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[null,"1.","Record Nr.",null,"UNINA9910463985203321"]
[null,null,"Autore",null,"McClure Laura <1959-, >"]
[null,null,"Titolo",null,"Courtesans at table : gender and Greek literary culture in Athenaeus / / Laura K. McClure"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2013"]
[null,null,"ISBN",null,"1-315-81097-2"]
[{"$nulls":4},"1-317-79414-1"]
[{"$nulls":4},"1-317-79415-X"]
[null,null,"Descrizione fisica",null,"1 online resource (255 p.)"]
[null,null,"Disciplina",null,"938/.509/082"]
[null,null,"Soggetti",null,"Women and literature - Greece - Athens"]
[{"$nulls":4},"Dinners and dining - Greece - Athens"]
[{"$nulls":4},"Dinners and dining in literature"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Athens (Greece) In literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","First published 2003 by Taylor & Francis Books, Inc."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Half Title; Title Page; Copyright Page; Dedication; Table of Contents; Acknowledgments; A Note on Abbreviations; Introduction; The Courtesan as Fetish; Ancient Greek Terms for Prostitutes; Distinguishing the Hetaera from the Porne; The Pallake; The Auletris and Other Female Entertainers; The Eromene; Conclusion; Chapter 1 Genres of Courtesans: Athenaeus and Literary Nostalgia; Athenaeus and the Literary Symposium; Genres of Courtesans: Athenaeus and the Literary Quotation; Book 13 and the Discourse on Hetaeras; Cynulcus' Invective against Hetaeras; Myrtilus' Encomium of Hetaeras"]
[{"$nulls":4},"ConclusionChapter 2 The Women Most Mentioned: The Names of Athenian Courtesans; The Problem with Names; The Names of Athenian Women; Attic Identity, Foreign Birth; The Names of Hetaeras; The Names of Slaves; The Use of the Metronymic; Conclusion; Chapter 3 The Witticisms of Courtesans and Attic Paideia; Flattery, Riddles, and Double-Entendres; Hetaeras as Poets and Poets as Hetaeras; Sympotic Mockery; The Laughter of Hetaeras; The Chreia as a Literary Genre; Tragic Humor, Comic Obscenity; Philosophers and Courtesans; Conclusion; Chapter 4 The Spectacle of the Body: Courtesans in Performance"]
[{"$nulls":4},"Staging the Female BodyCynulcus' Praise of Brothels; Metaphors of the "]
[{"$nulls":4},"Body; Performing the Hetaera; The Movements of Hetaeras; The Hetaera and Epideixis; The Courtesan as Model: Phryne and her Statues; The Rhetoric of the Body: Phryne's Trial; Conclusion; Chapter 5 Temples and Mirrors: The Dedications of Hetaeras; Hetaeras and the Worship of Aphrodite; Narratives of Transgression; Funerary Monuments; Dedications; Narratives of Benefaction; Tools of the Trade: Anathematic Epigrams; Conclusion; Chapter 6 Conclusion; Appendix I List of Authors and Titles in Book 13 of Athenaeus' Deipnosophistae"]
[{"$nulls":4},"Appendix II Narrative Structure of Book 13 of Athenaeus' DeipnosophistaeAppendix III Named Courtesans and Prostitutes in Book 13 of Athenaeus' Deipnosophistae; Appendix IV Courtesans and their Lovers in Book 13 of Athenaeus' Deipnosophistae; Notes; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company."]
[null,"2.","Record Nr.",null,"UNINA9910150596403321"]
[null,null,"Autore",null,"Adamek Heinz P."]
