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[null,"1.","Record Nr.",null,"UNINA9911069024403321"]
[null,null,"Autore",null,"Barber James"]
[null,null,"Titolo",null,"Remixing the Hip-Hop Narrative : Between Local Expressions and Global Connections"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : transcript Verlag, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9783839470527"]
[{"$nulls":4},"3839470528"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (327 pages)"]
[null,null,"Collana",null,"Studien zur Popularmusik"]
[null,null,"Disciplina",null,"782.42164909"]
[null,null,"Soggetti",null,"Rap (Music) - History and criticism"]
[{"$nulls":4},"MUSIC / History & Criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Preface -- Remixing the Hip-Hop Narrative -- Epistemological Quandary -- Hip Hop Becomes Mainstream -- “Double the Struggle” -- “Where the Rhymes at?” -- YEEK! -- Identity Transgressions as Transgressions of the Art Form -- Afro-Cosmopolitanisms -- “Ich lebe für Hip Hop” -- Producing Hip-Hop Culture and Identity -- Chronicling New York Reggae and Hip Hop’s Crossroads, and Community Media as Historical Archives from the Ground Up -- Contributors"]
[null,null,null,"Sommario/riassunto","Although hip hop is now a well-established global music genre and cultural form, its history and current impact have not yet been sufficiently studied. The interdisciplinary contributions to this volume address hip hop's historical and regional struggles for representation of race, gender, generation, place, and language, as well as the tension between authenticity and commercialization. Contributors offer approaches to historicizing hip-hop culture, and present new theoretical perspectives and methodological tools for addressing hip hop's global impact. This volume targets not only scholars and students but also resonates with recent public debates about identity politics and cultural appropriation."]