.5 Conclusion; 6. THE EVOLVING UN POSITION ON AMNESTIES; 6.1 Legal questions about the UN position"]
[{"$nulls":4},"6.2 Policy questions about the UN position6.3 Alternatives to the current UN position; 7. CONCLUSIONS; PART II The Design of Amnesties; 1. INTRODUCTION; 2. LAST RECOURSE THRESHOLD; 2.1 Existence of an urgent and grave situation; 2.2 Exhaustion of appropriate options to end the urgent and grave situation; 2.3 Exhaustion of leniency options short of amnesty to end the blackmail; 3. OVERARCHING PARAMETERS FOR AMNESTY DESIGN; 3.1 A legitimate process; 3.3 Legitimate end; 3.4 Minimum leniency; 3.5 Maximum conditions; 3.6 Maximum viability; 4. SPECIFIC AMNESTY DESIGN CHOICES"]
[{"$nulls":4},"4.1 Minimum legal entrenchment4.2 Legitimate end; 4.3 Minimum leniency; 4.4 Maximum conditions; 4.5 Maximum viability; 5. CONCLUSIONS; Final Considerations: On the Perennial Contestation of Amnesties; APPENDIX 1 Summary Guidelines for Effective Amnesty Design; THRESHOLD ISSUES; Last-recourse threshold; SPECIFIC DESIGN CHOICES; 3. Minimum leniency; 5. Maximum viability; APPENDIX 2 Selected Excerpts from International Legal Instruments; NONTREATY SOURCES; 1993 - UN Declaration on the Protection of All Persons from Enforced Disappearances, Article 18(1)"]
[{"$nulls":4},"2004 - Report of the Secretary-General on the Rule of Law and Transitional Justice in Conflict and Post-Conflict Societies, UN Doc. S2004616, Paragraphs 10, 32, and 642005 - Report of Diane Orentlicher, independent expert to update the Set of Principles to combat impunity, UN Doc. E/CN.4/2005/102/Add.1, Principles 19 and 28; APPENDIX 3 Selected Excerpts from Jurisprudence on Amnesties; Abuse of Process; Conclusion; Amnesty in respect of criminal liability; Amnesty in respect of the civil liability of individual wrongdoers; The effect of amnesty on any potential civil liability of the state"]
[{"$nulls":4},"Conclusion"]
[null,null,null,"Sommario/riassunto","This book is about amnesties for grave international crimes that states adopt in moments of transition or social unrest. The subject is naturally controversial, especially in the age of the International Criminal Court. The goal of this book is to reframe and revitalise the global debate on the subject and to offer an original framework for resolving amnesty dilemmas when they arise. Most literature and jurisprudence on amnesties deal with only a small subset of state practice and sidestep the ambiguity of amnesty's position under international law. This book addresses the ambiguity head on and argues that amnesties of the broadest scope are sometimes defensible when adopted as a last recourse in contexts of mass violence. Drawing on an extensive amnesty database, the book offers detailed guidance on how to ensure that amnesties extend the minimum leniency possible, while imposing the maximum accountability on the beneficiaries."]
[null,"3.","Record Nr.",null,"UNISA996647831603316"]
[null,null,"Autore",null,"Aust Robin-M"]
[null,null,"Titolo",null,"»Im Grunde Ist Alles, Was Gesagt Wird, Zitiert« : Die Kreative und Intertextuelle Thomas-Bernhard-Rezeption"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : transcript Verlag, , 2025"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"3-8394-7371-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (0 pages)"]
[null,null,"Collana",null,"Lettre"]
