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[null,"1.","Record Nr.",null,"UNINA9911069023603321"]
[null,null,"Autore",null,"Velasco Julio"]
[null,null,"Titolo",null,"Bio-Art : Varieties of the Living in Artworks from the Pre-Modern to the Anthropocene"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : transcript Verlag, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9783839471777"]
[{"$nulls":4},"383947177X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (255 pages)"]
[null,null,"Collana",null,"Image ; ; 246"]
[null,null,"Disciplina",null,"701.8"]
[null,null,"Soggetti",null,"Animals in art"]
[{"$nulls":4},"Biology in art"]
[{"$nulls":4},"Nature in art"]
[{"$nulls":4},"ART / History / General"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgements -- The Living in Artworks in Sociocultural and Historical Contexts -- Part One: humans – cosmos/culture – nature -- The Place of Martyrs -- Body Ornamentation in Pre-Columbian America -- The Snake and the Flying Fox -- Part Two: animals and human animals -- Bowerbirds and Their Bowers -- Animal Architecture in Friedrich Wilhelm Joseph von Schelling’s Philosophy of Art -- From Beast to Machine -- Part Three: arts – science – technology -- Duelling Epistemologies -- On the Ecologies of Contemporary Art -- Crosscutting Arts, Science and Technologies -- Author Biographies"]
[null,null,null,"Sommario/riassunto","In the face of climate change, the destruction of biodiversity or genetic experimentation, Bio Art appears as a form that is most directly grappling with the problems of the »Anthropocene«. It develops many different approaches and explores a variety of mediums, often related to scientific research, creating art that uses plants, insects, mammals, bacteria, bird songs, forest sounds, or genetic modification. Bio Art's uniqueness comes from incorporating, rather than just representing the living in a diverse range of artworks. In discussing such works from various world regions and time periods, the contributors address the divide between human and non-human animals, between »culture« and »nature«."]