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[null,"1.","Record Nr.",null,"UNISA996201665703316"]
[null,null,"Autore",null,"Crombez Thomas"]
[null,null,"Titolo",null,"Het anti-theater van Antonin Artaud : Een onderzoek naar de veralgemeende artistieke transgressie toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio / / Thomas Crombez"]
[null,null,"Pubbl/distr/stampa",null,"Gent, : Academia Press, 2008"]
[{"$nulls":4},"Gent : , : Academia Press, , 2008"]
[null,null,"ISBN",null,"9789038212739"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 336 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Ginkgo Het antitheater van Antonin Artaud"]
[null,null,"Soggetti",null,"Romance Literatures"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"French Literature"]
[null,null,"Lingua di pubblicazione",null,"Olandese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself."]