{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":3,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":42,"n_cols":5,"rows_kept":42,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[9,2,9,3],[9,4,9,5],[10,2,10,3],[10,4,10,5],[11,2,11,3],[11,4,11,5],[12,2,12,3],[13,2,13,3],[14,2,14,3],[15,2,15,3],[16,2,16,3],[17,2,17,3],[18,2,18,3],[20,2,20,3],[20,4,20,5],[21,2,21,3],[21,4,21,5],[22,2,22,3],[22,4,22,5],[23,2,23,3],[25,2,25,3],[26,2,26,3],[27,2,27,3],[28,2,28,3],[29,2,29,3],[30,2,30,3],[35,2,35,3],[36,2,36,3],[38,2,38,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNIORUON00415825"]
[null,null,"Autore",null,"CACANSKI, Krste"]
[null,null,"Titolo",null,"Book on the sky / Krste Chachanski ; Translation from Macedonian Elena Kavrakova. _ Skopje : St. Clement of Ohrid, National and university library, 2011"]
[null,null,"Pubbl/distr/stampa",null,"164 p. ; 21 cm."]
[null,null,"ISBN",null,"978-60-8232-005-2"]
[null,null,"Disciplina",null,"891.819"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNIORUON00215528"]
[null,null,"Autore",null,"KATONA, József"]
[null,null,"Titolo",null,"Bánk Bán / Katona József ; Sajtó alá rendezte Orosz László"]
[null,null,"Pubbl/distr/stampa",null,"Budapest, : Akadémiai Kiadó, 1983"]
[null,null,"ISBN",null,"96-305-3114-3"]
[null,null,"Edizione",null,"[Kritikai kiad]"]
[null,null,"Descrizione fisica",null,"543 p. ; 20 cm."]
[null,null,"Disciplina",null,"894.5112"]
[null,null,"Lingua di pubblicazione",null,"Hungarian"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910975380203321"]
[null,null,"Autore",null,"Siddons Louise"]
[null,null,"Titolo",null,"Good Pictures Are a Strong Weapon : Laura Gilpin, Queerness, and Navajo Sovereignty"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis : , : University of Minnesota Press, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"1-4529-6521-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (317 pages)"]
[null,null,"Classificazione",null,"PHO005000SOC017000"]
[null,null,"Disciplina",null,"779.092"]
[null,null,"Soggetti",null,"Navajo Indians - Portraits"]
[{"$nulls":4},"Indians of North America - Southwest, New - Portraits"]
[{"$nulls":4},"Lesbian photographers - United States"]
[{"$nulls":4},"PHOTOGRAPHY / Criticism"]
[{"$nulls":4},"SOCIAL SCIENCE / LGBTQ+ Studies / Lesbian Studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduction : queer intersections -- Looking like a lesbian -- The price of salt -- Seeing the four sacred mountains -- A Navaho family -- New ceremonies -- Conclusion : queer translation."]
[null,null,null,"Sommario/riassunto","\"A fundamental dilemma exists in documentary photography: can white artists successfully portray Indigenous lives and communities in a manner that neither appropriates nor romanticizes them? With an attentive and sensitive eye, Louise Siddons examines lesbian photographer Laura Gilpin's classic 1968 book The Enduring Navaho to illuminate the intersectional politics of photography, Navajo sovereignty, and queerness over the course of the twentieth century\"--"]
[{"$nulls":4},"\"What are the limits of political solidarity, and how can visual culture contribute to social change? A fundamental dilemma exists in documentary photography: can white artists successfully portray Indigenous lives and communities in a manner that neither appropriates nor romanticizes them? With an attentive and sensitive eye, Louise Siddons examines lesbian photographer Laura Gilpin's classic 1968 book The Enduring Navaho to illuminate the intersectional politics of photography, Navajo sovereignty, and queerness over the course of the twentieth century. Gilpin was a New York-trained fine arts photographer who started working with Navajo people when her partner accepted a job as a nurse in Arizona. She spent more than "]
[{"$nulls":4},"three decades documenting Navajo life and creating her book in collaboration with Navajo friends and colleagues. Framing her lesbian identity and her long relationship with the Navajo people around questions of allyship, Good Pictures Are a Strong Weapon addresses the long and problematic history of white photographers capturing images of Native life. Simultaneously, Siddons uses Gilpin's work to explore the limitations of white advocacy in a political moment that emphasized the need for Indigenous visibility and voices. Good Pictures Are a Strong Weapon introduces contemporary Diné (Navajo) artists as interlocutors, critics, and activists whose work embodies and extends the cultural sovereignty politics of earlier generations and makes visible the queerness often left implicit in Gilpin's photographs. Siddons puts their work in conversation with Gilpin's, taking up her mandate to viewers and readers of The Enduring Navajo to address Navajo aesthetics, traditions, politics, and people on their own terms. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions\"--"]