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[null,"1.","Record Nr.",null,"UNIORUON00339462"]
[null,null,"Autore",null,"SANTOS JOTA, Zélio : dos"]
[null,null,"Titolo",null,"Glossário de dificuldade sintáticas / Zélio dos Santos Jota"]
[null,null,"Pubbl/distr/stampa",null,"Rio de Janeiro, : Editora Fundo da Cultura, 1962"]
[null,null,"Descrizione fisica",null,"318 p. ; 21 cm."]
[null,null,"Disciplina",null,"469.03"]
[null,null,"Soggetti",null,"LINGUA PORTOGHESE GLOSSARI"]
[null,null,"Lingua di pubblicazione",null,"Portoghese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910867288703321"]
[null,null,"Autore",null,"Ströbele Ursula <1961->"]
[null,null,"Titolo",null,"Hans Haacke und Pierre Huyghe : Non-Human Living Sculptures seit den 1960er-Jahren / / Ursula Ströbele"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; Boston : , : De Gruyter, , [2024]"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"3-11-102715-5"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (464 p.)"]
[null,null,"Collana",null,"Schriftenreihe des Studienzentrums zur Moderne - Bibliothek Herzog Franz von Bayern am Zentralinstitut für Kunstgeschichte ; ; 5"]
[null,null,"Soggetti",null,"ART / History / Contemporary (1945-)"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Inhaltsverzeichnis -- Danksagung -- Einleitung -- 1. Bildsäule, Raumgestalterin, Readymade, Living Sculpture oder Biofakt: Theorien und Diskurse -- 2. \"Ich arbeitete mit dem 'wirklichen Zeug' nach seinen eigenen Bedingungen ...\" -- 3. \"What is = +/- growth\" -- Anstatt eines Schlusswortes -- Literaturverzeichnis -- Abbildungsnachweise"]
[null,null,null,"Sommario/riassunto","Seit den 1960er-Jahren haben Künstler*innen tradierte Vorstellungen einer Opposition von Kunst und Natur in Frage gestellt. Sie bezogen Tiere und Pflanzen als Ko-Akteure ein und etablierten somit eine skulpturale Ästhetik des Lebendigen, die eine Neudefinition der Gattung Skulptur erforderte. Die Studie untersucht erstmals sogenannte Non-Human Living Sculptures am Beispiel von Hans Haacke und Pierre Huyghe. Ausgehend von einer Re-Lektüre der Skulpturhistoriographie der Moderne bewertet die Autorin in einzelnen Werkanalysen bestehende Theorien neu und erweitert diese. Gezeigt wird, wie die von US-amerikanischer Systemtheorie, -biologie und Kybernetik bestimmten realzeitlichen Systeme Haackes und seine Abkehr von einer Objektästhetik zeitgenössische Positionen prägen, wie die situationsästhetischen Arbeiten von Huyghe. Erste umfassende wissenschaftliche Studie sogenannter Non-Human Living Sculptures Re-Lektüre der Skulpturhistoriographie des 20. Jahrhunderts Skulpturale Ästhetik des Lebendigen"]
[{"$nulls":4},"Since the 1960s, artists have questioned the traditional idea of opposition between art and nature. They have incorporated animals and plants as co-actors in their work, and so established a sculptural "]
[{"$nulls":4},"aesthetic of the living, which called for a redefinition of the sculptural genre. This study is the first to examine so-called Non-Human Living Sculptures using the examples of Hans Haacke and Pierre Huyghe. Following a re-reading of the historiography of modernist sculpture, the author re-evaluates and expands on existing theories in individual work analyses. She shows how Haacke's real-time systems, determined by US systems theory, biology and cybernetics, as well as his rejection of the object aesthetic have shaped contemporary positions such as Huyghe's situational-aesthetic works. First comprehensive academic study of socalled Non-Human Living Sculptures Re-reading of the historiography of 20th century sculpture Sculptural aesthetics of the living"]