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[null,"1.","Record Nr.",null,"UNISA990002352730203316"]
[null,null,"Autore",null,"MAMMARELLA, Giuseppe <1929- >"]
[null,null,"Titolo",null,"5 L'Italia contemporanea : 1943-1998 / Giuseppe Mammarella"]
[null,null,"Pubbl/distr/stampa",null,"Bologna, : Il Mulino, 1998"]
[null,null,"ISBN",null,"88-15-06757-4"]
[null,null,"Edizione",null,"[Nuova ed]"]
[null,null,"Descrizione fisica",null,"VII, 626 p. ; 22 cm"]
[null,null,"Collana",null,"Le vie della civiltà"]
[null,null,"Disciplina",null,"945.084"]
[null,null,"Soggetti",null,"Italia Storia Sec. 19.-20."]
[null,null,"Collocazione",null,"X.3.B. 5703 5 (Coll HND 25/V)"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA996210303903316"]
[null,null,"Autore",null,"Houppermans Sjef"]
[null,null,"Titolo",null,"Déjà Vu [[electronic resource] ] : Herhaling in literatuur en kunst / / onder redactie van Sjef Houppermans, Jef Jacobs en Remke Kruk"]
[null,null,"Pubbl/distr/stampa",null,"Leiden [The Netherlands], : Leiden University Press, 2011"]
[null,null,"ISBN",null,"1-280-11847-4"]
[{"$nulls":4},"9786613522764"]
[{"$nulls":4},"94-006-0064-X"]
[null,null,"Descrizione fisica",null,"1 online resource (337 pages) : illustrations"]
[null,null,"Collana",null,"Open Access e-Books"]
[{"$nulls":4},"Knowledge Unlatched"]
[null,null,"Disciplina",null,"709"]
[null,null,"Soggetti",null,"Repetition in literature"]
[{"$nulls":4},"Repetition (Aesthetics)"]
[null,null,"Lingua di pubblicazione",null,"Olandese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Deja Vu -- inhoudsopgave -- Voorwoord -- Introductie -- Trouw niet met Bataviase juffertjes! Bataviase juffertjes zitten vol kuren Herhaling als wezenskenmerkvan de pantoen en pantoum -- Ennui en herhaling bij Baudelaire -- Vertaalslag in niemands land: Tom Lanoye en de poëzie uit de Groote Oorlog -- Herhaling, parafrase en bewerking in het Gilgamesh-epos -- Verhalen van de speelman: Herhaling in de literatuur van de twaalfde eeuw -- De bruiloften van Maryam Dollekop: Het gebruik van herhaling in de Arabische volksepiek -- Herhaling in verhalen over ornament --"]
[{"$nulls":4},"Herhalingsstrategieën in het fotografische werk van Idris Khan -- 'Play it again...': De waarde van filmremakes -- Moultaka's muwashshaha: Ontsnapping uit de cyclus van de Arabische muziek -- Herhalingsrecepten: Noachs pudding in De bastaard van Istanbul -- Een academische romance: David Lodge, Small World -- Mister Pip: Een navertelling zonder opsmuk -- Herneming der herhalingen: Van Kierkegaard tot Robbe-Grillet -- Abrahams offer: Of de dwangmatige herhaling van een vader-mythe -- over de auteurs."]
[null,null,null,"Sommario/riassunto","Repetition has a major role in human culture. In lullabies and prayers, in protests and war cries: from the cradle to the grave, repetition is the companion to life’s essentials. In a constantly revolving world there is no pure repetition. Events never repeat themselves precisely. This is equally true of repetition in Literature and Art, where the use of "]
[{"$nulls":4},"repetition is varied and frequent. How does repetition work? And how can it be of use? Déjà Vu unravels these questions in fifteen chapters ranging from film remakes and Baudelaire to the offer of Abraham and David Lodge, Small World. Déjà Vu shows that repetition has been used worldwide through all times and cultures in visual arts, poetry, music, literature and motion pictures."]
[{"$nulls":4},"Herhaling speelt een centrale rol in menselijke cultuuruitingen. Slaap - liedjes en smeekbeden, protesten en strijdkreten: van de wieg tot het graf begeleidt de herhaling de essentiële gebeurtenissen in het leven. Maar in een wereld die zelf voortdurend in beweging is, kan van zuivere herhaling geen sprake zijn. Je kunt onmogelijk tweemaal in dezelfde rivier stappen. Dat geldt ook in literatuur en kunst, waar herhaling veelvuldig wordt ingezet als artistiek middel. Daarbij is juist het verschil van essentieel belang. Maar wat is precies de aard van dat verschil? Wat 'doet' herhaling als kunstgreep met het werk? En hoe kan herhaling worden ingezet om gevestigde belangen en opvattingen te consoli - deren of juist te onder mijnen? Déjà Vu behandelt deze vragen vanuit een interdisciplinair en mondiaal perspectief en laat daarbij zien hoe het middel van de herhaling door alle tijden en alle culturen wordt toegepast in beeldende kunst, muziek, literatuur en film."]