{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":20,"n_cols":5,"rows_kept":20,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[11,2,11,3],[15,2,15,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISA996205776103316"]
[null,null,"Titolo",null,"The author's voice in classical and late antiquity / / edited by Anna Marmodoro and Jonathan Hill"]
[null,null,"Pubbl/distr/stampa",null,"Oxford : , : Oxford University Press, , 2014"]
[null,null,"ISBN",null,"0-19-175818-3"]
[{"$nulls":4},"0-19-164950-3"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (439 p.)"]
[null,null,"Disciplina",null,"880.9"]
[null,null,"Soggetti",null,"Classical literature"]
[{"$nulls":4},"Literature, Ancient"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"\"\"Cover\"\"; \"\"Contents\"\"; \"\"List of Figures and Illustrations\"\"; \"\"List of Contributors\"\"; \"\"Introduction\"\"; \"\"I. AUTHORS AND THEIR MANIFESTATIONS\"\"; \"\"I.1 The third person\"\"; \"\"1. The poet in the Iliad\"\"; \"\"2. Xenophonâ€?s and Caesarâ€?s third-person narrativesâ€?or are they?\"\"; \"\"I.2 The dialogic voice\"\"; \"\"3. Listening to many voices: Athenian tragedy as popular art\"\"; \"\"4. â€?When I read my Cato, it is as if Cato speaksâ€?: the birth and evolution of Ciceroâ€?s dialogic voice\"\"; \"\"5. Author and speaker(s) in Horaceâ€?s Satires 2\"\"; \"\"I.3 The first person\"\""]
[{"$nulls":4},"\"\"6. â€?I, Polybiusâ€?: self-conscious didacticism?\"\"\"\"7. Drip-feed invective: Pliny, self-fashioning, and the Regulus letters\"\"; \"\"8. An I for an I: reading fictional autobiography\"\"; \"\"II. AUTHORS AND AUTHORITY\"\"; \"\"9. Ille ego qui quondam: on authorial (an)onymity\"\"; \"\"10. Authorship and authority in Greek fictional letters\"\"; \"\"11. Platoâ€?s religious voice: Socrates as godsent, in Plato and the Platonists\"\"; \"\"12. When the dead speak: the refashioning of Ignatius of Antioch in the long recension of his letters\"\""]
[{"$nulls":4},"\"\"13. Ars in their â€?Iâ€?s: authority and authorship in Graeco-Roman visual culture\"\"\"\"Index\"\"; \"\"A\"\"; \"\"B\"\"; \"\"C\"\"; \"\"D\"\"; \"\"E\"\"; \"\"F\"\"; \"\"G\"\"; \"\"H\"\"; \"\"I\"\"; \"\"J\"\"; \"\"L\"\"; \"\"M\"\"; \"\"N\"\"; \"\"O\"\"; \"\"P\"\"; \"\"Q\"\"; \"\"R\"\"; \"\"S\"\"; \"\"T\"\"; \"\"U\"\"; \"\"V\"\"; \"\"W\"\"; \"\"X\"\"; \"\"Z\"\""]
[null,null,null,"Sommario/riassunto","This volume focuses on the authorial voice in antiquity exploring the different ways in which authors presented and projected various personas. In particular, it questions authority and ascription in relation "]
[{"$nulls":4},"to the authorial voice, and considers how later readers and authors may have understood the authority of a text's author."]