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[null,"1.","Record Nr.",null,"UNINA9910699697403321"]
[null,null,"Autore",null,"Celminš Aivars K. R"]
[null,null,"Titolo",null,"Document classification by fuzzy attribute evaluation [[electronic resource] /] / Aivars Celmiņš"]
[null,null,"Pubbl/distr/stampa",null,"Aberdeen Proving Ground, MD : , : Army Research Laboratory, , [2000]"]
[null,null,"Descrizione fisica",null,"1 online resource (iv, 21 pages) : illustrations"]
[null,null,"Collana",null,"ARL-TR ; ; 380"]
[null,null,"Soggetti",null,"Automatic classification"]
[{"$nulls":4},"Fuzzy sets"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from title screen (viewed on Oct. 12, 2010)."]
[{"$nulls":4},"\"December 2000.\""]
[{"$nulls":4},"Includes bibliographical references (p. 17)."]
[null,"2.","Record Nr.",null,"UNINA9911046562703321"]
[null,null,"Autore",null,"Samman Nadim"]
[null,null,"Titolo",null,"Nadim Samman : Poetics of Encryption. Art and the Technocene / Nadim Samman, Neil Holt"]
[null,null,"Pubbl/distr/stampa",null,"Berlin, : Hatje Cantz Verlag, 2023"]
[null,null,"ISBN",null,"3-7757-5266-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (164 pages)"]
[null,null,"Collana",null,"Hatje Cantz Text ; 20"]
[null,null,"Disciplina",null,"709.05"]
[null,null,"Soggetti",null,"inscrutable systems"]
[{"$nulls":4},"KW Institute for Contemporary Art"]
[{"$nulls":4},"Marrakech Biennale"]
[{"$nulls":4},"Moscow Biennale for Young Art"]
[{"$nulls":4},"Nadim Samman"]
[{"$nulls":4},"occult dreaming"]
[{"$nulls":4},"proprietary algorithms"]
[{"$nulls":4},"secret data"]
[{"$nulls":4},"technological landscape"]
[{"$nulls":4},"technology"]
[{"$nulls":4},"Antarctic Biennale"]
[{"$nulls":4},"art"]
[{"$nulls":4},"black boxes"]
[{"$nulls":4},"black holes"]
[{"$nulls":4},"black sites"]
[{"$nulls":4},"culture of transparency"]
[{"$nulls":4},"digitalization"]
[{"$nulls":4},"digitization"]
[{"$nulls":4},"encryption"]
[{"$nulls":4},"hidden dimensions"]
[{"$nulls":4},"IAAC First Prize"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover Content Dark Arts Black Site Black Box Black Hole Dark Times Notes Image Credits Thanks Colophon Backcover"]
[null,null,null,"Sommario/riassunto","Proprietary algorithms, secret data troves, and inscrutable systems rule "]
[{"$nulls":4},"the day. How is this registered in art? In Poetics of Encryption Nadim Samman explores works that highlight the hidden dimensions of our technological landscape. Running counter to erroneous claims regarding a new culture of transparency and openness, such artworks address black sites, black boxes, and black holes—all the while, toggling between enlightened concern and occult dreaming. NADIM SAMMAN is Curator for the Digital Sphere at KW Institute for Contemporary Art, Berlin. He read Philosophy at University College London before receiving his PhD from the Courtauld Institute of Art. Widely published, in 2019 he was First Prize recipient of the International Award for Art Criticism (IAAC). Major curatorial projects included the 4th Marrakech Biennale (2012), the 5th Moscow Biennale for Young Art (2015) and the 1st Antarctic Biennale (2017)."]