[null,null,"Soggetti",null,"LITERARY CRITICISM / European / German"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Inhalt -- 0. Vorbemerkungen -- 0.1. Einleitung -- 0.2. Zur Vorgehensweise -- 0.3. Forschungsstand -- I. Bernhard umschreiben: Hypertextuelle Transformationen -- I.1. Der Hypotext: Thomas Bernhard: Gehen (1971) -- I.2. Barbi Marković: Ausgehen (2009) -- I.3. Gabriel Josipovici: Moo Pak (1994) -- II. Bernhard weiterschreiben: Einfluss, Imitation, Weiterentwicklung -- II.1. Theoretische Vorbemerkungen -- II.1.1. Mimotextualität -- II.1.2. Einfluss und Einflussangst -- II.2. Der Hypotext: Das Bernhardeske -- II.2.1. Frühwerk: Stilfindung und Antiheimatliteratur -- II.2.2. Mittleres Werk: Tragikomische ›Geistesmenschen in der Wiederholungsschleife‹ -- II.2.3. Spätwerk: Künstlertexte, Transfiktionalität und poetologische Schreibweisen -- II.3. Hermann Burger -- II.3.1. Poetik: Krankheit als Stimulus, Literatur als Maske -- II.3.2. Der ›Prosalehrer‹ Thomas Bernhard -- II.3.2.1. Frühwerk: konvergente Entwicklungen -- II.3.2.2. Mittleres Werk: Punktuelle Mimesis und eigenständige Fortschreibung -- II.3.2.3. Spätwerk: selbstbezügliches Schreiben, extensive Mimesis und fatale Imitation -- II.4. Andreas Maier -- II.4.1. Poetik: Gesellschaftliche und literarische Wahrheit -- II.4.2. Der ›wirre Autor‹ Thomas Bernhard -- II.4.2.1. Die Verführung. Thomas Bernhards Prosa: Vermeintliche Destruktion -- II.4.2.2. Wäldchestag, Klausen und Kirillow: Instrumentale Mimotexte -- II.4.2.3. Sanssouci und Es gab eine Zeit, da habe ich Thomas Bernhard gemocht: Versöhnung und Emanzipation -- II.5. Exkurs: Norbert Gstrein: Selbstportrait mit einer Toten (2000) -- III. Bernhard schreiben: Transfiktionale und allofiktionale Rezeption -- III.1. Theoretische Vorbemerkungen -- III.1.1. Autofiktion und der öffentliche Autor -- III.1.2. Allofiktion und "]
[{"$nulls":4},"Fortschreibung -- III.1.3. Exkurs: Dichterfürst und Teufelsgeiger -- III.2. Der Hypotext: Bernhard als Kunstfigur."]
[{"$nulls":4},"III.2.1. Innerliterarische Selbstzuschreibungen: Autofiktion und Selbstliterarisierung -- III.2.2. Außerliterarische Selbstzuschreibungen: Filmportraits und Interviewfilme -- III.3. Begegnungen und Besuche -- III.3.1. Karl Ignaz Hennetmair: Ein Jahr mit Thomas Bernhard (2000) -- III.3.2. Hermann Burger: Zu Besuch bei Thomas Bernhard (1981) -- III.3.3. Gemma Salem: Brief an Thomas Bernhard (1991) -- III.4. Posthume Allofiktionen -- III.4.1. A.G. Marketsmüller: Cassiber Thomas Bernhard (2011) -- III.4.2. Rudolf Habringer: Thomas Bernhard seilt sich ab (2004) -- III.4.3. Alexander Schimmelbusch: Die Murau Identität (2014) -- III.5. Exkurs: Der Lebensabend und Tod des Autors -- III.5.1. Gerhard Falkner: Alte Helden. Deklamatorische Farce (1998) -- III.5.2. Werner Kofler: Am Schreibtisch (1988) -- IV. Fazit -- V. Quellenverzeichnis -- V.1. Primärtextsiglen -- V.2. Weitere Primärtexte -- V.3. Sekundärliteratur -- V.4. Medienverzeichnis -- Filme und Videos -- Musik -- V.5. Weitere Quellen -- Archivmaterial -- Weitere Internetquellen -- Software und Skripte -- VI. Danksagung."]
[null,null,null,"Sommario/riassunto","Das Zitieren und Imitieren ist eines der zentralen Stilmittel in Thomas Bernhards Prosa: der Famulant zitiert Strauch, der Student zitiert Saurau, der Erzähler zitiert Oehler, Oehler zitiert Karrer, alle zitieren sie Wittgenstein oder Voltaire – und Bernhard zitiert oftmals Bernhard. Und auch Bernhard selbst wird zitiert: Wohl kaum ein*e deutschsprachige*r Autor*in hat eine derart umfassende und variantenreiche Wirkung entfaltet. Robin-M. Aust fokussiert auf die vielfältige, literarische Rezeption und Transformation von Bernhards Prosa in Texten der Gegenwartsliteratur. Darüber hinaus wirft er einen Blick auf die Zeichenhaftigkeit von Bernhards öffentlicher Persona sowie ihre Literarisierung in fiktionalen Texten und beleuchtet so das produktive Spannungsverhältnis zwischen Adaptionen und ihrer Quelle."]