[null,null,"Titolo",null,"Kunstakkorde - diagonal : essays zu kunst, architektur, literatur und gesellschaft / / Heinz P. Adamek"]
[null,null,"Pubbl/distr/stampa",null,"Wien, [Germany] ; ; Köln, [Germany] ; ; Weimar, [Germany] : , : Böhlau Verlag, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"Descrizione fisica",null,"1 online resource (256 pages) : illustrations, photographs"]
[null,null,"Disciplina",null,"786.2193"]
[null,null,"Soggetti",null,"Piano - Instruction and study"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Inhalt -- Kunstakkorde – Zum Geleit -- »Vivace cantabile« – Vorwort zur Einstimmung -- Worte zu Kunst und Kritik … -- Wegbereiter der Moderne – vergessener Österreicher -- Kunst – Anatomie – Kunst -- Eine Expedition zwischen die Zeiten -- Wiener Keramik ? Michael Powolny & Co ! -- Die Sphinx – Beispiele grafischer Assoziationen -- Der Goldene Schnitt des XX. Jahrhunderts Eine Wiener Hommage -- Ein verbotener Blick ins Auge Picassos -- Fadenkünste oder Transposition -- Close Encounters – eine Spurensuche -- Menschliche Wesenhaftigkeit : InCorpoRated – eine gemalte Parabel -- Von der Irritation zur Inspiration -- Ein Fixstern am europäischen Architekturhimmel -- Harmonische Dissonanz – Wienvokabular um 1912 -- Villa Böhler/St. Moritz – ein Nachruf -- »Jung Wien« – eine Versuchung -- Wenn der Purpur fällt … -- Central University Theater Group -- Liane und Pierre -- In die Neue Welt – ein aufschlussreicher Briefwechsel ? -- Ein (gem)einsamer Weg -- Liebe, Hollywood und Eifersucht … -- Kurzbiografien -- Textnachweise -- Zusätzliche bibliografische Hinweise zu Themen dieses Bandes -- Abbildungsnachweis -- Dank -- Backmatter"]
[null,null,null,"Sommario/riassunto","Heinz P. Adamek stellt mit diesem Essay-Band beispielhaft „Kunstschritte vom 19. ins 21. Jahrhundert“ vor: Er beleuchtet Persönlichkeiten aus bildender und angewandter Kunst, Architektur, Literatur, Theater und Film. Als vormaliger Universitätsdirektor der Universität für angewandte Kunst Wien gewährt er in Beiträgen über Hermann Heller, Anton Kenner, Bertold Löffler, Otto Niedermoser, Michael Powolny, Grete Rader-Soulek, Elli Rolf und Heinrich von "]
[{"$nulls":4},"Tessenow - durchwegs prägenden Gestalten der „Angewandten“ - profunde Einblicke in deren Schaffen, anderseits gilt sein Engagement als jahrelangem Initiator bzw. Kurator von Ausstellungen dem Oeuvre Giovanni Segantinis ebenso wie Arbeiten internationaler Künstler der Gegenwart zum Thema Rezeption des Werkes von Gustav Klimt.Sein Interesse für das Fin de Siècle und die frühe Moderne drückt sich auch in der Stückwahl für die Theateraufführungen des Wiener European Studies Program der Central University of Iowa aus, für die der Autor als Dramaturg und Regisseur eineinhalb Jahrzehnte verantwortlich zeichnete.Nicht zuletzt durchleuchtet der Arthur Schnitzler-Kenner Adamek in 2 Essays wenig bekannte Seiten des prominenten Dichters."]
[null,"3.","Record Nr.",null,"UNINA990004044280403321"]
[null,null,"Autore",null,"Ecole, Jean"]
[null,null,"Titolo",null,"Introduction a l'Opus metaphysisum de Christian Wolff / Jean Ecole"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Vrin, 1985"]
[null,null,"Descrizione fisica",null,"; 23 cm"]
[null,null,"Locazione",null,"FLFBC"]
[null,null,"Collocazione",null,"110 ECOJ 001"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Il volume contiene articoli estrapolati da riviste."]
[null,"4.","Record Nr.",null,"UNIORUON00196416"]
[null,null,"Autore",null,"ŠČEDRIN, Sil'vestr"]
[null,null,"Titolo",null,"Pis'ma / Sil'vestr Ščedrin"]
[null,null,"Pubbl/distr/stampa",null,"Moskva, : Iskusstvo, 1978"]
[null,null,"Descrizione fisica",null,"230 p. ; 21 cm."]
[null,null,"Lingua di pubblicazione",null,"Russo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]