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[null,"1.","Record Nr.",null,"UNIORUON00382180"]
[null,null,"Autore",null,"HECAEN, Henry"]
[null,null,"Titolo",null,"Pathologie du langage : l'aphasie / par Henry Hécaen et René Angelergues"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Larousse, c1965"]
[null,null,"Descrizione fisica",null,"200 p. ; 21 cm."]
[null,null,"Disciplina",null,"616.8552"]
[null,null,"Soggetti",null,"AFASIA"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910484225803321"]
[null,null,"Autore",null,"Knowles Kim <1976->"]
[null,null,"Titolo",null,"Experimental Film and Photochemical Practices / / by Kim Knowles"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020"]
[null,null,"ISBN",null,"9783030443092"]
[{"$nulls":4},"3030443094"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XV, 255 p. 46 illus., 34 illus. in color.)"]
[null,null,"Collana",null,"Experimental Film and Artists' Moving Image, , 2523-7535"]
[null,null,"Disciplina",null,"791.43611"]
[{"$nulls":4},"301"]
[null,null,"Soggetti",null,"Experimental films"]
[{"$nulls":4},"Motion pictures - History"]
[{"$nulls":4},"Arts"]
[{"$nulls":4},"Experimental Film"]
[{"$nulls":4},"Film and TV History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction -- Chapter 1: From Materialist Film to New Materialism -- Chapter 2: The Politics of Process -- Chapter 3: Expanded Cinema and Material Excess -- Chapter 4: Alternative Communities -- Chapter 5: The Dialectics of Old and New -- Conclusion."]
[null,null,null,"Sommario/riassunto","This book assesses the contemporary status of photochemical film practice against a backdrop of technological transition and obsolescence. It argues for the continued relevance of material engagement for opening up alternative ways of seeing and sensing the world. Questioning narratives of replacement and notions of fetishism and nostalgia, the book sketches out the contours of a photochemical renaissance driven by collective passion, creative resistance and artistic reinvention. Celluloid processes continue to play a key role in the evolution of experimental film aesthetics and this book takes a personal journey into the work of several key contemporary film artists. It provides fresh insight into the communities and infrastructures that sustain this vibrant field and mobilises a wide range of theoretical perspectives drawn from media archaeology, new materialism, ecocriticism and social ecology."]