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[null,"1.","Record Nr.",null,"UNINA9910151629203321"]
[null,null,"Autore",null,"Williams John R (John Reynold), <1942->"]
[null,null,"Titolo",null,"Martin Heidegger's philosophy of religion [[electronic resource] /] / by John R. Williams"]
[null,null,"Pubbl/distr/stampa",null,"[Toronto?], : Canadian Corp. for Studies in Religion, 1977"]
[null,null,"ISBN",null,"1-282-23352-1"]
[{"$nulls":4},"9786613811264"]
[{"$nulls":4},"0-88920-556-6"]
[null,null,"Descrizione fisica",null,"1 online resource (201 p.)"]
[null,null,"Collana",null,"SR supplements ; ; 2"]
[null,null,"Disciplina",null,"200/.1"]
[null,null,"Soggetti",null,"Religion - Philosophy"]
[{"$nulls":4},"Philosophy, American"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes indexes."]
[null,null,null,"Nota di bibliografia","Includes bibliography and indexes."]
[null,"2.","Record Nr.",null,"UNINA9910552974103321"]
[null,null,"Autore",null,"Amfreville Marc"]
[null,null,"Titolo",null,"William Dean Howells / / Guillaume Tanguy"]
[null,null,"Pubbl/distr/stampa",null,"Montpellier, : Presses universitaires de la Méditerranée, 2021"]
[null,null,"ISBN",null,"2-36781-403-1"]
[null,null,"Descrizione fisica",null,"1 online resource (303 p.)"]
[null,null,"Collana",null,"Horizons anglophones"]
[null,null,"Soggetti",null,"Sociology"]
[{"$nulls":4},"éthique"]
[{"$nulls":4},"classes sociales"]
[{"$nulls":4},"rapports sociaux"]
[{"$nulls":4},"sexualité"]
[{"$nulls":4},"réalisme urbain"]
[{"$nulls":4},"idéal démocratique"]
[{"$nulls":4},"le commun"]
[{"$nulls":4},"urban realism"]
[{"$nulls":4},"ethics"]
[{"$nulls":4},"the democratic ideal"]
[{"$nulls":4},"the common"]
[{"$nulls":4},"social class"]
[{"$nulls":4},"sex"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Ce volume de Profils américains comprend une introduction et onze contributions. L’introduction rappelle la place du réalisme howellsien dans les années 1870-1890, résumant les différentes périodes de l’œuvre, ses thématiques ainsi que la réaction critique. Le chapitre de Heinz Ickstadt compare l’œuvre tardive de Howells avec celle de Henry James, les mettant toutes deux en regard avec le pragmatisme de William James. Le chapitre de Jean Rivière étudie la dimension « eurocentrique » de l’œuvre de Howells. Dans « The Angle(s) of Truth », Cécile Roudeau examine la façon dont le romancier concilie couleur locale et visée représentative. Dans « Reality/Realities/Realism », Denise Ginfray analyse le rapport du langage réaliste au sens et à la "]
[{"$nulls":4},"vérité. L’article de Claude Dorey met au jour le « scénario coupable » dissimulé sous la surface de The Rise of Silas Lapham, tandis que celui d’Erik Rorabak relit Silas Lapham à la lumière des théories de Walter Benjamin et de Guy Debord. L’étude proposée par Michèle Bonnet révèle un équilibre subtil entre comédie et analyse psychologique dans Indian Summer. Le chapitre de Nathalie Cochoy montre comment A Hazard of New Fortunes renouvelle le réalisme urbain, les mutations urbaines affectant à la fois le psychisme et l’écriture. Guillaume Tanguy se penche sur le rapport entre découverte de la métropole new-yorkaise et renouvellement esthétique. Enfin, Marc Amfreville révèle un visage inattendu de Howells, lié à l’utilisation du gothique et au motif de la « tache » indélébile que constitue le « sang noir » dans The Shadow of a Dream et An Imperative Duty respectivement."]
[null,"3.","Record Nr.",null,"UNINA9910785935703321"]
[null,null,"Autore",null,"Sadlier Darlene J (Darlene Joy)"]
[null,null,"Titolo",null,"Americans all [[electronic resource] ] : good neighbor cultural diplomacy in World War II / / by Darlene J. Sadlier"]
[null,null,"Pubbl/distr/stampa",null,"Austin, : University of Texas Press, 2012"]
[null,null,"ISBN",null,"0-292-74980-5"]
[{"$nulls":4},"0-292-73931-1"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"xii, 251 p. : ill., ports"]
[null,null,"Collana",null,"Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture"]
[null,null,"Disciplina",null,"327.730809/04"]
[null,null,"Soggetti",null,"World War, 1939-1945 - Diplomatic history"]
[{"$nulls":4},"Cultural industries - Political aspects - United States - History - 20th century"]
[{"$nulls":4},"Popular culture - Political aspects - United States - History - 20th century"]
[{"$nulls":4},"United States Relations Latin America"]
[{"$nulls":4},"Latin America Relations United States"]
[{"$nulls":4},"United States Cultural policy"]
[{"$nulls":4},"United States Foreign relations 1933-1945"]
[{"$nulls":4},"United States Intellectual life 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"The Culture Industry Goes to War -- On Screen : The Motion Picture Division -- On the Air : The Radio Division -- In Print : The Press and Publication Division -- In Museums, Libraries, and on the Home Front : The Divisions of Cultural Relations and Inter-American Affairs in the United States -- Aftermath."]
[null,null,null,"Sommario/riassunto","Cultural diplomacy—“winning hearts and minds” through positive portrayals of the American way of life—is a key element in U.S. foreign policy, although it often takes a backseat to displays of military might. Americans All provides an in-depth, fine-grained study of a particularly successful instance of cultural diplomacy—the Office of the Coordinator of Inter-American Affairs (CIAA), a government agency established by President Franklin D. Roosevelt in 1940 and headed by Nelson A. Rockefeller that worked to promote hemispheric solidarity and combat Axis infiltration and domination by bolstering inter-American cultural ties. Darlene J. Sadlier explores how the CIAA used film, radio, the "]
[{"$nulls":4},"press, and various educational and high-art activities to convince people in the United States of the importance of good neighbor relations with Latin America, while also persuading Latin Americans that the United States recognized and appreciated the importance of our southern neighbors. She examines the CIAA’s working relationship with Hollywood’s Motion Picture Society of the Americas; its network and radio productions in North and South America; its sponsoring of Walt Disney, Orson Welles, John Ford, Gregg Toland, and many others who traveled between the United States and Latin America; and its close ties to the newly created Museum of Modern Art, which organized traveling art and photographic exhibits and produced hundreds of 16mm educational films for inter-American audiences; and its influence on the work of scores of artists, libraries, book publishers, and newspapers, as well as public schools, universities, and private organizations."]
[null,"4.","Record Nr.",null,"UNIORUON00052040"]
[null,null,"Autore",null,"SAVIANI, Carlo"]
[null,null,"Titolo",null,"L'Oriente di Heidegger / Carlo Saviani"]
[null,null,"Pubbl/distr/stampa",null,"Genova, : Il Melangolo, 1998"]
[null,null,"ISBN",null,"88-7018-357-2"]
[null,null,"Descrizione fisica",null,"118 p. ; 21 cm"]
[null,null,"Classificazione",null,"PE VII"]
[null,null,"Soggetti",null,"FILOSOFIA OCCIDENTALE - Relazioni con la filosofia orientale"]
[{"$nulls":4},"HEIDEGGER, MARTIN - CONFRONTI CON LA FILOSOFIA ORIENTALE - SAGGI"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]