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[null,"1.","Record Nr.",null,"UNISA990002743320203316"]
[null,null,"Autore",null,"MICHELETTA, Luca"]
[null,null,"Titolo",null,"Italia e Gran Bretagna nel primo dopoguerra : le relazioni diplomatiche tra Roma e Londra dal 1919 al 1922 / Luca Micheletta"]
[null,null,"Pubbl/distr/stampa",null,"Roma : Jouvence, copyr. 1999"]
[null,null,"ISBN",null,"88-7801-278-5"]
[null,null,"Descrizione fisica",null,"2 v. (782 p. compless.) ; 21 cm"]
[null,null,"Collana",null,"Politica e storia ; 6"]
[null,null,"Disciplina",null,"327.45041"]
[null,null,"Soggetti",null,"Italia e Gran Bretagna 1919-1922"]
[{"$nulls":4},"Gran Bretagna Relazioni con l'Italia 1919-1922"]
[null,null,"Collocazione",null,"327.450 MIC 1/1(ISP IV 1552/1)"]
[{"$nulls":4},"327.450 MIC 1/2 (ISP IV 1552/2)"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910279594303321"]
[null,null,"Autore",null,"Campan Véronique"]
[null,null,"Titolo",null,"L'Écoute filmique / / Véronique Campan"]
[null,null,"Pubbl/distr/stampa",null,"Saint-Denis, : Presses universitaires de Vincennes, 2018"]
[null,null,"ISBN",null,"2-84292-913-6"]
[null,null,"Descrizione fisica",null,"1 online resource (159 p.)"]
[null,null,"Disciplina",null,"791.43"]
[null,null,"Soggetti",null,"Sound motion pictures"]
[{"$nulls":4},"Motion pictures - Sound effects"]
[{"$nulls":4},"Motion pictures - Aesthetics"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Une perspective nouvelle dans l'analyse du cinéma : en privilégiant l'entrée sonore, l'auteur montre comment la propagation des échos à travers l'espace filmique perturbe la réception spectatorielle des films, même des plus classiques.  Aucun son n'est jamais à l'image de quelque chose, mais toujours en marge d'une image dont il n'offre que des brouillons imparfaits. Dans le film, le sonore insinue sous le visible les évocations multiples auxquelles il fait écho. En organisant la déliaison du son et de l'image, le cinéma met en concurrence le regard, attentif au contour des figures, et l'écoute, sensible à leur devenir. Relançant une approche phénoménologique de la perception, ce livre propose une perspective nouvelle sur le rôle de l'écoute dans la réception d'un film. Le spectateur se trouve placé au centre d'une réflexion cinématographique dont l'orientation privilégie désormais, avec l'entrée sonore, les résonances que les bruits et les voix propagent dans l'espace filmique et la perturbation qu'ils provoquent dans l'entente des films les plus classiques. Ce faisant, l'écoute s'attache à déplier, à travers l'entretien syncopé du son et de l'image, le champ des formes éphémères que chaque son fait surgir."]
[null,"3.","Record Nr.",null,"UNINA9910701597803321"]
[null,null,"Titolo",null,"Costs and burdens of civil discovery [[electronic resource] ] : hearing before the Subcommittee on the Constitution of the Committee on the Judiciary, House of Representatives, One Hundred Twelfth Congress, first session, December 13, 2011"]
[null,null,"Pubbl/distr/stampa",null,"Washington : , : U.S. G.P.O., , 2012"]
[null,null,"Descrizione fisica",null,"1 online resource (iii, 351 pages) : illustrations"]
[null,null,"Soggetti",null,"Discovery (Law) - United States - Costs"]
[{"$nulls":4},"Electronic discovery (Law) - United States - Costs"]
[{"$nulls":4},"Pre-trial procedure - United States - Costs"]
[{"$nulls":4},"Costs (Law) - United States"]
[{"$nulls":4},"Civil procedure - United States - Costs"]
[{"$nulls":4},"Actions and defenses - Economic aspects - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from title screen (viewed on Mar. 9, 2012)."]
[{"$nulls":4},"\"Serial no. 112-72.\""]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]