{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":22,"n_cols":5,"rows_kept":22,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[11,2,11,3],[15,2,15,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISA996210322603316"]
[null,null,"Titolo",null,"The Cambridge companion to the Lied / / edited by James Parsons [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2004"]
[null,null,"ISBN",null,"1-139-81649-7"]
[{"$nulls":4},"1-139-00098-5"]
[null,null,"Descrizione fisica",null,"1 online resource (xxxviii, 399 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Cambridge companions to music"]
[null,null,"Disciplina",null,"782.42168/0943"]
[null,null,"Soggetti",null,"Songs - Germany - History and criticism"]
[{"$nulls":4},"Songs - Austria - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 09 Nov 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 334-382) and index."]
[null,null,"Nota di contenuto",null,"; PART I : INTRODUCING A GENRE -- ; Introduction : why the Lied? / James Parsons -- In the beginning was poetry / Jane K. Brown."]
[{"$nulls":4},"; PART II : THE BIRTH AND EARLY HISTORY OF A GENRE IN THE AGE OF ENLIGHTENMENT -- The eighteenth-century Lied / James Parsons -- The Lieder of Carl Philipp Emanuel Bach, Haydn, Mozart, and Beethoven / Amanda Glauert."]
[{"$nulls":4},"; PART III : THE NINETEENTH CENTURY: ISSUES OF STYLE AND DEVELOPMENT -- The Lieder of Schubert / Marie-Agnes Dittrich -- The early nineteenth-century song cycle / Ruth O. Bingham -- Schumann : reconfiguring the Lied / Jürgen Thym -- A multitude of voices : the Lied at mid century / James Deaville -- The Lieder of Liszt / Rena Charnin Mueller -- The Lieder of Brahms / Heather Platt -- Tradition and innovation : the Lieder of Hugo Wolf / Susan Youens -- Beyond song : instrumental transformations and adaptations of the Lied from Schubert to Mahler / Christopher H. Gibbs."]
[{"$nulls":4},"; PART IV : INTO THE TWENTIETH CENTURY -- The Lieder of Mahler and Richard Strauss / James L. Zychowicz -- The Lied in the modern age : to mid century / James Parsons."]
[{"$nulls":4},"; PART V : RECEPTION AND PERFORMANCE -- The circulation of the Lied : the double life of an artwork and a commodity / David Gramit -- The Lied in performance / Graham Johnson."]
[null,null,null,"Sommario/riassunto","Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes "]
[{"$nulls":4},"to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography."]