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[null,"1.","Record Nr.",null,"UNISA996248283103316"]
[null,null,"Autore",null,"Kopp David"]
[null,null,"Titolo",null,"Chromatic transformations in nineteenth-century music / / David Kopp [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2002"]
[null,null,"ISBN",null,"1-107-13108-1"]
[{"$nulls":4},"1-280-41909-1"]
[{"$nulls":4},"1-139-14731-5"]
[{"$nulls":4},"0-511-17035-1"]
[{"$nulls":4},"0-511-06372-5"]
[{"$nulls":4},"0-511-05739-3"]
[{"$nulls":4},"0-511-32394-8"]
[{"$nulls":4},"0-511-48193-4"]
[{"$nulls":4},"0-511-07218-X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xiii, 275 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Cambridge studies in music theory and analysis ; ; 17"]
[null,null,"Disciplina",null,"781.2/52"]
[null,null,"Soggetti",null,"Harmony"]
[{"$nulls":4},"Chromaticism (Music)"]
[{"$nulls":4},"Music - 19th century - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 264-269) and index."]
[null,null,"Nota di contenuto",null,"Common-tone tonality -- Three examples of functional chromatic mediant relations in Schubert -- Key harmonic systems and notions of third relations form Rameau -- Hugo Riemann -- Twentieth-century theory and chromatic third relations -- Riemann's legacy and transformation theories -- A chromatic transformation system -- Chromatic mediant relations in musical contexts -- Five analyses."]
[null,null,null,"Sommario/riassunto","David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, "]
[{"$nulls":4},"contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples."]
[null,"2.","Record Nr.",null,"UNINA9910130894103321"]
[null,null,"Autore",null,"Crombez Thomas"]
[null,null,"Titolo",null,"Het anti-theater van Antonin Artaud : Een onderzoek naar de veralgemeende artistieke transgressie toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio / / Thomas Crombez"]
[null,null,"Pubbl/distr/stampa",null,"Gent, : Academia Press, 2008"]
[{"$nulls":4},"Gent : , : Academia Press, , 2008"]
[null,null,"ISBN",null,"9789038212739"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 336 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Ginkgo Het antitheater van Antonin Artaud"]
[null,null,"Soggetti",null,"Romance Literatures"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"French Literature"]
[null,null,"Lingua di pubblicazione",null,"Olandese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","What does it mean to violate the law on a theatrical stage? This is the central question in the following examination of modern theatre, beginning with the avant-garde, but also including the contemporary and iconoclastic work of the Socìetas Raffaello Sanzio. For the historical avant-garde, art could be the gateway to a new and liberated reality. But then all of existing reality first had to be demolished, and its laws consistently violated. Ultimately, this transgressive programme ends in discouragement and self-sabotage. Such an 'anti-theatre' has been explored most extensively in the writings of the French director and essayist Antonin Artaud. A careful exploration of Artaud's work, emphasizing his actual theatrical productions, shows that this paradox does not necessarily lead to a dead end. Generalized transgression may lead to a theatre that belongs more to philosophy than to art itself."]
[null,"3.","Record Nr.",null,"UNIORUON00270047"]
[null,null,"Autore",null,"SIMPLICIUS"]
[null,null,"Titolo",null,"On Aristotle's physics 2 / Simplicius ; translated by Barrie Fleet"]
[null,null,"Pubbl/distr/stampa",null,"Ithaca, : Cornell University Press, 1997"]
[null,null,"ISBN",null,"08-01-43283-9"]
[null,null,"Descrizione fisica",null,"218 p. ; 24 cm"]
[null,null,"Disciplina",null,"185"]
[null,null,"Soggetti",null,"ARISTOTELE - Esegesi"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]