{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":3,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":60,"n_cols":5,"rows_kept":60,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[12,2,12,3],[12,4,12,5],[13,2,13,3],[13,4,13,5],[14,2,14,3],[14,4,14,5],[15,2,15,3],[17,2,17,3],[18,2,18,3],[19,2,19,3],[20,2,20,3],[21,2,21,3],[39,2,39,3],[40,2,40,3],[44,2,44,3],[46,2,46,3],[46,4,46,5],[47,2,47,3],[47,4,47,5],[48,2,48,3],[48,4,48,5],[49,2,49,3],[50,2,50,3],[51,2,51,3],[54,2,54,3],[55,2,55,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNIPARTHENOPE000026275"]
[null,null,"Autore",null,"Albers, Vernon M."]
[null,null,"Titolo",null,"Underwater acoustics / Vernon M. Albers"]
[null,null,"Pubbl/distr/stampa",null,"New York : Plenum press, c1963"]
[null,null,"Titolo uniforme",null,"Underwater acoustics"]
[null,null,"Descrizione fisica",null,"354 p. : ill. ; 25 cm"]
[null,null,"Disciplina",null,"620.25"]
[null,null,"Soggetti",null,"Acustica"]
[null,null,"Collocazione",null,"DEP V-0161"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910461375403321"]
[null,null,"Autore",null,"Starr G. Gabrielle <1974->"]
[null,null,"Titolo",null,"Lyric Generations : Poetry and the Novel in the Long Eighteenth Century / / G. Gabrielle Starr"]
[null,null,"Pubbl/distr/stampa",null,"2015., : Johns Hopkins University Press"]
[{"$nulls":4},"Baltimore, Maryland"]
[null,null,"ISBN",null,"1-4214-1911-4"]
[null,null,"Edizione",null,"[Johns Hopkins paperback edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (311 p.)"]
[null,null,"Disciplina",null,"820.9/005"]
[null,null,"Soggetti",null,"Engels"]
[{"$nulls":4},"Romans"]
[{"$nulls":4},"Lyriek"]
[{"$nulls":4},"Lyric poetry"]
[{"$nulls":4},"Literary form"]
[{"$nulls":4},"English poetry"]
[{"$nulls":4},"English fiction"]
[{"$nulls":4},"Poesie lyrique - Histoire et critique"]
[{"$nulls":4},"Genres litteraires - Histoire - 18e siecle"]
[{"$nulls":4},"Poesie anglaise - 18e siecle - Histoire et critique"]
[{"$nulls":4},"Roman anglais - 18e siecle - Histoire et critique"]
[{"$nulls":4},"Lyric poetry - History and criticism"]
[{"$nulls":4},"Literary form - History - 18th century"]
[{"$nulls":4},"English poetry - 18th century - History and criticism"]
[{"$nulls":4},"English fiction - 18th century - History and criticism"]
[{"$nulls":4},"History"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Clarissa and the lyric -- Modes of absorption : lyric and letter in Behn, Haywood, and Pope -- Lyric tensions : sympathy, displacement, and self into the midcentury -- Rhetorical realisms : chiasmus, convention, and lyric -- The limits of lyric and the space of the novel -- The novel and the new lyricism."]
[null,null,null,"Sommario/riassunto","\"In Lyric Generations, G. Gabrielle Starr rejects the usual genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead the novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice.\"--Jacket."]
[null,"3.","Record Nr.",null,"UNISA996387564803316"]
[null,null,"Autore",null,"Comley William"]
[null,null,"Titolo",null,"A new copy-booke of all the most vsuall English hands [[electronic resource] ] : vvith and alphabet of the text capitall great letters, fit for the vnskilfull to practise by. / / By William Comley of Henley"]
[null,null,"Pubbl/distr/stampa",null,"[London?, : G. Purslowe], May 1622"]
[null,null,"Descrizione fisica",null,"[29] leaves of plates : ill"]
[null,null,"Soggetti",null,"Penmanship, English"]
[{"$nulls":4},"Calligraphy"]
[{"$nulls":4},"Copybooks"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Publisher from STC (2nd ed.)."]
[{"$nulls":4},"Reproduction of original in: Columbia University Library."]
[null,null,null,"Sommario/riassunto","eebo-0027"]