{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":39,"n_cols":5,"rows_kept":39,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[14,2,14,3],[17,2,17,3],[17,4,17,5],[18,2,18,3],[18,4,18,5],[19,2,19,3],[19,4,19,5],[20,2,20,3],[22,2,22,3],[23,2,23,3],[24,2,24,3],[25,2,25,3],[26,2,26,3],[27,2,27,3],[31,2,31,3],[32,2,32,3],[36,2,36,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISA996202478203316"]
[null,null,"Titolo",null,"The Cambridge companion to English novelists / / edited by Adrian Poole [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2009"]
[null,null,"ISBN",null,"1-139-80152-X"]
[{"$nulls":4},"1-139-00277-5"]
[null,null,"Descrizione fisica",null,"1 online resource (xi, 464 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Cambridge companions to literature"]
[null,null,"Disciplina",null,"823/.509"]
[null,null,"Soggetti",null,"English fiction - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 09 Nov 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Daniel Defoe / Thomas Keymer -- Samuel Richardson / Peter Sabor -- Henry Fielding / Jane Spencer -- Laurence Sterne / Melvyn New -- Frances Burney / Vivien Jones -- Jane Austen / Jocelyn Harris -- Walter Scott / Alison Lumsden -- Charles Dickens / Robert Douglas-Fairhurst -- William Makepeace Thackeray / Nicholas Dames -- Charlotte Brontë / Patsy Stoneman -- Emily Brontë / Heather Glen -- Elizabeth Gaskell / Brigid Lowe -- Anthony Trollope / David Skilton -- George Eliot / Jill L. Matus -- Thomas Hardy / Penny Boumelha -- Robert Louis Stevenson / Adrian Poole -- Henry James / Michiel Heyns -- Joseph Conrad / Robert Hampson -- D. H. Lawrence / Michael Bell -- James Joyce / Maud Ellmann -- E. M. Forster / Santanu Das -- Virginia Woolf / Maria Dibattista -- Elizabeth Bowen / Victoria Coulson -- Henry Green / Bharat Tandon -- Evelyn Waugh / Anthony Lane -- Graham Greene / Dorothea Barrett -- William Golding / Robert Macfarlane."]
[null,null,null,"Sommario/riassunto","In this Companion, leading scholars and critics address the work of the most celebrated and enduring novelists from the British Isles (excluding living writers): among them Defoe, Richardson, Sterne, Austen, Dickens, the Brontës, George Eliot, Hardy, James, Lawrence, Joyce, and Woolf. The significance of each writer in their own time is explained, the relation of their work to that of predecessors and successors explored, and their most important novels analysed. These essays do not aim to create a canon in a prescriptive way, but taken together they describe a strong developing tradition of the writing of fictional prose over the past 300 years. This volume is a helpful guide for those studying and teaching the novel, and will allow readers to consider the "]
[{"$nulls":4},"significance of less familiar authors such as Henry Green and Elizabeth Bowen alongside those with a more established place in literary history."]
[null,"2.","Record Nr.",null,"UNINA9910821123903321"]
[null,null,"Autore",null,"Carman Emily"]
[null,null,"Titolo",null,"Independent stardom : freelance women in the Hollywood studio system / / Emily Carman"]
[null,null,"Pubbl/distr/stampa",null,"Austin, [Texas] : , : University of Texas Press, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"1-4773-0732-X"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (237 p.)"]
[null,null,"Collana",null,"Texas Film and Media Studies Series"]
[null,null,"Disciplina",null,"791.43082"]
[null,null,"Soggetti",null,"Motion picture industry - California - Los Angeles - History"]
[{"$nulls":4},"Women in the motion picture industry - California - Los Angeles - History"]
[{"$nulls":4},"Motion picture actors and actresses - California - Los Angeles - History"]
[{"$nulls":4},"Hollywood (Los Angeles, Calif.) History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Introduction: Independent Stardom Is Born -- One. 1930s Hollywood The Golden Age for Talent -- Two. The [Freelance] Contract in Context -- Three. Labor and Lipstick Promoting the Independent Star Persona -- Four. Independent Stardom Goes Mainstream -- Appendix One. Key Freelance Deals of Independent Stardom Case Study Stars, 1930–1945 -- Appendix Two. Motion Picture Archives and Library Materials Consulted -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure. Through extensive, original archival research, Independent Stardom uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in "]
[{"$nulls":4},"deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry."]