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[null,null,"Titolo",null,"The Cambridge companion to twentieth-century opera / / edited by Mervyn Cooke [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2005"]
[null,null,"ISBN",null,"1-139-81632-2"]
[{"$nulls":4},"1-139-00088-8"]
[null,null,"Descrizione fisica",null,"1 online resource (xlvii, 374 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Cambridge companions to music"]
[null,null,"Disciplina",null,"782.109/04"]
[null,null,"Soggetti",null,"Opera - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 09 Nov 2015)."]
[null,null,"Nota di contenuto",null,"Opera in transition / Arnold Whittall -- Wagner and beyond / John Deathridge -- Puccini and the dissolution of the Italian tradition / Virgilio Bernardoni -- Words and actions / Caroline Harvey -- Symbolist opera : trials, triumphs, tributaries / Philip Weller -- Expression and construction : the stage works of Schoenberg and Berg / Alan Street -- Neo-classical opera / Chris Walton -- France and the Mediterranean / Nigel Simeone -- Austria and Germany, 1918-1960 / Guido Heldt -- Eastern Europe / Rachel Beckles Willson -- Russian opera : between modernism and romanticism / Marina Frolova-Walker -- American opera : innovation and tradition / Elise K. Kirk -- Opera in England : taking the plunge / Christopher Mark -- Music theatre since the 1960s / Robert Adlington -- Minimalist opera / Arved Ashby -- Opera and film / Mervyn Cooke -- Popular musical theatre (and film) / Stephen Banfield -- Opera in the marketplace / Nicholas Payne -- Technology and interpretation : aspects of 'modernism' / Tom Sutcliffe."]
[null,null,null,"Sommario/riassunto","This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic "]
[{"$nulls":4},"traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace."]