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[null,"1.","Record Nr.",null,"UNIORUON00027759"]
[null,null,"Autore",null,"KELLNER-HEINKELE, Barbara"]
[null,null,"Titolo",null,"Aus den Aufzeichnungen des Sa'id Giray Sultan : Eine zeitgenossische Quelle zur Geschichte der Krim um die Mitte des 18. Jahrhunderts / Barbara Kellner-Heinkele"]
[null,null,"Pubbl/distr/stampa",null,"Freiburg im Breisgau, : Schwarz, 1975"]
[null,null,"ISBN",null,"38-7997-378-"]
[null,null,"Descrizione fisica",null,"x,329 p. ; 22 cm"]
[null,null,"Classificazione",null,"OTT IV A"]
[null,null,"Soggetti",null,"Impero Ottomano - Storia - Fonti - Sec. 18"]
[{"$nulls":4},"Impero Ottomano - Storia - Khanato di Crimea"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910635383503321"]
[null,null,"Autore",null,"Huvenne Martine"]
[null,null,"Titolo",null,"The Audiovisual Chord : Embodied Listening in Film / / by Martine Huvenne"]
[null,null,"Pubbl/distr/stampa",null,"Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2022"]
[null,null,"ISBN",null,"9789811948077"]
[{"$nulls":4},"9811948070"]
[{"$nulls":4},"9789811948060"]
[{"$nulls":4},"9811948062"]
[null,null,"Edizione",null,"[1st ed. 2022.]"]
[null,null,"Descrizione fisica",null,"1 online resource (322 pages)"]
[null,null,"Collana",null,"Palgrave Studies in Sound, , 2633-5883"]
[null,null,"Disciplina",null,"152.15"]
[null,null,"Soggetti",null,"Science - Social aspects"]
[{"$nulls":4},"Motion pictures"]
[{"$nulls":4},"Phenomenology"]
[{"$nulls":4},"Science and Technology Studies"]
[{"$nulls":4},"Sound Studies"]
[{"$nulls":4},"Film Theory"]
[{"$nulls":4},"Audio-Visual Culture"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduction -- Part I -- “The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.” -- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening -- Phenomenology, an introductionv -- Part II -- A phenomenological approach to audiovisual experience in practice -- Thinking in movement, and different ways to create space in film sound -- The audiovisual chord, an invitation to the audience to interact -- Part III -- Embodied listening, felt sound and the audiovisual chord in film history -- The audiovisual chord in relation to film as an audiovisual composition -- The importance of embodied (panic) listening in film as an audiovisual composition -- A phenomenological approach to film sound and film at the basis of film-making -- Conclusion."]
[null,null,null,"Sommario/riassunto","This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a "]
[{"$nulls":4},"sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. ."]