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[null,"1.","Record Nr.",null,"UNISA996198297503316"]
[null,null,"Titolo",null,"2008 International Seminar on Future Information Technology and Management Engineering : 20 November 2008"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : IEEE, , 2009"]
[null,null,"ISBN",null,"1-5090-7919-X"]
[null,null,"Descrizione fisica",null,"1 online resource (678 pages)"]
[null,null,"Soggetti",null,"Information technology"]
[{"$nulls":4},"Information resources management"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910642296203321"]
[null,null,"Titolo",null,"Gegen\\Dokumentation : Operationen – Foren – Interventionen / Esra Canpalat, Maren Haffke, Sarah Horn, Felix Hüttemann, Matthias Preuss"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2020"]
[null,null,"ISBN",null,"9783839451670"]
[{"$nulls":4},"3839451671"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (242 p.)"]
[null,null,"Collana",null,"Das Dokumentarische. Exzess und Entzug"]
[null,null,"Classificazione",null,"AN 96900"]
[null,null,"Disciplina",null,"700"]
[null,null,"Soggetti",null,"Gegendokumentarisches"]
[{"$nulls":4},"Counter-documentary"]
[{"$nulls":4},"Dokumentarisches"]
[{"$nulls":4},"Documentary"]
[{"$nulls":4},"Dokumentation"]
[{"$nulls":4},"Media"]
[{"$nulls":4},"Reality"]
[{"$nulls":4},"Gegendokumentation"]
[{"$nulls":4},"Medien"]
[{"$nulls":4},"Visual Media"]
[{"$nulls":4},"Wirklichkeit"]
[{"$nulls":4},"Operations"]
[{"$nulls":4},"Bildmedien"]
[{"$nulls":4},"Institutions"]
[{"$nulls":4},"Operationen"]
[{"$nulls":4},"Poems"]
[{"$nulls":4},"Institutionen"]
[{"$nulls":4},"Aesthetics"]
[{"$nulls":4},"Poetiken"]
[{"$nulls":4},"Spell"]
[{"$nulls":4},"Ästhetiken"]
[{"$nulls":4},"Representations"]
[{"$nulls":4},"Schreibweisen"]
[{"$nulls":4},"Processuality"]
[{"$nulls":4},"Practices"]
[{"$nulls":4},"Darstellungsweisen"]
[{"$nulls":4},"Prozessualität"]
[{"$nulls":4},"Art"]
[{"$nulls":4},"Praktiken"]
[{"$nulls":4},"Journalism"]
[{"$nulls":4},"Kunst"]
[{"$nulls":4},"Law"]
[{"$nulls":4},"Journalismus"]
[{"$nulls":4},"Politics"]
[{"$nulls":4},"Recht"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Politik"]
[{"$nulls":4},"Film"]
[{"$nulls":4},"Media Aesthetics"]
[{"$nulls":4},"Kultur"]
[{"$nulls":4},"Media History"]
[{"$nulls":4},"Medienästhetik"]
[{"$nulls":4},"Media Theory"]
[{"$nulls":4},"Media Studies"]
[{"$nulls":4},"Mediengeschichte"]
[{"$nulls":4},"Medientheorie"]
[{"$nulls":4},"Medienwissenschaft"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Counter\\Documentation marks a strategic effort to sharpen and politicise the understanding of documentary media, operations and institutions."]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Inhalt    5 Einleitung    7 Records in Motion    29 Die Rotoskopie von Tehran Taboo als katachretisches Bewegtbild    39 Was bleibt, wenn nichts bleibt?    63 Das Dokugramm    77 Kritik der Kritik    91 Im Bau    109 Resounding the Past    137 7 Wolken für G20    151 Der Fall Pierre Rivière    173 »Faithful Transcriptions«    195 Walking a Mile in Viktorija's Shoes    213 Autor_innen und Herausgeber_innen    235"]
[null,null,null,"Sommario/riassunto","Das Gegen\\\\Dokumentarische ist eine Antwort auf die Provokation des Dokumentarischen. Diese Provokation liegt im Anspruch oder Begehren, »Wirklichkeit« zu erfassen, darzustellen und zu kontrollieren. Der Begriff des Gegen\\\\Dokumentarischen markiert einen strategischen Einsatz, mit dem das Verständnis dokumentarischer Medien, Operationen, Institutionen, Poetiken, Ästhetiken, Schreib- und Darstellungsweisen geschärft und politisiert wird. Das Gegen\\\\Dokumentarische dient als Zugang, auch evidentielle Verfahren jenseits analoger Bildmedien zu beschreiben. Dabei rücken künstlerische, journalistische, juristische, politische und kulturelle Praktiken ins Blickfeld, die die Prozessualität des Gegen\\\\Dokumentarischen betonen."]